Shana Goldin-Perschbacher
Biographic Data
| ID | 974372 |
|---|---|
| NAME | Shana Goldin-Perschbacher |
| GIVEN NAMES | Shana |
| FAMILY NAME | Goldin-Perschbacher |
| SIGNATURE | GOLDIN-PERSCHBACHER S |
| AFFILIATIONS | Stanford University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
TransAmericana
TransAmericana" describes a contemporary sociomusical phenomenon of transgender and queerly gendered musicians who have chosen American roots genres including country and folk as their expressive material. This combination of gender and genre may seem unexpected. Roots functions through assertions of authenticity and sincerity, framing itself as a simple and historical music "of the people." Meanwhile, biased views of transgender people assume de…
The World Has Made Me the Man of My Dreams
Singer, bass player and songwriter Meshell Ndegeocello has inspired a growing body of scholarship addressing her funky, political, 'othered' musical personae. Existing work celebrates Ndegeocello in the context of identity politics (most commonly feminist, Black Feminist/Womanist, Black Nationalist or Africanist). This tactic not only defies Ndegeocello's rejection of identity politics, but also oversimplifies her complex, sometimes divergent mus…
TransAmericana
TransAmericana" describes a contemporary sociomusical phenomenon of transgender and queerly gendered musicians who have chosen American roots genres including country and folk as their expressive material. This combination of gender and genre may seem unexpected. Roots functions through assertions of authenticity and sincerity, framing itself as a simple and historical music "of the people." Meanwhile, biased views of transgender people assume de…
The World Has Made Me the Man of My Dreams
Singer, bass player and songwriter Meshell Ndegeocello has inspired a growing body of scholarship addressing her funky, political, 'othered' musical personae. Existing work celebrates Ndegeocello in the context of identity politics (most commonly feminist, Black Feminist/Womanist, Black Nationalist or Africanist). This tactic not only defies Ndegeocello's rejection of identity politics, but also oversimplifies her complex, sometimes divergent mus…
The World Has Made Me the Man of My Dreams
Singer, bass player and songwriter Meshell Ndegeocello has inspired a growing body of scholarship addressing her funky, political, 'othered' musical personae. Existing work celebrates Ndegeocello in the context of identity politics (most commonly feminist, Black Feminist/Womanist, Black Nationalist or Africanist). This tactic not only defies Ndegeocello's rejection of identity politics, but also oversimplifies her complex, sometimes divergent mus…
TransAmericana
TransAmericana" describes a contemporary sociomusical phenomenon of transgender and queerly gendered musicians who have chosen American roots genres including country and folk as their expressive material. This combination of gender and genre may seem unexpected. Roots functions through assertions of authenticity and sincerity, framing itself as a simple and historical music "of the people." Meanwhile, biased views of transgender people assume de…
Aesthetics (2 works) · Art (2 works) · Gender Studies (2 works) · Literature (2 works) · Music History and Culture (2 works) · Musical (2 works) · Queer (2 works) · Sociology (2 works) · Critical Race Theory in Education (1 works) · Diverse Music Education Insights (1 works)