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Eduardo Neiva

Biographic Data

ID973181
NAMEEduardo Neiva
GIVEN NAMESEduardo
FAMILY NAMENeiva
SIGNATURENEIVA E
AFFILIATIONSUniversity of Alabama at Birmingham
ORCID0009-0005-9595-2868
VERIFIEDYes
TOTAL WORKS17
TOTAL CITATIONS8
AUTHOR COUNT16
EDITOR COUNT1
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Verdade, Prova e Possibilidade: Na Antiguidade Clássica, nas redes informacionais contemporâneas

    Open Access•Eduardo Neiva•ARTICLE•Alceu•2024

    Esse texto examina as noções de verdade, de prova, e de possibilidade tanto na Antiguidade Clássica como na era digital. Seu propósito é reformatar as categorias lógicas da verdade nos termos estritos da comunicação

  • Vital signs: The Darwinian semiotics of beauty in the animal and human worlds

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•2019•Cited by: 1•References: 12

  • The Media: The Past and the Years to Come

    Open Access•Eduardo Neiva•ARTICLE•Portuguese Literary and Cultural…•2016

  • Communicating Culture: An Evolutionary Explanation

    Open Access•James Lull, James James Lull et al.•ARTICLE•Comunicar•2011•Cited by: 1•References: 2

    Whether gathering around bonfires, watching TV, or sitting in front of computer screens, the pressures of Darwinian natural selection have forced individuals into tight patterns of interdependency, welded together by communication links. Can the information-sharing behavior of our species ever be brought into broader perspective and eventually foster greater harmony for all humankind? The authors argue that the answer to this question is «yes». C…

  • Communicating Change The Promise of Human Evolution

    Open Access•James Lull, Eduardo Neiva•ARTICLE•Matrizes•2008•References: 6

    Na época atual, a evolução humana não segue mais exatamente o mesmo princípio da evolução biológica, resultante da adaptação e da sobrevivência competitiva das espécies na natureza em função das mutações aleatórias. Essa transformação varia em função das inovações culturais e de determinações morais, traço distintivo da espécie humana, a única a subordinar seus interesses genéticos a outras questões que julga mais relevantes. O ritmo dessas mudan…

  • Communication Games: The Semiotic Foundation of Culture

    Eduardo Neiva•BOOK•Communication Games•2007

    Communication Games is a new and radical interpretation of the relationship between culture and communication. It explores the idea that culture and communication studies should be seen predominantly in relation to struggles and conflicts within the social arena. It criticizes the conventional heritage of the social sciences and humanities. Culture and communication are conceived not merely as means of integrating social actors, but as semiotic w…

  • The Semiotic Immersion of Video Games, Gaming Technology and Interactive Strategies

    Open Access•Eduardo Neiva, Carlo Luca Romanò•ARTICLE•Public Journal of Semiotics•2007•References: 2

    The paper analyzes the effect of immersion in digital games using the theoretical apparatus of game theory. The paper illustrates interactive operations and the cause and effect relationship between player and designer, explaining the importance of strategic decision-making and pathing in player immersion. It considers the game function of creating a virtual world and proposes the idea that digital games are not just computer-mediated communicati…

  • The serpent's egg: Communication and the bio-semiotics of image making

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•2007•References: 9

    A new understanding of communication processes is achieved when one considers the peculiarities of image making. The discussion of visuality in communication is particularly relevant for communication studies as it calls into question the presumably paradigmatic and conventionalist assumptions that have prevailed in this field of studies. This paper considers the anatomy of neurological functions of the visual brain as the key to the understandin…

  • Eyes, mirror, light: History’s other lenses

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•2005

    This review article considers the main contentions of David Hockney’s Secret Knowledge in relation to the semiotics of the visual image. The discussion is particularly relevant for the semiotics of image because it calls into question the paradigmatic and conventionalist assumptions that have prevailed in this field of studies. The article expands the discussion presenting a bio-semiotic explanation of how images are made if one takes into accoun…

  • Eyes, mirror, light: History’s other lenses

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•2005

  • Is cultural difference or sexual selection the cause of group conflict? Semiotics of culture during the Peloponnesian War

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•2004

  • The thing to do: Spontaneous forms in American art and culture

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•2002

  • Redefining the Image: Mimesis, Convention, and Semiotics

    Open Access•Eduardo Neiva•ARTICLE•Communication Theory•1999•Cited by: 3•References: 8

    Journal Article Redefining the Image: Mimesis, Convention, and Semiotics Get access Eduardo Neiva Eduardo Neiva 1Eduardo Neiva is an associate professor in the Department of Communication Studies, The University of Alabama at Birmingham. His research interests are theoretical problems in communication studies; semiotics of image; biosocial and biosemiotic aspects of communication. Search for other works by this author on: Oxford Academic Google S…

  • Heidegger says Being, and representation is dead

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•1996•References: 1

    L'A. tente de replacer la pensee de Heidegger dans le cadre d'une semiotique de l'image et des arts visuels, en depit du fait que le philosophe concoit l'interpretation d'une oeuvre d'art comme un violent acte de possession, une appropriation trompeuse. L'hypothese de Heidegger consiste en effet a comprendre la nature d'une oeuvre d'art en se referant a sa manifestation en tant que phenomene, dans le sens ou elle se manifeste elle-meme et est lie…

  • Poses, onions, and noses

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•1994

  • Sob o signo da comentadores História: Resposta a Meus Comentadores

    Open Access•Eduardo Neiva•ARTICLE•Anais do Museu Paulista História…•1993•References: 25

  • Imagem, história e semiótica

    Open Access•Eduardo Neiva•ARTICLE•Anais do Museu Paulista História…•1993•Cited by: 3

  • Redefining the Image: Mimesis, Convention, and Semiotics

    Open Access•Eduardo Neiva•ARTICLE•Communication Theory•1999•Cited by: 3•References: 8

    Journal Article Redefining the Image: Mimesis, Convention, and Semiotics Get access Eduardo Neiva Eduardo Neiva 1Eduardo Neiva is an associate professor in the Department of Communication Studies, The University of Alabama at Birmingham. His research interests are theoretical problems in communication studies; semiotics of image; biosocial and biosemiotic aspects of communication. Search for other works by this author on: Oxford Academic Google S…

  • Imagem, história e semiótica

    Open Access•Eduardo Neiva•ARTICLE•Anais do Museu Paulista História…•1993•Cited by: 3

  • Vital signs: The Darwinian semiotics of beauty in the animal and human worlds

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•2019•Cited by: 1•References: 12

  • Communicating Culture: An Evolutionary Explanation

    Open Access•James Lull, James James Lull et al.•ARTICLE•Comunicar•2011•Cited by: 1•References: 2

    Whether gathering around bonfires, watching TV, or sitting in front of computer screens, the pressures of Darwinian natural selection have forced individuals into tight patterns of interdependency, welded together by communication links. Can the information-sharing behavior of our species ever be brought into broader perspective and eventually foster greater harmony for all humankind? The authors argue that the answer to this question is «yes». C…

  • Sob o signo da comentadores História: Resposta a Meus Comentadores

    Open Access•Eduardo Neiva•ARTICLE•Anais do Museu Paulista História…•1993•References: 25

  • Imagem, história e semiótica

    Open Access•Eduardo Neiva•ARTICLE•Anais do Museu Paulista História…•1993•Cited by: 3

  • Poses, onions, and noses

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•1994

  • Heidegger says Being, and representation is dead

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•1996•References: 1

    L'A. tente de replacer la pensee de Heidegger dans le cadre d'une semiotique de l'image et des arts visuels, en depit du fait que le philosophe concoit l'interpretation d'une oeuvre d'art comme un violent acte de possession, une appropriation trompeuse. L'hypothese de Heidegger consiste en effet a comprendre la nature d'une oeuvre d'art en se referant a sa manifestation en tant que phenomene, dans le sens ou elle se manifeste elle-meme et est lie…

  • Redefining the Image: Mimesis, Convention, and Semiotics

    Open Access•Eduardo Neiva•ARTICLE•Communication Theory•1999•Cited by: 3•References: 8

    Journal Article Redefining the Image: Mimesis, Convention, and Semiotics Get access Eduardo Neiva Eduardo Neiva 1Eduardo Neiva is an associate professor in the Department of Communication Studies, The University of Alabama at Birmingham. His research interests are theoretical problems in communication studies; semiotics of image; biosocial and biosemiotic aspects of communication. Search for other works by this author on: Oxford Academic Google S…

  • The thing to do: Spontaneous forms in American art and culture

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•2002

  • Is cultural difference or sexual selection the cause of group conflict? Semiotics of culture during the Peloponnesian War

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•2004

  • Eyes, mirror, light: History’s other lenses

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•2005

    This review article considers the main contentions of David Hockney’s Secret Knowledge in relation to the semiotics of the visual image. The discussion is particularly relevant for the semiotics of image because it calls into question the paradigmatic and conventionalist assumptions that have prevailed in this field of studies. The article expands the discussion presenting a bio-semiotic explanation of how images are made if one takes into accoun…

  • Eyes, mirror, light: History’s other lenses

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•2005

  • Communication Games: The Semiotic Foundation of Culture

    Eduardo Neiva•BOOK•Communication Games•2007

    Communication Games is a new and radical interpretation of the relationship between culture and communication. It explores the idea that culture and communication studies should be seen predominantly in relation to struggles and conflicts within the social arena. It criticizes the conventional heritage of the social sciences and humanities. Culture and communication are conceived not merely as means of integrating social actors, but as semiotic w…

  • The Semiotic Immersion of Video Games, Gaming Technology and Interactive Strategies

    Open Access•Eduardo Neiva, Carlo Luca Romanò•ARTICLE•Public Journal of Semiotics•2007•References: 2

    The paper analyzes the effect of immersion in digital games using the theoretical apparatus of game theory. The paper illustrates interactive operations and the cause and effect relationship between player and designer, explaining the importance of strategic decision-making and pathing in player immersion. It considers the game function of creating a virtual world and proposes the idea that digital games are not just computer-mediated communicati…

  • The serpent's egg: Communication and the bio-semiotics of image making

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•2007•References: 9

    A new understanding of communication processes is achieved when one considers the peculiarities of image making. The discussion of visuality in communication is particularly relevant for communication studies as it calls into question the presumably paradigmatic and conventionalist assumptions that have prevailed in this field of studies. This paper considers the anatomy of neurological functions of the visual brain as the key to the understandin…

  • Communicating Change The Promise of Human Evolution

    Open Access•James Lull, Eduardo Neiva•ARTICLE•Matrizes•2008•References: 6

    Na época atual, a evolução humana não segue mais exatamente o mesmo princípio da evolução biológica, resultante da adaptação e da sobrevivência competitiva das espécies na natureza em função das mutações aleatórias. Essa transformação varia em função das inovações culturais e de determinações morais, traço distintivo da espécie humana, a única a subordinar seus interesses genéticos a outras questões que julga mais relevantes. O ritmo dessas mudan…

  • Communicating Culture: An Evolutionary Explanation

    Open Access•James Lull, James James Lull et al.•ARTICLE•Comunicar•2011•Cited by: 1•References: 2

    Whether gathering around bonfires, watching TV, or sitting in front of computer screens, the pressures of Darwinian natural selection have forced individuals into tight patterns of interdependency, welded together by communication links. Can the information-sharing behavior of our species ever be brought into broader perspective and eventually foster greater harmony for all humankind? The authors argue that the answer to this question is «yes». C…

  • The Media: The Past and the Years to Come

    Open Access•Eduardo Neiva•ARTICLE•Portuguese Literary and Cultural…•2016

  • Vital signs: The Darwinian semiotics of beauty in the animal and human worlds

    Open Access•Eduardo Neiva•ARTICLE•Semiotica•2019•Cited by: 1•References: 12

  • Verdade, Prova e Possibilidade: Na Antiguidade Clássica, nas redes informacionais contemporâneas

    Open Access•Eduardo Neiva•ARTICLE•Alceu•2024

    Esse texto examina as noções de verdade, de prova, e de possibilidade tanto na Antiguidade Clássica como na era digital. Seu propósito é reformatar as categorias lógicas da verdade nos termos estritos da comunicação

Epistemology (8 works) · Philosophy (8 works) · Art (7 works) · Semiotics (6 works) · Sociology (6 works) · Computer Science (3 works) · Humanities (3 works) · Linguistics (3 works) · Psychology (3 works) · Semiotics and Representation Studies (3 works)

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