George Dickie
Biographic Data
| ID | 975945 |
|---|---|
| NAME | George Dickie |
| GIVEN NAMES | George |
| FAMILY NAME | Dickie |
| SIGNATURE | DICKIE G |
| AFFILIATIONS | University of Illinois Chicago |
| VERIFIED | No |
| TOTAL WORKS | 25 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 25 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1961 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 2 |
Le conte de deux mondes de l'art
La nouvelle théorie institutionnelle de l’art
George Dickie (né en 1925 en Floride) fait partie des philosophes qui, depuis le début des années soixante, ont profondément renouvelé la philosophie de l’art anglophone en introduisant dans les discussions esthétiques la clarté et la rigueur caractéristiques de la philosophie dite « analytique ». Ce courant, généralement identifié sous l’appellation d’« esthétique analytique », est aujourd’hui relativement bien connu du public francophone, grâce…
Intentions: Conversations and Art
This paper is a continuation of a debate between Noël Carroll, who defends intentionalism, and Kent Wilson and myself, who argue that the intentions of artists are not relevant to the interpretation of works of art
The Triumph in Triumph of the Will
Journal Article The Triumph in Triumph of the Will Get access George Dickie George Dickie George Dickie, Chicago, IL and Bradenton, FL. Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 45, Issue 2, APRIL 2005, Pages 151–156, https://doi.org/10.1093/aesthj/ayi017 Published: 01 January 2005
James Shelley on Critical Principles
James Shelley claims that Hume's principles of taste have value‐neutral subjects rather than value‐laden ones that, for example, refer to aesthetic properties. I try to rebut his claim. I argue that Hume's essay on taste contains the conceptual means for recognizing the problem of the interaction of aesthetic properties with other properties in artworks, even if he does not explicitly make this point. I also deny Shelley's contention that I claim…
The Century of Taste
The century of taste: The Philosophical Odyssey of Taste in the Eighteenth Century
At the beginning of the eighteenth century, the focus of philosophy shifted from objective notions of beauty to the subjective concept of taste. In this book, George Dickie traces the development and decline of this mode of thought, critically evaluating the theoretical aims of five key figures in the theory of taste. Dickie looks at the work of Francis Hutcheson, whose inquiries into the origins of pleasure and displeasure led to the first syste…
Evaluating Art
Evaluating Art
The Art Circle
Evaluating Art
Journal Article EVALUATING ART Get access George Dickie George Dickie Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 25, Issue 1, WINTER 1985, Pages 3–16, https://doi.org/10.1093/bjaesthetics/25.1.3 Published: 01 January 1985
Works and Worlds of Art
Aesthetics: A Critical Anthology
Art and the Aesthetic: An Institutional Analysis
Art and the Aesthetic: An Institutional Analysis
Art and the Aesthetic: An Institutional Analysis
Art and the Aesthetic
Taste and attitude: The origin of the aesthetic
Psychical Distance: In a Fog at Sea
I. A. Richards's Phantom Double
Journal Article I. A. RICHARDS'S PHANTOM DOUBLE Get access George Dickie George Dickie Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 8, Issue 1, January 1968, Pages 54–59, https://doi.org/10.1093/bjaesthetics/8.1.54 Published: 01 January 1968
Attention
Philosophy and Scientific Realism
Clive Bell and the Method of Principia Ethica
Is Psychology Relevant to Aesthetics
THE major purpose of this paper is not to raise questions of aesthetics but to raise some questions about aesthetics; namely, the logic of the question Is information (or scientific information in general) relevant to solving the problems of aesthetics? attention of this paper will be focused on the relation of information to the philosophical problems of In particular, I shall discuss (i) experiments which are designed to discover if certain kin…
Bullough and the Concept of Psychical Distance
The Triumph in Triumph of the Will
Journal Article The Triumph in Triumph of the Will Get access George Dickie George Dickie George Dickie, Chicago, IL and Bradenton, FL. Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 45, Issue 2, APRIL 2005, Pages 151–156, https://doi.org/10.1093/aesthj/ayi017 Published: 01 January 2005
Psychical Distance: In a Fog at Sea
Is Psychology Relevant to Aesthetics
THE major purpose of this paper is not to raise questions of aesthetics but to raise some questions about aesthetics; namely, the logic of the question Is information (or scientific information in general) relevant to solving the problems of aesthetics? attention of this paper will be focused on the relation of information to the philosophical problems of In particular, I shall discuss (i) experiments which are designed to discover if certain kin…
Aesthetics: A Critical Anthology
Bullough and the Concept of Psychical Distance
Is Psychology Relevant to Aesthetics
THE major purpose of this paper is not to raise questions of aesthetics but to raise some questions about aesthetics; namely, the logic of the question Is information (or scientific information in general) relevant to solving the problems of aesthetics? attention of this paper will be focused on the relation of information to the philosophical problems of In particular, I shall discuss (i) experiments which are designed to discover if certain kin…
Philosophy and Scientific Realism
Clive Bell and the Method of Principia Ethica
Attention
I. A. Richards's Phantom Double
Journal Article I. A. RICHARDS'S PHANTOM DOUBLE Get access George Dickie George Dickie Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 8, Issue 1, January 1968, Pages 54–59, https://doi.org/10.1093/bjaesthetics/8.1.54 Published: 01 January 1968
Taste and attitude: The origin of the aesthetic
Psychical Distance: In a Fog at Sea
Art and the Aesthetic
Art and the Aesthetic: An Institutional Analysis
Art and the Aesthetic: An Institutional Analysis
Art and the Aesthetic: An Institutional Analysis
Aesthetics: A Critical Anthology
Works and Worlds of Art
Evaluating Art
Journal Article EVALUATING ART Get access George Dickie George Dickie Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 25, Issue 1, WINTER 1985, Pages 3–16, https://doi.org/10.1093/bjaesthetics/25.1.3 Published: 01 January 1985
The Art Circle
Evaluating Art
Evaluating Art
The century of taste: The Philosophical Odyssey of Taste in the Eighteenth Century
At the beginning of the eighteenth century, the focus of philosophy shifted from objective notions of beauty to the subjective concept of taste. In this book, George Dickie traces the development and decline of this mode of thought, critically evaluating the theoretical aims of five key figures in the theory of taste. Dickie looks at the work of Francis Hutcheson, whose inquiries into the origins of pleasure and displeasure led to the first syste…
The Century of Taste
James Shelley on Critical Principles
James Shelley claims that Hume's principles of taste have value‐neutral subjects rather than value‐laden ones that, for example, refer to aesthetic properties. I try to rebut his claim. I argue that Hume's essay on taste contains the conceptual means for recognizing the problem of the interaction of aesthetic properties with other properties in artworks, even if he does not explicitly make this point. I also deny Shelley's contention that I claim…
Intentions: Conversations and Art
This paper is a continuation of a debate between Noël Carroll, who defends intentionalism, and Kent Wilson and myself, who argue that the intentions of artists are not relevant to the interpretation of works of art
The Triumph in Triumph of the Will
Journal Article The Triumph in Triumph of the Will Get access George Dickie George Dickie George Dickie, Chicago, IL and Bradenton, FL. Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 45, Issue 2, APRIL 2005, Pages 151–156, https://doi.org/10.1093/aesthj/ayi017 Published: 01 January 2005
La nouvelle théorie institutionnelle de l’art
George Dickie (né en 1925 en Floride) fait partie des philosophes qui, depuis le début des années soixante, ont profondément renouvelé la philosophie de l’art anglophone en introduisant dans les discussions esthétiques la clarté et la rigueur caractéristiques de la philosophie dite « analytique ». Ce courant, généralement identifié sous l’appellation d’« esthétique analytique », est aujourd’hui relativement bien connu du public francophone, grâce…
Le conte de deux mondes de l'art
Philosophy (16 works) · Art (13 works) · Epistemology (10 works) · Aesthetics (9 works) · Philosophy (9 works) · Psychology (8 works) · Art Education and Development (6 works) · Art history (6 works) · Contemporary philosophy (5 works) · Analytic philosophy (4 works)