Stanislas de Courville
Biographic Data
| ID | 9731728 |
|---|---|
| NAME | Stanislas de Courville |
| GIVEN NAMES | Stanislas |
| FAMILY NAME | de Courville |
| SIGNATURE | DE COURVILLE S |
| AFFILIATIONS | Aix-Marseille Université |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Introduction. « La guerre a -eu- lieu »
Introduction. “The War -has taken- is Taking Place”
Lambeaux de monde
The Russian invasion of 2022 was based on an organized process of influence on the Ukrainian population, aimed at obtaining their support or neutralizing their possible resistance, in concert with the state apparatus. We find, in the backdrop of this process, the memorial conflict between these two countries and their neighbours, concerning World War II and the Soviet Union. This war of influence, or political warfare, which falls within new form…
Introduzione. “C’è -stata- la guerra”
L’écran du cinéma deleuzien, cerveau sans corps
Building on Gilles Deleuze’s famous declaration that “the brain is the screen”, wholly emblematic of his thinking on cinema, this essay interrogates the place of the body within this thought in relation to Merleau-Pontyan-inspired critiques. My aim is to determine whether Deleuze offers a theory of the perceiving body in relation to spectatorial experience, despite the risk that it possibly imply a logical contradiction in the construction of the…
No prominent works on this page.
L’écran du cinéma deleuzien, cerveau sans corps
Building on Gilles Deleuze’s famous declaration that “the brain is the screen”, wholly emblematic of his thinking on cinema, this essay interrogates the place of the body within this thought in relation to Merleau-Pontyan-inspired critiques. My aim is to determine whether Deleuze offers a theory of the perceiving body in relation to spectatorial experience, despite the risk that it possibly imply a logical contradiction in the construction of the…
Introduction. « La guerre a -eu- lieu »
Introduction. “The War -has taken- is Taking Place”
Lambeaux de monde
The Russian invasion of 2022 was based on an organized process of influence on the Ukrainian population, aimed at obtaining their support or neutralizing their possible resistance, in concert with the state apparatus. We find, in the backdrop of this process, the memorial conflict between these two countries and their neighbours, concerning World War II and the Soviet Union. This war of influence, or political warfare, which falls within new form…
Introduzione. “C’è -stata- la guerra”
Philosophy (5 works) · Political science (3 works) · Computer Science (2 works) · Epistemology (2 works) · Law (2 works) · Aesthetics (1 work) · Art (1 work) · Art history (1 work) · China's Global Influence and Migration (1 work) · Contemporary philosophy (1 work)