Martin Mhando
Biographic Data
| ID | 9748749 |
|---|---|
| NAME | Martin Mhando |
| GIVEN NAMES | Martin |
| FAMILY NAME | Mhando |
| SIGNATURE | MHANDO M |
| AFFILIATIONS | ZIFF |
| ORCID | 0000-0003-0465-5912 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Fespaco
Preview this article: FESPACO: A Pan-Africanist view of African film festivals, Page 1 of 1 /docserver/preview/fulltext/jac/14/1/jac.14.1.03_Mhando-1.gif
Globalization and African cinema
When Tommy Lott advanced his 'no-theory theory' on the definition of black cinema, he argued that a theory remains a theory only up to the time when the meanings it advances 'are no longer applicable'. He was aware of the complexity of theorizing on an ongoing activity based on an essentialized notion. What I see as a possible arena of contention and re-theorizing is the versatility of cultures in appropriating processes of knowledge distribution…
Globalization and African cinema
When Tommy Lott advanced his 'no-theory theory' on the definition of black cinema, he argued that a theory remains a theory only up to the time when the meanings it advances 'are no longer applicable'. He was aware of the complexity of theorizing on an ongoing activity based on an essentialized notion. What I see as a possible arena of contention and re-theorizing is the versatility of cultures in appropriating processes of knowledge distribution…
Globalization and African cinema
When Tommy Lott advanced his 'no-theory theory' on the definition of black cinema, he argued that a theory remains a theory only up to the time when the meanings it advances 'are no longer applicable'. He was aware of the complexity of theorizing on an ongoing activity based on an essentialized notion. What I see as a possible arena of contention and re-theorizing is the versatility of cultures in appropriating processes of knowledge distribution…
Fespaco
Preview this article: FESPACO: A Pan-Africanist view of African film festivals, Page 1 of 1 /docserver/preview/fulltext/jac/14/1/jac.14.1.03_Mhando-1.gif
African history and culture studies (2 works) · Art (2 works) · History (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Distribution (mathematics (1 work) · Epistemology (1 work)