Anton S Gavrilov
Biographic Data
| ID | 9744936 |
|---|---|
| NAME | Anton S Gavrilov |
| GIVEN NAMES | Anton S |
| FAMILY NAME | Gavrilov |
| SIGNATURE | GAVRILOV A S |
| AFFILIATIONS | Peoples' Friendship University of Russia |
| ORCID | 0000-0003-2102-3976 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Image of the African Other in French Cinema During the Collapse of the Colonial Empire, 1945-1960
As European society has become increasingly multicultural, interest in the problems of representation of ethnic and racial minorities in contemporary Western cinema has grown significantly. The processes taking place in Western cinema are a response to the political challenges posed by immigration, globalization and the problems of interethnic and international relations. According to some researchers, the roots of these problems should be sought…
Decolonization and the Image of Africa in British Cinema, 1945–1960
Movies are created in specific historical conditions, influenced by the surrounding reality and dominant values, processed and projected them onto the screen. Thus, pre-war British cinema, having absorbed the ideology of the late 19th century, told about the “white man’s burden” in the far corners of the empire, for example, in Africa. It reflected British ideas about the “dark continent” as a dangerous place inhabited by cruel savages, and other…
No prominent works on this page.
Decolonization and the Image of Africa in British Cinema, 1945–1960
Movies are created in specific historical conditions, influenced by the surrounding reality and dominant values, processed and projected them onto the screen. Thus, pre-war British cinema, having absorbed the ideology of the late 19th century, told about the “white man’s burden” in the far corners of the empire, for example, in Africa. It reflected British ideas about the “dark continent” as a dangerous place inhabited by cruel savages, and other…
The Image of the African Other in French Cinema During the Collapse of the Colonial Empire, 1945-1960
As European society has become increasingly multicultural, interest in the problems of representation of ethnic and racial minorities in contemporary Western cinema has grown significantly. The processes taking place in Western cinema are a response to the political challenges posed by immigration, globalization and the problems of interethnic and international relations. According to some researchers, the roots of these problems should be sought…
African history and culture studies (2 works) · Colonialism (2 works) · Decolonization (2 works) · Empire (2 works) · Ideology (2 works) · Movie theater (2 works) · Politics (2 works) · Aesthetics (1 work) · Ancient history (1 work) · Archaeology (1 work)