Stanley B Greenfield
Biographic Data
| ID | 973425 |
|---|---|
| NAME | Stanley B Greenfield |
| GIVEN NAMES | Stanley B |
| FAMILY NAME | Greenfield |
| SIGNATURE | GREENFIELD S B |
| AFFILIATIONS | University of Oregon |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 15 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1955 |
| LATEST PUBLICATION YEAR | 1988 |
| H-INDEX | 2 |
A New Critical History of Old English Literature
Wulf and Eadwacer: All passion pent
The nineteen-line Old English poem known as Wulf and Eadwacer has proved a notorious lodestone and analytical trap for critics; and still another interpretation of it may seem futile, if not presumptuous. Nevertheless, I believe no more firmly in my interpretation than others have believed in theirs: that is, I am no less confident that it will clear up most of the verbal and situational mysteries the poem presents; that it will enable us to see …
Record of the second conference of the International Society of Anglo-Saxonists, at Cambridge, 19—23 August 1985
The following papers were presented, the first nine being on the theme of ‘England South of the Humber during the Seventh, Eighth and Ninth Centuries’: H. R. Loyn, ‘What are the Issues?’
A Bibliography of Publications on Old English Literature to the End of 1972
Record of the first conference of the International Society of Anglo-Saxonists, at Brussels and Ghent, 22–4 August 1983
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
A touch of the monstrous in the hero, or Beowulf re‐Marvellized
Sylf , seasons, structure and genre in The Seafarer
In ‘Second Thoughts on the Interpretation of The Seafarer’ , John C. Pope gracefully retracted his earlier suggestion that The Seafarer and The Wanderer contain ‘dramatic voices’ and, in the process of retraction, generously acknowledged my own challenge to his two-speaker theory. In this later essay Professor Pope makes a number of illuminating comments about problems in The Seafarer: I feel especially enlightened by his evidence and argument th…
The Art and Background of Old English Poetry . Barbara C. Raw
The authenticating voice in Beowulf
Two major concerns of recent Beowulf criticism have been (1) to establish the extent to which the poet used his pagan heroic narrative to shadow forth Christian meaning and (2) to establish the exact attitude of the poet towards his hero and towards the social institutions and mores of his hero's day – which, as we know, was several centuries before the poet's own. A nexus of such considerations has been the last word of the poem, lofgeornost : i…
Introduction to Beowulf . Edward B. Irving, Jr
A Reading of Beowulf . Edward B. Irving, Jr
The Canons of Old English Criticism
Studies in Old English Literature in Honor of Arthur G. Brodeur
Piers Plowman as a Fourteenth-Century Apocalypse
The Formulaic Expression of the Theme of "Exile" in Anglo-Saxon Poetry
The Formulaic Expression of the Theme of "Exile" in Anglo-Saxon Poetry
A touch of the monstrous in the hero, or Beowulf re‐Marvellized
Sylf , seasons, structure and genre in The Seafarer
In ‘Second Thoughts on the Interpretation of The Seafarer’ , John C. Pope gracefully retracted his earlier suggestion that The Seafarer and The Wanderer contain ‘dramatic voices’ and, in the process of retraction, generously acknowledged my own challenge to his two-speaker theory. In this later essay Professor Pope makes a number of illuminating comments about problems in The Seafarer: I feel especially enlightened by his evidence and argument th…
The Formulaic Expression of the Theme of "Exile" in Anglo-Saxon Poetry
Piers Plowman as a Fourteenth-Century Apocalypse
Studies in Old English Literature in Honor of Arthur G. Brodeur
The Canons of Old English Criticism
A Reading of Beowulf . Edward B. Irving, Jr
Introduction to Beowulf . Edward B. Irving, Jr
The authenticating voice in Beowulf
Two major concerns of recent Beowulf criticism have been (1) to establish the extent to which the poet used his pagan heroic narrative to shadow forth Christian meaning and (2) to establish the exact attitude of the poet towards his hero and towards the social institutions and mores of his hero's day – which, as we know, was several centuries before the poet's own. A nexus of such considerations has been the last word of the poem, lofgeornost : i…
The Art and Background of Old English Poetry . Barbara C. Raw
Sylf , seasons, structure and genre in The Seafarer
In ‘Second Thoughts on the Interpretation of The Seafarer’ , John C. Pope gracefully retracted his earlier suggestion that The Seafarer and The Wanderer contain ‘dramatic voices’ and, in the process of retraction, generously acknowledged my own challenge to his two-speaker theory. In this later essay Professor Pope makes a number of illuminating comments about problems in The Seafarer: I feel especially enlightened by his evidence and argument th…
A touch of the monstrous in the hero, or Beowulf re‐Marvellized
A Bibliography of Publications on Old English Literature to the End of 1972
Record of the first conference of the International Society of Anglo-Saxonists, at Brussels and Ghent, 22–4 August 1983
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Wulf and Eadwacer: All passion pent
The nineteen-line Old English poem known as Wulf and Eadwacer has proved a notorious lodestone and analytical trap for critics; and still another interpretation of it may seem futile, if not presumptuous. Nevertheless, I believe no more firmly in my interpretation than others have believed in theirs: that is, I am no less confident that it will clear up most of the verbal and situational mysteries the poem presents; that it will enable us to see …
Record of the second conference of the International Society of Anglo-Saxonists, at Cambridge, 19—23 August 1985
The following papers were presented, the first nine being on the theme of ‘England South of the Humber during the Seventh, Eighth and Ninth Centuries’: H. R. Loyn, ‘What are the Issues?’
A New Critical History of Old English Literature
Medieval Literature and History (12 works) · Art (11 works) · History (11 works) · Literature (10 works) · Computer Science (8 works) · History (7 works) · Linguistics and language evolution (7 works) · Philosophy (7 works) · Classics (6 works) · Linguistics (5 works)