Bram Overbeeke
Biographic Data
| ID | 9748258 |
|---|---|
| NAME | Bram Overbeeke |
| GIVEN NAMES | Bram |
| FAMILY NAME | Overbeeke |
| SIGNATURE | OVERBEEKE B |
| AFFILIATIONS | Chinese University of Hong Kong |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Whose streets? Negotiations over public space through the figure of waste in Limbo and Drifting
Hong Kong’s dense streets feature prominently in global genres such as cyberpunk and neo-noir, which often reproduce the vertical dichotomy of trashy crime-filled city streets versus techno-futurist skyscrapers. In Hong Kong cinema itself, waste is often rendered invisible but also springs up in genres such as crime and social issue films to interrogate questions of excess and class relations in public space. The films Limbo (2021) and Drifting (…
No prominent works on this page.
Whose streets? Negotiations over public space through the figure of waste in Limbo and Drifting
Hong Kong’s dense streets feature prominently in global genres such as cyberpunk and neo-noir, which often reproduce the vertical dichotomy of trashy crime-filled city streets versus techno-futurist skyscrapers. In Hong Kong cinema itself, waste is often rendered invisible but also springs up in genres such as crime and social issue films to interrogate questions of excess and class relations in public space. The films Limbo (2021) and Drifting (…
Advertising (1 work) · Architectural engineering (1 work) · Art (1 work) · Business (1 work) · Computer Science (1 work) · Engineering (1 work) · Law (1 work) · Media studies (1 work) · Negotiation (1 work) · Political science (1 work)