Mary D Garrard
Biographic Data
| ID | 974090 |
|---|---|
| NAME | Mary D Garrard |
| GIVEN NAMES | Mary D |
| FAMILY NAME | Garrard |
| SIGNATURE | GARRARD M D |
| AFFILIATIONS | American University |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 1980 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Sofonisba’s Lesson
Feminism and Art History
Miriam Schapiro (1923–2015)
Here’s Looking at Me Sofonisba Anguissola and the Problem of the Woman Artist
Reclaiming Female Agency
This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their Feminism and Art History: Questioning the Litany (1982) and The Expanding Discourse: Feminism and Art History (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, tw…
Artemisia's Critics, Painting with Crude Strokes
Artemisia Gentileschi and the Authority of Art
The Power of Feminist Art
The Expanding Discourse
Introduction: The Expanding Discourse Norma Broude and Mary D. Garrard. * The Virgins One Bare Breast: Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture Margaret R. Miles. * Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture Patricia Simons. * Leonardo da Vinci: Female Portraits, Female Nature M. D. Garrard. * The Taming of the Blue: Writing Out Color in Italian Renaissance Theory Patricia L. Reilly…
Here's Looking at Me
An Unusual Portrait by Sofonisba Anguissola has gained new prominence from its illustration in color in a recent publication. In her Women, Art, and Society (1990), Whitney Chadwick claims of the portrait in question, Bernardino Campi Painting Sofonisba Anguissola (fig. 1), that in presenting herself in the guise of a portrait being painted by her teacher, Anguissola produced “the first historical example of the woman artist consciously collapsin…
Artemisia Gentileschi
Women, Art, and Society
The Visual Arts
The Women Artists of Bologna
Here's Looking at Me
An Unusual Portrait by Sofonisba Anguissola has gained new prominence from its illustration in color in a recent publication. In her Women, Art, and Society (1990), Whitney Chadwick claims of the portrait in question, Bernardino Campi Painting Sofonisba Anguissola (fig. 1), that in presenting herself in the guise of a portrait being painted by her teacher, Anguissola produced “the first historical example of the woman artist consciously collapsin…
The Expanding Discourse
Introduction: The Expanding Discourse Norma Broude and Mary D. Garrard. * The Virgins One Bare Breast: Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture Margaret R. Miles. * Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture Patricia Simons. * Leonardo da Vinci: Female Portraits, Female Nature M. D. Garrard. * The Taming of the Blue: Writing Out Color in Italian Renaissance Theory Patricia L. Reilly…
The Women Artists of Bologna
The Visual Arts
Artemisia Gentileschi
Women, Art, and Society
Here's Looking at Me
An Unusual Portrait by Sofonisba Anguissola has gained new prominence from its illustration in color in a recent publication. In her Women, Art, and Society (1990), Whitney Chadwick claims of the portrait in question, Bernardino Campi Painting Sofonisba Anguissola (fig. 1), that in presenting herself in the guise of a portrait being painted by her teacher, Anguissola produced “the first historical example of the woman artist consciously collapsin…
The Expanding Discourse
Introduction: The Expanding Discourse Norma Broude and Mary D. Garrard. * The Virgins One Bare Breast: Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture Margaret R. Miles. * Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture Patricia Simons. * Leonardo da Vinci: Female Portraits, Female Nature M. D. Garrard. * The Taming of the Blue: Writing Out Color in Italian Renaissance Theory Patricia L. Reilly…
The Power of Feminist Art
Artemisia Gentileschi and the Authority of Art
Artemisia's Critics, Painting with Crude Strokes
Here’s Looking at Me Sofonisba Anguissola and the Problem of the Woman Artist
Reclaiming Female Agency
This volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their Feminism and Art History: Questioning the Litany (1982) and The Expanding Discourse: Feminism and Art History (1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, tw…
Miriam Schapiro (1923–2015)
Feminism and Art History
Sofonisba’s Lesson
Art (10 works) · Art history (7 works) · Historical Gender and Feminism Studies (5 works) · Sociology (5 works) · Visual arts (5 works) · Art, Politics, and Modernism (4 works) · Political science (4 works) · Renaissance and Early Modern Studies (4 works) · Architecture and Art History Studies (3 works) · Historical Art and Culture Studies (3 works)