Ewa Kębłowska-Ławniczak
Biographic Data
| ID | 9745754 |
|---|---|
| NAME | Ewa Kębłowska-Ławniczak |
| GIVEN NAMES | Ewa |
| FAMILY NAME | Kębłowska-Ławniczak |
| SIGNATURE | KĘBŁOWSKA-ŁAWNICZAK E |
| AFFILIATIONS | University of Wrocław |
| ORCID | 0000-0003-2708-1552 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Adaptation in Poland
Liminal hypotext–hypertext relations in selected Shakespearean prequels, sequels and gap-fillers
Liminality is inherent in the adaptation process situated ‘in-between’. Proposing the ‘biological’ concept of symbiosis, David Cowart distinguishes between the ‘host’ and the ‘guest’ text. Symbiosis as a shape-shifting concept involves a two-directional adaptation process, an ‘epistemic dialogue’, where interest is in how the later text’s meaning is produced in relation to the earlier and how the overall production of meaning is affected by the h…
Brexit on Stage
The article deals with two post-Referendum projects launched by British national organizations, the National Theatre and the Guardian with Headlong, whose task was to reflect more accurately on a broader range of current British experience. The projects were written in response to questions on whether national artistic institutions, the subsidized “complex culture,” have not been out of touch with the rest of the country, notably the post-Referen…
No prominent works on this page.
Adaptation in Poland
Liminal hypotext–hypertext relations in selected Shakespearean prequels, sequels and gap-fillers
Liminality is inherent in the adaptation process situated ‘in-between’. Proposing the ‘biological’ concept of symbiosis, David Cowart distinguishes between the ‘host’ and the ‘guest’ text. Symbiosis as a shape-shifting concept involves a two-directional adaptation process, an ‘epistemic dialogue’, where interest is in how the later text’s meaning is produced in relation to the earlier and how the overall production of meaning is affected by the h…
Brexit on Stage
The article deals with two post-Referendum projects launched by British national organizations, the National Theatre and the Guardian with Headlong, whose task was to reflect more accurately on a broader range of current British experience. The projects were written in response to questions on whether national artistic institutions, the subsidized “complex culture,” have not been out of touch with the rest of the country, notably the post-Referen…
Sociology (3 works) · Epistemology (2 works) · Philosophy (2 works) · Active listening (1 work) · Aesthetics (1 work) · Art (1 work) · Artificial Intelligence (1 work) · Brexit (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work)