Mohammed A Rawashdeh
Biographic Data
| ID | 9758313 |
|---|---|
| NAME | Mohammed A Rawashdeh |
| GIVEN NAMES | Mohammed A |
| FAMILY NAME | Rawashdeh |
| SIGNATURE | RAWASHDEH M A |
| AFFILIATIONS | Yarmouk University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Oriental Characters on the English Stage: A Product of Misunderstanding
Between the Renaissance and the twentieth century, Western dramatists wrote a body of plays about life in the Orient, to be performed for European audiences. These Oriental plays were particularly popular in England. Playwrights drew their information mainly from existing sources. These writers habitually portrayed Muslim characters in ways that not only seriously failed to reflect their actual beliefs, but outright contradicted the fundamental t…
Friendship: Perspectives From Two Modern Plays
From ancient times until the nineteenth century, loyalty, trust, understanding, forbearance, and empathy were only some of the merits one expected to find as the foundation of true friendship in Western culture. For instance, Aristotle insists that friendship must be “reciprocal” and “must involve a wish for the good of the loved one as an end in itself”. Any friendship based on personal gains, whether tangible or not, would have been dismissed a…
No prominent works on this page.
Friendship: Perspectives From Two Modern Plays
From ancient times until the nineteenth century, loyalty, trust, understanding, forbearance, and empathy were only some of the merits one expected to find as the foundation of true friendship in Western culture. For instance, Aristotle insists that friendship must be “reciprocal” and “must involve a wish for the good of the loved one as an end in itself”. Any friendship based on personal gains, whether tangible or not, would have been dismissed a…
Oriental Characters on the English Stage: A Product of Misunderstanding
Between the Renaissance and the twentieth century, Western dramatists wrote a body of plays about life in the Orient, to be performed for European audiences. These Oriental plays were particularly popular in England. Playwrights drew their information mainly from existing sources. These writers habitually portrayed Muslim characters in ways that not only seriously failed to reflect their actual beliefs, but outright contradicted the fundamental t…
Aesthetics (1 works) · Art (1 works) · Cultural Studies and Interdisciplinary Research (1 works) · Doctrine (1 works) · Friendship (1 works) · Greeks (1 works) · History (1 works) · Islam (1 works) · Islamic Studies and History (1 works) · Law (1 works)