David Tunley
Biographic Data
| ID | 975210 |
|---|---|
| NAME | David Tunley |
| GIVEN NAMES | David |
| FAMILY NAME | Tunley |
| SIGNATURE | TUNLEY D |
| AFFILIATIONS | The University of Western Australia |
| VERIFIED | No |
| TOTAL WORKS | 26 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 26 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1966 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
François Couperin and 'The Perfection of Music
François Couperin's contribution to the literature of baroque keyboard music has long been recognized. François Couperin and 'The Perfection of Music' updates and expands upon David Tunley's valuable 1982 BBC Music Guide to the composer, and examines the whole of Couperin's output including the organ masses, motets and chamber music, in addition to the well-known works for harpsichord. Taking as its focal point Couperin's concept of the perfectio…
The Mirror of Human Life
Journal Article The Mirror of Human Life: Reflections on François Couperin's Pièces de Clavecin. By Jane Clark and Derek Connon. Get access The Mirror of Human Life: Reflections on François Couperin's Pièces de Clavecin. By Jane Clark and Derek Connon. pp. 224. ( Keyword Press, London, 2011, £14.50. ISBN 978-0-9555590-3-7.) David Tunley David Tunley University of Western Australia Search for other works by this author on: Oxford Academic Google S…
Covell, Roger David
Clérambault, César-François-Nicolas
Burette, Pierre-Jean
Clérambault, Evrard Dominique
Burette, Bernard
Clérambault family
French Cantata to 1800
La Garde [Lagarde, Garde], Pierre de
Clérambault, Louis-Nicolas
Burette, Claude
Grandval, Nicolas Racot de
Du Buisson family
Clérambault, Dominique
Cantata
Mélodie
Burette family
Du Buisson
The Eighteenth-Century French Cantata
The first edition of this book is the classic study of one of the most popular musical forms in early eighteenth-century France, not only because it documents and examines its considerable repertoire for the first time, but also because it places the genre in the wider context of both French and Italian baroque music styles. In uniting the two national styles the cantata was one of the major influences in transforming the seventeenth-century Fren…
Alfredo Campoli
Grimarest's Traité du Récitatif
Journal Article Grimarest's Traité du Récitatif: Glimpses of performance practise in Lully's operas Get access David Tunley David Tunley Professor and Head of the Department of Music at the University of Western Australia He published The 18th-century French Cantata in 1974, Couperin in 1982 and contributed the chapter on ‘French solo song and duet 1630–1750’ to volume 6 of the New Oxford History of Music. Search for other works by this author on…
O Heavenly Harmony
The Union of Words and Music in Seventeenth-Century French Song - The Long and the Short of it
L'examen d'ecrits theoriques (Bacilly, Mersenne, Grimarest) et de partitions musicales montre comment le systeme du vers mesure a l'antique elabore par Baif pour l'Academie de poesie et de musique, fut developpe au XVII s. et determina largement la nature du style classique de la musique vocale en France. Grandes lignes des principes de la longueur de la syllabe en relation avec la composition et l'execution musicales, tels que les ont formules B…
The French Cantata in Performance
IT IS SOME YEARS NOW since the desire to perform early music according to the strict stylistic conventions of its own period was the concern of a small coterie of scholarly enthusiasts only; the longplaying record, in particular, has so disseminated such performances that nowadays a very large body of musicians and music lovers takes the matter for granted. An interest in music of the past-let alone its authentic performance-is, of course, a phen…
The Eighteenth-Century French Cantata
The first edition of this book is the classic study of one of the most popular musical forms in early eighteenth-century France, not only because it documents and examines its considerable repertoire for the first time, but also because it places the genre in the wider context of both French and Italian baroque music styles. In uniting the two national styles the cantata was one of the major influences in transforming the seventeenth-century Fren…
Philidor's ‘Concerts Français’
PHILIDOR'S ‘CONCERTS FRANÇAIS’ Get access DAVID TUNLEY DAVID TUNLEY Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 47, Issue 2, April 1966, Pages 130–134, https://doi.org/10.1093/ml/47.2.130 Published: 01 April 1966
Philidor's ‘Concerts Français’
PHILIDOR'S ‘CONCERTS FRANÇAIS’ Get access DAVID TUNLEY DAVID TUNLEY Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 47, Issue 2, April 1966, Pages 130–134, https://doi.org/10.1093/ml/47.2.130 Published: 01 April 1966
The French Cantata in Performance
IT IS SOME YEARS NOW since the desire to perform early music according to the strict stylistic conventions of its own period was the concern of a small coterie of scholarly enthusiasts only; the longplaying record, in particular, has so disseminated such performances that nowadays a very large body of musicians and music lovers takes the matter for granted. An interest in music of the past-let alone its authentic performance-is, of course, a phen…
The Union of Words and Music in Seventeenth-Century French Song - The Long and the Short of it
L'examen d'ecrits theoriques (Bacilly, Mersenne, Grimarest) et de partitions musicales montre comment le systeme du vers mesure a l'antique elabore par Baif pour l'Academie de poesie et de musique, fut developpe au XVII s. et determina largement la nature du style classique de la musique vocale en France. Grandes lignes des principes de la longueur de la syllabe en relation avec la composition et l'execution musicales, tels que les ont formules B…
O Heavenly Harmony
Grimarest's Traité du Récitatif
Journal Article Grimarest's Traité du Récitatif: Glimpses of performance practise in Lully's operas Get access David Tunley David Tunley Professor and Head of the Department of Music at the University of Western Australia He published The 18th-century French Cantata in 1974, Couperin in 1982 and contributed the chapter on ‘French solo song and duet 1630–1750’ to volume 6 of the New Oxford History of Music. Search for other works by this author on…
Alfredo Campoli
The Eighteenth-Century French Cantata
The first edition of this book is the classic study of one of the most popular musical forms in early eighteenth-century France, not only because it documents and examines its considerable repertoire for the first time, but also because it places the genre in the wider context of both French and Italian baroque music styles. In uniting the two national styles the cantata was one of the major influences in transforming the seventeenth-century Fren…
Covell, Roger David
Clérambault, César-François-Nicolas
Burette, Pierre-Jean
Clérambault, Evrard Dominique
Burette, Bernard
Clérambault family
French Cantata to 1800
La Garde [Lagarde, Garde], Pierre de
Clérambault, Louis-Nicolas
Burette, Claude
Grandval, Nicolas Racot de
Du Buisson family
Clérambault, Dominique
Cantata
Mélodie
Burette family
Du Buisson
The Mirror of Human Life
Journal Article The Mirror of Human Life: Reflections on François Couperin's Pièces de Clavecin. By Jane Clark and Derek Connon. Get access The Mirror of Human Life: Reflections on François Couperin's Pièces de Clavecin. By Jane Clark and Derek Connon. pp. 224. ( Keyword Press, London, 2011, £14.50. ISBN 978-0-9555590-3-7.) David Tunley David Tunley University of Western Australia Search for other works by this author on: Oxford Academic Google S…
Art (14 works) · Historical and Literary Studies (9 works) · Computer Science (8 works) · Art history (6 works) · Historical Studies and Socio-cultural Analysis (6 works) · Historical and Literary Analyses (4 works) · Visual arts (4 works) · Academic and Historical Perspectives in Psychology (3 works) · Historical Influence and Diplomacy (3 works) · History (3 works)