Olga Shestopal
Biographic Data
| ID | 9742999 |
|---|---|
| NAME | Olga Shestopal |
| GIVEN NAMES | Olga |
| FAMILY NAME | Shestopal |
| SIGNATURE | SHESTOPAL O |
| AFFILIATIONS | Taras Shevchenko National University of Kyiv, Kyiv, Ukraine |
| ORCID | 0000-0003-4194-334X |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Semantic Echoes of a Name
Background. This article examines Laura Esquivel’s novel Malinche (2006) as a literary reconfiguration of the legendary figure of Malinche – Hernán Cortés’s translator and intermediary – within feminist and decolonial frameworks. The topic remains relevant due to Malinche’s profoundly ambivalent status in Mexican cultural memory: she has been persistently reduced to an emblem of betrayal (most notably through Octavio Paz’s "La Chingada"), while a…
"The Blind Sunflowers" by Alberto Méndez
Background. The article is devoted to the problem of reconstruction of collective memory in Alberto Méndez's novel "The blind sunflowers" (2004). Méndez's book is a part of contemporary Spanish narratives that, since the 1990s, have witnessed the emergence of the so-called "memory boom", a trend in literature and cinema aimed at preserving, restoring and transmitting the memory of the tragic events of Spanish Civil War and Franco repression. The …
Cinematographic Transposition of Cervantes’s Code in Don Quixote by Orson Welles
The article is dedicated to the problem of transposition of the Cervantes’s Code in the cinematographic adaptation of the novel Don Quixote by Orson Welles (1957-1992). The study focuses on identifying and revealing the aesthetic and ideological kinship of the film adaptation of the American director with the work of the Spanish writer, as well as on the analysis of methods and mechanisms of actualization of the main thematic, problematic, struct…
No prominent works on this page.
Cinematographic Transposition of Cervantes’s Code in Don Quixote by Orson Welles
The article is dedicated to the problem of transposition of the Cervantes’s Code in the cinematographic adaptation of the novel Don Quixote by Orson Welles (1957-1992). The study focuses on identifying and revealing the aesthetic and ideological kinship of the film adaptation of the American director with the work of the Spanish writer, as well as on the analysis of methods and mechanisms of actualization of the main thematic, problematic, struct…
"The Blind Sunflowers" by Alberto Méndez
Background. The article is devoted to the problem of reconstruction of collective memory in Alberto Méndez's novel "The blind sunflowers" (2004). Méndez's book is a part of contemporary Spanish narratives that, since the 1990s, have witnessed the emergence of the so-called "memory boom", a trend in literature and cinema aimed at preserving, restoring and transmitting the memory of the tragic events of Spanish Civil War and Franco repression. The …
Semantic Echoes of a Name
Background. This article examines Laura Esquivel’s novel Malinche (2006) as a literary reconfiguration of the legendary figure of Malinche – Hernán Cortés’s translator and intermediary – within feminist and decolonial frameworks. The topic remains relevant due to Malinche’s profoundly ambivalent status in Mexican cultural memory: she has been persistently reduced to an emblem of betrayal (most notably through Octavio Paz’s "La Chingada"), while a…
Art (2 works) · Latin American and Latino Studies (2 works) · Cinema and Media Studies (1 work) · Cinema History and Criticism (1 work) · Early Modern Women Writers (1 work) · Humanities (1 work) · Intertextuality (1 work) · Latin American history and culture (1 work) · Latin American Literature Studies (1 work) · Literature (1 work)