Maria Anna Rogucka
Biographic Data
| ID | 9748996 |
|---|---|
| NAME | Maria Anna Rogucka |
| GIVEN NAMES | Maria Anna |
| FAMILY NAME | Rogucka |
| SIGNATURE | ROGUCKA M A |
| AFFILIATIONS | Jagiellonian University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Collaging Outlaw Exhibition
This paper investigates the cultural-political dynamics of art exhibition practices in the Eastern Bloc during the 1970s, with a particular focus on Steve Poleskie’s 1979 visit to the Polish People’s Republic. By examining primary sources and archival materials, the study explores how alternative art galleries served as spaces for oppositional or non-conformist expression, challenging official structures from a post-Stalinist perspective. The ana…
Teresa Żarnower’s Mnemonic Desire for Defense of Warsaw
Teresa Żarnower (1897, Warsaw, Poland–1949, New York, United States), a Polish Constructivist artist of Jewish descent who was forced to emigrate abroad during World War II, became a dominant figure working for the Polish government in exile. She produced a series of photomontages for a book titled The Defense of Warsaw, which was published in 1942 by a “Polish Labor Group” in New York. Żarnower used her technical expertise in photomontage to cre…
No prominent works on this page.
Teresa Żarnower’s Mnemonic Desire for Defense of Warsaw
Teresa Żarnower (1897, Warsaw, Poland–1949, New York, United States), a Polish Constructivist artist of Jewish descent who was forced to emigrate abroad during World War II, became a dominant figure working for the Polish government in exile. She produced a series of photomontages for a book titled The Defense of Warsaw, which was published in 1942 by a “Polish Labor Group” in New York. Żarnower used her technical expertise in photomontage to cre…
Collaging Outlaw Exhibition
This paper investigates the cultural-political dynamics of art exhibition practices in the Eastern Bloc during the 1970s, with a particular focus on Steve Poleskie’s 1979 visit to the Polish People’s Republic. By examining primary sources and archival materials, the study explores how alternative art galleries served as spaces for oppositional or non-conformist expression, challenging official structures from a post-Stalinist perspective. The ana…
Art (2 works) · Art history (2 works) · Art, Politics, and Modernism (2 works) · Photography and Visual Culture (2 works) · Visual arts (2 works) · Cinema and Media Studies (1 work) · Exhibition (1 work) · History (1 work) · Law (1 work) · Mnemonic (1 work)