Md Salleh Yaapar Md Salleh Yaapar
Biographic Data
| ID | 9736829 |
|---|---|
| NAME | Md Salleh Yaapar Md Salleh Yaapar |
| GIVEN NAMES | Md Salleh Yaapar Md Salleh |
| FAMILY NAME | Yaapar |
| SIGNATURE | YAAPAR M S Y M S |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Pre-9/11 Islamophobia
Don DeLillo’s Falling Man reproduces the same Orientalist mantra of the Muslim terrorist. Although he is much celebrated for writing thrilling terrorism and assassination novels long before the 9/11 event, many critics situated his Falling Man within the 9/11 neo-Orientalist framework. This study argues that the 9/11 occurrence (while acknowledging its significance) is not the only trigger behind DeLillo’s representation of Muslims in his novel. …
The Hermeneutic of the Malay Comic
A comic is a form of sequential art that incorporates the integrated textual and visual aspects to reveal the desired meaning. It involves storytelling techniques with narrative elements as found in conventional literary works. Nowadays, comic art is flourishing in Malaysia with the advent of abundant comics from various old and new local authors. The uniqueness of Rejabhad, who was widely known as the King of Malaysian Cartoon, allows the resear…
No prominent works on this page.
The Hermeneutic of the Malay Comic
A comic is a form of sequential art that incorporates the integrated textual and visual aspects to reveal the desired meaning. It involves storytelling techniques with narrative elements as found in conventional literary works. Nowadays, comic art is flourishing in Malaysia with the advent of abundant comics from various old and new local authors. The uniqueness of Rejabhad, who was widely known as the King of Malaysian Cartoon, allows the resear…
Pre-9/11 Islamophobia
Don DeLillo’s Falling Man reproduces the same Orientalist mantra of the Muslim terrorist. Although he is much celebrated for writing thrilling terrorism and assassination novels long before the 9/11 event, many critics situated his Falling Man within the 9/11 neo-Orientalist framework. This study argues that the 9/11 occurrence (while acknowledging its significance) is not the only trigger behind DeLillo’s representation of Muslims in his novel. …
Art (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Asian Studies and History (1 work) · Comics (1 work) · Contemporary Literature and Criticism (1 work) · Education and Islamic Studies (1 work) · Epistemology (1 work)