Wu Yi Chun
Biographic Data
| ID | 9748271 |
|---|---|
| NAME | Wu Yi Chun |
| GIVEN NAMES | Wu Yi |
| FAMILY NAME | Chun |
| SIGNATURE | CHUN W Y |
| AFFILIATIONS | National Chengchi University |
| ORCID | 0009-0009-8588-4303 |
| VERIFIED | Yes |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2026 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Monsters, viruses, and a zombie parliament
This article examines three Taiwanese splatter and horror films—Mon Mon Mon Monsters (2017), The Sadness (2021), and Get the Hell Out (2020)—as a cinematic trilogy of national calamity emerging under the geopolitical conditions of the New Cold War. Drawing on psychoanalysis, phenomenology, monster theory, and political anthropology, it proposes the concept of calamity–aberration, an analytical framework rooted in Sinographic traditions of omen-re…
No prominent works on this page.
Monsters, viruses, and a zombie parliament
This article examines three Taiwanese splatter and horror films—Mon Mon Mon Monsters (2017), The Sadness (2021), and Get the Hell Out (2020)—as a cinematic trilogy of national calamity emerging under the geopolitical conditions of the New Cold War. Drawing on psychoanalysis, phenomenology, monster theory, and political anthropology, it proposes the concept of calamity–aberration, an analytical framework rooted in Sinographic traditions of omen-re…
Allegory (1 work) · Democracy (1 work) · Ephemera (1 work) · Geographies of human-animal interactions (1 work) · Geopolitics (1 work) · Gothic Literature and Media Analysis (1 work) · Hong Kong and Taiwan Politics (1 work) · Monster (1 work) · Politics (1 work) · Sadness (1 work)