Changrong Peng
Biographic Data
| ID | 9747774 |
|---|---|
| NAME | Changrong Peng |
| GIVEN NAMES | Changrong |
| FAMILY NAME | Peng |
| SIGNATURE | PENG C |
| AFFILIATIONS | Hebei University of Economics and Business |
| ORCID | 0000-0002-7665-7389 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Aesthetic Turn Toward Round Characters in Contemporary Chinese Animation
In recent years, character design in Chinese animated films has evolved toward more psychologically complex and multidimensional portrayals of ‘round’ characters. This transformation has significantly enriched the aesthetic architecture of animated characterization. Through comparative analyses of Sun Wukong in Havoc in Heaven (Laiming Wan, 1961, 1964) and Monkey King: Hero is Back (Xiaopeng Tian, 2015), as well as Nezha Conquers the Dragon King …
Chan Aesthetics in Chinese Animation
This study investigated the integration of Chan aesthetics into Chinese animation from the 1920s to the present, analysing its impact on national style and artistic expression. By exploring selected works from the Shanghai Animation Film Studio (SAFS: 1960s–1980s), the contemporary animated film Nezha: The Demon Child (2019), and the works of independent animation artist Ye Youtian (2013–2014), this research considers how Chan aesthetics manifest…
No prominent works on this page.
The Aesthetic Turn Toward Round Characters in Contemporary Chinese Animation
In recent years, character design in Chinese animated films has evolved toward more psychologically complex and multidimensional portrayals of ‘round’ characters. This transformation has significantly enriched the aesthetic architecture of animated characterization. Through comparative analyses of Sun Wukong in Havoc in Heaven (Laiming Wan, 1961, 1964) and Monkey King: Hero is Back (Xiaopeng Tian, 2015), as well as Nezha Conquers the Dragon King …
Chan Aesthetics in Chinese Animation
This study investigated the integration of Chan aesthetics into Chinese animation from the 1920s to the present, analysing its impact on national style and artistic expression. By exploring selected works from the Shanghai Animation Film Studio (SAFS: 1960s–1980s), the contemporary animated film Nezha: The Demon Child (2019), and the works of independent animation artist Ye Youtian (2013–2014), this research considers how Chan aesthetics manifest…
Animation (2 works) · Digital Media and Visual Art (2 works) · Media, Gender, and Advertising (2 works) · Aesthetics (1 works) · Anime (1 works) · Architecture (1 works) · Art (1 works) · Asian Culture and Media Studies (1 works) · Computer Science (1 works) · Cultural and Communication Design Research (1 works)