حماده عبدالفتاح يوسف
Biographic Data
| ID | 9738771 |
|---|---|
| NAME | حماده عبدالفتاح يوسف |
| GIVEN NAMES | حماده عبدالفتاح |
| FAMILY NAME | يوسف |
| SIGNATURE | يوسف ح ع |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Zora Neale Hurston’s Their Eyes Were Watching God
Zora Neale Hurston’s novel Their Eyes Were Watching God is examined to demonstrate how storytelling and the blues, as aspects of diasporic survival, function in her fiction which depicts how African cultural heritage operates in the United States. She articulates the need for her black folks throughout diaspora to confront racism by employing their African cultural heritage as a vehicle for empowerment. Janie, Hurston’s protagonist, finds that wh…
No prominent works on this page.
Zora Neale Hurston’s Their Eyes Were Watching God
Zora Neale Hurston’s novel Their Eyes Were Watching God is examined to demonstrate how storytelling and the blues, as aspects of diasporic survival, function in her fiction which depicts how African cultural heritage operates in the United States. She articulates the need for her black folks throughout diaspora to confront racism by employing their African cultural heritage as a vehicle for empowerment. Janie, Hurston’s protagonist, finds that wh…
Art (1 work) · Art history (1 work) · Blues (1 work) · Caribbean history, culture, and politics (1 work) · Literature (1 work) · Narrative (1 work) · Postcolonial and Cultural Literary Studies (1 work) · Psychology (1 work) · Race, History, and American Society (1 work) · Storytelling (1 work)