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J Durand

Datos Biográficos

ID973
NOMBREJ Durand
NOMBRESJ
APELLIDODurand
FIRMADURAND J
AFILIACIONESISNI: 0000000121511713 NOVA University of Lisbon
ORCID0000-0001-6126-4585
VERIFICADOSí
TOTAL DE OBRAS15
TOTAL DE CITAS59
TOTAL COMO AUTOR14
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1963
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H3
  • For Bridgerton-inspired Content«

    Open Access•J Durand•ARTICLE•Kieler Beiträge zur Filmmusikforsch…•2025

    The industry of library music has undergone significant shifts as it seeks to adapt to both streaming services and online media. Among these changes, we increasingly find library tracks that evoke or emulate the score of hit series such as STRANGER THINGS and BRIDGERTON. These soundalikes often go on to be used in online content that stems from the shows, be it fan-created videos or professionally-produced adverts for social media. But how exactl…

  • Library Music in Digital Media

    James Deaville, J Durand et al.•ARTICLE•Music, Sound, and the Moving Image•2024

    The Introduction falls into three sections. The first presents the historical context for the collection and the themes that unite the articles, and provides summaries for each of the articles. The second section deals with the complex web of terminology surrounding ‘library music’, in its historical, theoretical, and practical aspects, with an emphasis on the implications of digital technology. The final section reviews the academic literature a…

  • Another conspiracy about a royalty-free song’

    Open Access•J Durand, Toby Huelin•ARTICLE•Media Culture & Society•2024•Referencias: 16

    In 2022, US President Donald Trump and UK Prime Minister Rishi Sunak faced public scrutiny over the background music used in official videos promoting their political agenda. Press articles and social media users claimed that the library (or ‘stock’) music heard in the videos consisted of so-called ‘soundalikes’, and questioned whether this choice was a public endorsement of problematic individuals or groups connected with the tracks in question:…

  • Library music as a matter of time

    Open Access•J Durand•ARTICLE•Time & Society•2024•Referencias: 16

    The industry of library music (pre-existing pieces that can be licensed for use in media) has grown considerably in the past two decades with its transition to a digital medium. A rising number of composers rely on this music as a source of income, along with audiovisual creators who increasingly use it in their productions. This expansion has accentuated a fundamental aspect of library music: the creation of large quantities of tracks at breakne…

  • Sounds like money? Stock music, television and Donald Trump

    Open Access•Toby Huelin, J Durand•ARTICLE•European Journal of American…•2022•Citada por: 2•Referencias: 2

    Library music (also known as ‘stock’ or ‘production’ music) plays an important role in the depiction of Donald Trump in media productions, be it to cast him as a bold political hero, a glamorous millionaire, an authoritarian ruler or a clownish character. The various facets of Trump’s public brand are reflected in library music catalogues: tracks tagged with the keyword ‘Trump’ highlight, for example, his notoriety as business tycoon and host of …

  • ‘Romantic Piano’ and ‘Sleazy Saxophone’

    J Durand•ARTICLE•Music, Sound, and the Moving Image•2020

    Library music is currently used in countless audio-visual contexts, from documentaries to YouTube videos. It has become an essential resource for video editors and a relevant source of revenue for composers. Although this pre-existing music is rapidly gaining significance and more varied uses, it still has a reputation in musicological scholarship of being uninteresting and stereotyped. By organising their music in neatly labelled drawers, librar…

  • Violência contra mulheres entre usuárias de serviços públicos de saúde da Grande São Paulo

    Open Access•Lilia Blima Schraiber, Ana Flávia Pires Lucas D’oliveira et al.•ARTICLE•Revista de Saúde Pública•2007•Citada por: 25•Referencias: 13

    OBJETIVO: Estimar a prevalência de violência contra mulheres (física, psicológica e sexual), por parceiro íntimo ou outro agressor, entre usuárias de serviços públicos de saúde e contrastá-la com a percepção de ter sofrido violência e com o registro das ocorrências nos serviços estudados. MÉTODOS: Estudo realizado em 19 serviços de saúde, selecionados por conveniência e agrupados em nove sítios de pesquisa na Grande São Paulo, entre 2001-2002. Qu…

  • Living Labour

    Open Access•J Durand, Jean-Pierre Durand et al.•BOOK•Living Labour•2003

    International audience

  • Violência vivida

    Open Access•Lilia Blima Schraiber, Lilia Schraiber et al.•ARTICLE•Interface - Comunicação Saúde…•2003•Citada por: 27•Referencias: 14

    É difícil o relato de violência sofrida por mulheres. Trata-se da invisibilidade da violência que afeta as relações usuárias - profissionais, criando impasses comunicacionais. Buscou-se caracterizar este silêncio, estudando usuárias de atenção primária na rede pública de São Paulo, quanto a prevalência de violência, a percepção de ter sofrido violência, a definição de violência em geral e a nomeação dada por quem a experimentou. Entrevistaram-se …

  • James Foley, Theoretical morphology of the French verb. Amsterdam

    Open Access•J Durand•ARTICLE•Journal of Linguistics•1982•Referencias: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Madagascar and the Protestant Impact

    Norman R Bennett, Bonar A Gow et al.•ARTICLE•The International Journal of…•1981

  • The s-Ø alternation in French

    Open Access•J Durand, Chantal Lyche•ARTICLE•Journal of Linguistics•1978•Citada por: 1•Referencias: 1

    Our aim in this paper is to study the s-ø alternation found in pairs like côtecostal . As far as we know, the phenomenon has not been studied in detail by any generative phonologist. We have found in the literature some passing references to the question but all the solutions seem to be based on scanty evidence. In contradistinction to previous approaches, we have based our analysis on an exhaustive list of all the alternations in question. The s…

  • The Labor Force in Economic Development. A Comparison of International Census Data 1946-1966

    H W Singer, J Durand et al.•ARTICLE•The Economic Journal•1976

    Journal Article The Labor Force in Economic Development. A Comparison of International Census Data 1946-1966 Get access The Labor Force in Economic Development. A Comparison of International Census Data 1946-1966. By J. DURAND. (Princeton, New Jersey: Princeton University Press, 1976. Pp. xv+ 259. £8.80.) H. W. Singer H. W. Singer Institute of Development Studies University of Sussex Search for other works by this author on: Oxford Academic Googl…

  • Maximi Planudis in Memoriam

    John Anderson, John Mathieson Anderson et al.•ARTICLE•Langages•1975•Citada por: 4

    Anderson John Mathieson, Durand J. Maximi Planudis in Memoriam. In: Langages, 9e année, n°38, 1975. La grammaire des cas, sous la direction de John M. Anderson et Françoise Dubois-Charlier. pp. 81-103

  • Le rôle de la ville dans la vie moderne

    J Durand•ARTICLE•Présence Africaine•1963

  • Violência vivida

    Open Access•Lilia Blima Schraiber, Lilia Schraiber et al.•ARTICLE•Interface - Comunicação Saúde…•2003•Citada por: 27•Referencias: 14

    É difícil o relato de violência sofrida por mulheres. Trata-se da invisibilidade da violência que afeta as relações usuárias - profissionais, criando impasses comunicacionais. Buscou-se caracterizar este silêncio, estudando usuárias de atenção primária na rede pública de São Paulo, quanto a prevalência de violência, a percepção de ter sofrido violência, a definição de violência em geral e a nomeação dada por quem a experimentou. Entrevistaram-se …

  • Violência contra mulheres entre usuárias de serviços públicos de saúde da Grande São Paulo

    Open Access•Lilia Blima Schraiber, Ana Flávia Pires Lucas D’oliveira et al.•ARTICLE•Revista de Saúde Pública•2007•Citada por: 25•Referencias: 13

    OBJETIVO: Estimar a prevalência de violência contra mulheres (física, psicológica e sexual), por parceiro íntimo ou outro agressor, entre usuárias de serviços públicos de saúde e contrastá-la com a percepção de ter sofrido violência e com o registro das ocorrências nos serviços estudados. MÉTODOS: Estudo realizado em 19 serviços de saúde, selecionados por conveniência e agrupados em nove sítios de pesquisa na Grande São Paulo, entre 2001-2002. Qu…

  • Maximi Planudis in Memoriam

    John Anderson, John Mathieson Anderson et al.•ARTICLE•Langages•1975•Citada por: 4

    Anderson John Mathieson, Durand J. Maximi Planudis in Memoriam. In: Langages, 9e année, n°38, 1975. La grammaire des cas, sous la direction de John M. Anderson et Françoise Dubois-Charlier. pp. 81-103

  • Sounds like money? Stock music, television and Donald Trump

    Open Access•Toby Huelin, J Durand•ARTICLE•European Journal of American…•2022•Citada por: 2•Referencias: 2

    Library music (also known as ‘stock’ or ‘production’ music) plays an important role in the depiction of Donald Trump in media productions, be it to cast him as a bold political hero, a glamorous millionaire, an authoritarian ruler or a clownish character. The various facets of Trump’s public brand are reflected in library music catalogues: tracks tagged with the keyword ‘Trump’ highlight, for example, his notoriety as business tycoon and host of …

  • The s-Ø alternation in French

    Open Access•J Durand, Chantal Lyche•ARTICLE•Journal of Linguistics•1978•Citada por: 1•Referencias: 1

    Our aim in this paper is to study the s-ø alternation found in pairs like côtecostal . As far as we know, the phenomenon has not been studied in detail by any generative phonologist. We have found in the literature some passing references to the question but all the solutions seem to be based on scanty evidence. In contradistinction to previous approaches, we have based our analysis on an exhaustive list of all the alternations in question. The s…

  • Le rôle de la ville dans la vie moderne

    J Durand•ARTICLE•Présence Africaine•1963

  • Maximi Planudis in Memoriam

    John Anderson, John Mathieson Anderson et al.•ARTICLE•Langages•1975•Citada por: 4

    Anderson John Mathieson, Durand J. Maximi Planudis in Memoriam. In: Langages, 9e année, n°38, 1975. La grammaire des cas, sous la direction de John M. Anderson et Françoise Dubois-Charlier. pp. 81-103

  • The Labor Force in Economic Development. A Comparison of International Census Data 1946-1966

    H W Singer, J Durand et al.•ARTICLE•The Economic Journal•1976

    Journal Article The Labor Force in Economic Development. A Comparison of International Census Data 1946-1966 Get access The Labor Force in Economic Development. A Comparison of International Census Data 1946-1966. By J. DURAND. (Princeton, New Jersey: Princeton University Press, 1976. Pp. xv+ 259. £8.80.) H. W. Singer H. W. Singer Institute of Development Studies University of Sussex Search for other works by this author on: Oxford Academic Googl…

  • The s-Ø alternation in French

    Open Access•J Durand, Chantal Lyche•ARTICLE•Journal of Linguistics•1978•Citada por: 1•Referencias: 1

    Our aim in this paper is to study the s-ø alternation found in pairs like côtecostal . As far as we know, the phenomenon has not been studied in detail by any generative phonologist. We have found in the literature some passing references to the question but all the solutions seem to be based on scanty evidence. In contradistinction to previous approaches, we have based our analysis on an exhaustive list of all the alternations in question. The s…

  • Madagascar and the Protestant Impact

    Norman R Bennett, Bonar A Gow et al.•ARTICLE•The International Journal of…•1981

  • James Foley, Theoretical morphology of the French verb. Amsterdam

    Open Access•J Durand•ARTICLE•Journal of Linguistics•1982•Referencias: 1

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Living Labour

    Open Access•J Durand, Jean-Pierre Durand et al.•BOOK•Living Labour•2003

    International audience

  • Violência vivida

    Open Access•Lilia Blima Schraiber, Lilia Schraiber et al.•ARTICLE•Interface - Comunicação Saúde…•2003•Citada por: 27•Referencias: 14

    É difícil o relato de violência sofrida por mulheres. Trata-se da invisibilidade da violência que afeta as relações usuárias - profissionais, criando impasses comunicacionais. Buscou-se caracterizar este silêncio, estudando usuárias de atenção primária na rede pública de São Paulo, quanto a prevalência de violência, a percepção de ter sofrido violência, a definição de violência em geral e a nomeação dada por quem a experimentou. Entrevistaram-se …

  • Violência contra mulheres entre usuárias de serviços públicos de saúde da Grande São Paulo

    Open Access•Lilia Blima Schraiber, Ana Flávia Pires Lucas D’oliveira et al.•ARTICLE•Revista de Saúde Pública•2007•Citada por: 25•Referencias: 13

    OBJETIVO: Estimar a prevalência de violência contra mulheres (física, psicológica e sexual), por parceiro íntimo ou outro agressor, entre usuárias de serviços públicos de saúde e contrastá-la com a percepção de ter sofrido violência e com o registro das ocorrências nos serviços estudados. MÉTODOS: Estudo realizado em 19 serviços de saúde, selecionados por conveniência e agrupados em nove sítios de pesquisa na Grande São Paulo, entre 2001-2002. Qu…

  • ‘Romantic Piano’ and ‘Sleazy Saxophone’

    J Durand•ARTICLE•Music, Sound, and the Moving Image•2020

    Library music is currently used in countless audio-visual contexts, from documentaries to YouTube videos. It has become an essential resource for video editors and a relevant source of revenue for composers. Although this pre-existing music is rapidly gaining significance and more varied uses, it still has a reputation in musicological scholarship of being uninteresting and stereotyped. By organising their music in neatly labelled drawers, librar…

  • Sounds like money? Stock music, television and Donald Trump

    Open Access•Toby Huelin, J Durand•ARTICLE•European Journal of American…•2022•Citada por: 2•Referencias: 2

    Library music (also known as ‘stock’ or ‘production’ music) plays an important role in the depiction of Donald Trump in media productions, be it to cast him as a bold political hero, a glamorous millionaire, an authoritarian ruler or a clownish character. The various facets of Trump’s public brand are reflected in library music catalogues: tracks tagged with the keyword ‘Trump’ highlight, for example, his notoriety as business tycoon and host of …

  • Library Music in Digital Media

    James Deaville, J Durand et al.•ARTICLE•Music, Sound, and the Moving Image•2024

    The Introduction falls into three sections. The first presents the historical context for the collection and the themes that unite the articles, and provides summaries for each of the articles. The second section deals with the complex web of terminology surrounding ‘library music’, in its historical, theoretical, and practical aspects, with an emphasis on the implications of digital technology. The final section reviews the academic literature a…

  • Another conspiracy about a royalty-free song’

    Open Access•J Durand, Toby Huelin•ARTICLE•Media Culture & Society•2024•Referencias: 16

    In 2022, US President Donald Trump and UK Prime Minister Rishi Sunak faced public scrutiny over the background music used in official videos promoting their political agenda. Press articles and social media users claimed that the library (or ‘stock’) music heard in the videos consisted of so-called ‘soundalikes’, and questioned whether this choice was a public endorsement of problematic individuals or groups connected with the tracks in question:…

  • Library music as a matter of time

    Open Access•J Durand•ARTICLE•Time & Society•2024•Referencias: 16

    The industry of library music (pre-existing pieces that can be licensed for use in media) has grown considerably in the past two decades with its transition to a digital medium. A rising number of composers rely on this music as a source of income, along with audiovisual creators who increasingly use it in their productions. This expansion has accentuated a fundamental aspect of library music: the creation of large quantities of tracks at breakne…

  • For Bridgerton-inspired Content«

    Open Access•J Durand•ARTICLE•Kieler Beiträge zur Filmmusikforsch…•2025

    The industry of library music has undergone significant shifts as it seeks to adapt to both streaming services and online media. Among these changes, we increasingly find library tracks that evoke or emulate the score of hit series such as STRANGER THINGS and BRIDGERTON. These soundalikes often go on to be used in online content that stems from the shows, be it fan-created videos or professionally-produced adverts for social media. But how exactl…

Art (8 obras) · Sociology (7 obras) · Political science (6 obras) · Philosophy (5 obras) · Philosophy (5 obras) · Visual arts (5 obras) · Computer Science (4 obras) · Linguistics (4 obras) · History (3 obras) · Humanities (3 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae