Nora Leidinger
Biographic Data
| ID | 9746176 |
|---|---|
| NAME | Nora Leidinger |
| GIVEN NAMES | Nora |
| FAMILY NAME | Leidinger |
| SIGNATURE | LEIDINGER N |
| AFFILIATIONS | University of Groningen |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Disassembling the gendered archetype of the male jazz impresario in the United States
In the United States, jazz impresarios historically inhabited the quintessential cosmopolitan role of (white) male jazz critic and intrepid discoverer of Black musical creativity. This article explores the once entrenched and yet recently challenged gendered and cultural dynamics surrounding the powerful jazz impresario role in an era transitioning from a local individualized coterie of fans and critics with liberal socio-cultural politics to a m…
Breaking boundaries in festival programming
In Germany, the modern jazz festival programmer descended from earlier multifaceted roles established during the interwar and war periods as cultivated by both German and international jazz critics, record collectors, and impresarios. While impresarios historically occupied multiple roles as fans, critics, and producers; they often inhabited the quintessential cosmopolitan role of (white) male jazz critic and discoverer of Black musical creativit…
No prominent works on this page.
Disassembling the gendered archetype of the male jazz impresario in the United States
In the United States, jazz impresarios historically inhabited the quintessential cosmopolitan role of (white) male jazz critic and intrepid discoverer of Black musical creativity. This article explores the once entrenched and yet recently challenged gendered and cultural dynamics surrounding the powerful jazz impresario role in an era transitioning from a local individualized coterie of fans and critics with liberal socio-cultural politics to a m…
Breaking boundaries in festival programming
In Germany, the modern jazz festival programmer descended from earlier multifaceted roles established during the interwar and war periods as cultivated by both German and international jazz critics, record collectors, and impresarios. While impresarios historically occupied multiple roles as fans, critics, and producers; they often inhabited the quintessential cosmopolitan role of (white) male jazz critic and discoverer of Black musical creativit…
Art (2 works) · History (2 works) · Archetype (1 work) · Art history (1 work) · Gender Studies (1 work) · Geography (1 work) · Jazz (1 work) · Literature (1 work) · Media, Gender, and Advertising (1 work) · Music History and Culture (1 work)