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Richard M Moyle

Biographic Data

ID97505
NAMERichard M Moyle
GIVEN NAMESRichard M
FAMILY NAMEMoyle
SIGNATUREMOYLE R M
AFFILIATIONSAustralian Institute of Aboriginal and Torres Strait Islander Studies
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS25
AUTHOR COUNT18
EDITOR COUNT0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR2001
H-INDEX4
  • Polynesia

    Barbara B Smith, Adrienne L Kaeppler et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Observers Observed: Mutually changing perceptions at Balgo

    Richard M Moyle•ARTICLE•Journal of Intercultural Studies•2001•Cited by: 1•References: 1

    The nature of the researcher-host relationship during ethnomusicological fieldwork is capable of wide variation and is susceptible to an equally wide variety of internal and external influences. This article is based on a two-year period of such fieldwork at Balgo, a remote Aboriginal community in Western Australia between 1975 and 1981. As the Catholic Church relinquished control of daily operations in favour of indigenous management and Mission…

  • Paper songs and frozen assets: Text and traditions

    Richard M Moyle•ARTICLE•Musicology Australia•1998•References: 2

    This article considers song poetry as text in the context of a multiple definition of tradition, focusing on Polynesia. It examines preservation of tradition, whether as embellished or accurate history within song texts, or whether of songs themselves in the face of Christian and other Western influences, the apparent transformation of traditional war chants into the prematch displays of national rugby teams, and the capacity of song both to pres…

  • Alyawarra Music: Songs and Society in a Central Australian Community

    Jan Lauridsen, Richard M Moyle et al.•ARTICLE•Ethnomusicology•1994

  • Drone, Melody, and Decoration--Paradigm Lost

    Richard M Moyle•ARTICLE•Ethnomusicology•1993

    L'A. demontre que cinq affirmations d'Adrienne Kaeppler, concernant la conception de la division de la musique tongienne en ancienne/moderne, sont fausses : le paradigme « Bourdon, Melodie et Decoration » n'est pas fonde. L'esthetique musicale tongienne exige que la melodie d'une chorale soit composee de strophes successives, variant legerement de maniere a donner un contraste avec le milieu musical plus stable des autres voies, il n'y a pas de p…

  • The Sounds of Oceania: An Illustrated Catalogue of the Sound Producing Instruments of Oceania in the Auckland Institute and Museum

    A S, Richard M Moyle•ARTICLE•Yearbook for Traditional Music•1990

  • Songs of Bellona Island (Na Taungua o Mungiki)

    Richard M Moyle, Jane Mink Rossen•ARTICLE•Yearbook for Traditional Music•1989

  • Alyawarra Music: Songs and Society in a Central Australian Community

    Marina Roseman, Richard M Moyle•ARTICLE•Yearbook for Traditional Music•1988•Cited by: 6

  • Aboriginal Music: Education for Living. Cross-Cultural Experiences from South Australia

    Richard M Moyle, Catherine J Ellis•ARTICLE•Ethnomusicology•1987•Cited by: 4

  • Songs of the Pintupi; Musical Life in a Central Australian Society

    Gerald Florian Messner, Richard M Moyle•ARTICLE•Yearbook for Traditional Music•1985•Cited by: 4

  • Songs of the Pintupi: Musical Life in a Central Australian Society

    Trevor A Jones, Richard M Moyle•ARTICLE•Ethnomusicology•1982•Cited by: 6

  • Directions in Pacific Traditional Literature: Essays in Honor of Katharine Luomala

    Richard M Moyle, Adrienne L Kaeppler et al.•ARTICLE•Ethnomusicology•1981

  • Musique melanesienne, 'Are'are, Solomon Islands

    Richard M Moyle, Hugo Zemp•ARTICLE•Ethnomusicology•1978

  • Traditional Music of Tonga

    Adrienne L Kaeppler, Richard M Moyle•ARTICLE•Ethnomusicology•1976

  • Sexuality in Samoan art forms

    Open Access•Richard M Moyle•ARTICLE•Archives of Sexual Behavior•1975•Cited by: 4

  • The Music of Samoa; An Authentic sound Picture

    Hugo Zemp, Richard M Moyle•ARTICLE•Ethnomusicology•1974

  • Musique polynesienne traditionelle d'Ontong Java

    Richard M Moyle, Hugo Zemp•ARTICLE•Ethnomusicology•1973

  • Flutes de pan melanesiennes 'Are'Are, 1 and 2

    Richard M Moyle, Hugo Zemp•ARTICLE•Ethnomusicology•1973

  • Alyawarra Music: Songs and Society in a Central Australian Community

    Marina Roseman, Richard M Moyle•ARTICLE•Yearbook for Traditional Music•1988•Cited by: 6

  • Songs of the Pintupi: Musical Life in a Central Australian Society

    Trevor A Jones, Richard M Moyle•ARTICLE•Ethnomusicology•1982•Cited by: 6

  • Aboriginal Music: Education for Living. Cross-Cultural Experiences from South Australia

    Richard M Moyle, Catherine J Ellis•ARTICLE•Ethnomusicology•1987•Cited by: 4

  • Songs of the Pintupi; Musical Life in a Central Australian Society

    Gerald Florian Messner, Richard M Moyle•ARTICLE•Yearbook for Traditional Music•1985•Cited by: 4

  • Sexuality in Samoan art forms

    Open Access•Richard M Moyle•ARTICLE•Archives of Sexual Behavior•1975•Cited by: 4

  • Observers Observed: Mutually changing perceptions at Balgo

    Richard M Moyle•ARTICLE•Journal of Intercultural Studies•2001•Cited by: 1•References: 1

    The nature of the researcher-host relationship during ethnomusicological fieldwork is capable of wide variation and is susceptible to an equally wide variety of internal and external influences. This article is based on a two-year period of such fieldwork at Balgo, a remote Aboriginal community in Western Australia between 1975 and 1981. As the Catholic Church relinquished control of daily operations in favour of indigenous management and Mission…

  • Musique polynesienne traditionelle d'Ontong Java

    Richard M Moyle, Hugo Zemp•ARTICLE•Ethnomusicology•1973

  • Flutes de pan melanesiennes 'Are'Are, 1 and 2

    Richard M Moyle, Hugo Zemp•ARTICLE•Ethnomusicology•1973

  • The Music of Samoa; An Authentic sound Picture

    Hugo Zemp, Richard M Moyle•ARTICLE•Ethnomusicology•1974

  • Sexuality in Samoan art forms

    Open Access•Richard M Moyle•ARTICLE•Archives of Sexual Behavior•1975•Cited by: 4

  • Traditional Music of Tonga

    Adrienne L Kaeppler, Richard M Moyle•ARTICLE•Ethnomusicology•1976

  • Musique melanesienne, 'Are'are, Solomon Islands

    Richard M Moyle, Hugo Zemp•ARTICLE•Ethnomusicology•1978

  • Directions in Pacific Traditional Literature: Essays in Honor of Katharine Luomala

    Richard M Moyle, Adrienne L Kaeppler et al.•ARTICLE•Ethnomusicology•1981

  • Songs of the Pintupi: Musical Life in a Central Australian Society

    Trevor A Jones, Richard M Moyle•ARTICLE•Ethnomusicology•1982•Cited by: 6

  • Songs of the Pintupi; Musical Life in a Central Australian Society

    Gerald Florian Messner, Richard M Moyle•ARTICLE•Yearbook for Traditional Music•1985•Cited by: 4

  • Aboriginal Music: Education for Living. Cross-Cultural Experiences from South Australia

    Richard M Moyle, Catherine J Ellis•ARTICLE•Ethnomusicology•1987•Cited by: 4

  • Alyawarra Music: Songs and Society in a Central Australian Community

    Marina Roseman, Richard M Moyle•ARTICLE•Yearbook for Traditional Music•1988•Cited by: 6

  • Songs of Bellona Island (Na Taungua o Mungiki)

    Richard M Moyle, Jane Mink Rossen•ARTICLE•Yearbook for Traditional Music•1989

  • The Sounds of Oceania: An Illustrated Catalogue of the Sound Producing Instruments of Oceania in the Auckland Institute and Museum

    A S, Richard M Moyle•ARTICLE•Yearbook for Traditional Music•1990

  • Drone, Melody, and Decoration--Paradigm Lost

    Richard M Moyle•ARTICLE•Ethnomusicology•1993

    L'A. demontre que cinq affirmations d'Adrienne Kaeppler, concernant la conception de la division de la musique tongienne en ancienne/moderne, sont fausses : le paradigme « Bourdon, Melodie et Decoration » n'est pas fonde. L'esthetique musicale tongienne exige que la melodie d'une chorale soit composee de strophes successives, variant legerement de maniere a donner un contraste avec le milieu musical plus stable des autres voies, il n'y a pas de p…

  • Alyawarra Music: Songs and Society in a Central Australian Community

    Jan Lauridsen, Richard M Moyle et al.•ARTICLE•Ethnomusicology•1994

  • Paper songs and frozen assets: Text and traditions

    Richard M Moyle•ARTICLE•Musicology Australia•1998•References: 2

    This article considers song poetry as text in the context of a multiple definition of tradition, focusing on Polynesia. It examines preservation of tradition, whether as embellished or accurate history within song texts, or whether of songs themselves in the face of Christian and other Western influences, the apparent transformation of traditional war chants into the prematch displays of national rugby teams, and the capacity of song both to pres…

  • Polynesia

    Barbara B Smith, Adrienne L Kaeppler et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Observers Observed: Mutually changing perceptions at Balgo

    Richard M Moyle•ARTICLE•Journal of Intercultural Studies•2001•Cited by: 1•References: 1

    The nature of the researcher-host relationship during ethnomusicological fieldwork is capable of wide variation and is susceptible to an equally wide variety of internal and external influences. This article is based on a two-year period of such fieldwork at Balgo, a remote Aboriginal community in Western Australia between 1975 and 1981. As the Catholic Church relinquished control of daily operations in favour of indigenous management and Mission…

Art (8 works) · Pacific and Southeast Asian Studies (8 works) · History (7 works) · Diverse Musicological Studies (6 works) · Geography (6 works) · Island Studies and Pacific Affairs (6 works) · History (4 works) · Sociology (4 works) · Archaeology (3 works) · Australian Indigenous Culture and History (3 works)

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