Mohammed Baker Mohammed Al-Abbas
Biographic Data
| ID | 9758160 |
|---|---|
| NAME | Mohammed Baker Mohammed Al-Abbas |
| GIVEN NAMES | Mohammed Baker Mohammed |
| FAMILY NAME | Al-Abbas |
| SIGNATURE | AL-ABBAS M B M |
| AFFILIATIONS | University of Jordan |
| ORCID | 0000-0002-0330-3766 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Aesthetics and Semiotics of Communication in Visual Language
This conceptual paper aims to present a multimodal critique of the visual language in the short film Ismail. It analyses the social semiotics represented in the film's composition of image and language, which portrays a day story from the Palestinian visual artist Ismail Shammout (1930-2006) in the diaspora. From an aesthetic perspective, the research focuses on the social construction of an artist's identity through visual language. Such film tr…
The Other
The current investigation aims to explore the multimodality of the visual language in cinema, which articulates pictures and words into a creative medium of contemporary aesthetics and criticism. This multimodal discourse analysis focuses on Al-Akhar (The Other, 1999), a film that renders the postcolonial philosophy of Edward Said (1935-2002), the Palestinian-American critic. Youssef Chahine (1926-2008), the Egyptian cinematic artist, produced th…
No prominent works on this page.
Aesthetics and Semiotics of Communication in Visual Language
This conceptual paper aims to present a multimodal critique of the visual language in the short film Ismail. It analyses the social semiotics represented in the film's composition of image and language, which portrays a day story from the Palestinian visual artist Ismail Shammout (1930-2006) in the diaspora. From an aesthetic perspective, the research focuses on the social construction of an artist's identity through visual language. Such film tr…
The Other
The current investigation aims to explore the multimodality of the visual language in cinema, which articulates pictures and words into a creative medium of contemporary aesthetics and criticism. This multimodal discourse analysis focuses on Al-Akhar (The Other, 1999), a film that renders the postcolonial philosophy of Edward Said (1935-2002), the Palestinian-American critic. Youssef Chahine (1926-2008), the Egyptian cinematic artist, produced th…
Aesthetics (1 work) · Argumentation theory (1 work) · Art (1 work) · Diaspora (1 work) · Digital Storytelling and Education (1 work) · Discourse Analysis in Language Studies (1 work) · Gender Studies (1 work) · Global Maritime and Colonial Histories (1 work) · History (1 work) · Jewish and Middle Eastern Studies (1 work)