Kum Kum Ray
Biographic Data
| ID | 9760771 |
|---|---|
| NAME | Kum Kum Ray |
| GIVEN NAMES | Kum Kum |
| FAMILY NAME | Ray |
| SIGNATURE | RAY K K |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Two Visions of Emptiness
This paper examines representations of spiritual emptiness and alienation in The Hollow Men and Taxi Driver. Situating the works within post-World War I Europe and post-Vietnam America, it analyses how fragmentation, repetition, and disrupted continuity shape experiences of existential dislocation. Through a comparative literary and cinematic approach, the study argues that emptiness operates not only as a theme but as a structural condition embe…
Sat-Chit-Anand and Pleroma
This paper examines how distinct metaphysical traditions articulate the relationship among ultimate reality, consciousness, and human flourishing. Vedantic non-dualism conceives ultimate reality as Sat-Chit-Anand (being, consciousness, bliss), while Gnostic thought expresses a comparable vision through the idea of Pleroma as divine fullness. Using a comparative hermeneutic approach, the study interprets these concepts within their textual traditi…
Translating Land into Stage
This research paper examines the patterns and presentations in Girish Karnad’s major plays. Girish Raghunath Karnad (19 May 1938-10 June 2019) was the foremost Kannada playwright of India. In addition to writing plays, he was also an actor, film director, and a Jnanpith awardee, who dominated in the fields of Hindi, Kannada, Tamil, Malayalam, Telugu, and Marathi films. His ascent to prominence as a playwright in the 1960s signaled the advent of c…
No prominent works on this page.
Translating Land into Stage
This research paper examines the patterns and presentations in Girish Karnad’s major plays. Girish Raghunath Karnad (19 May 1938-10 June 2019) was the foremost Kannada playwright of India. In addition to writing plays, he was also an actor, film director, and a Jnanpith awardee, who dominated in the fields of Hindi, Kannada, Tamil, Malayalam, Telugu, and Marathi films. His ascent to prominence as a playwright in the 1960s signaled the advent of c…
Two Visions of Emptiness
This paper examines representations of spiritual emptiness and alienation in The Hollow Men and Taxi Driver. Situating the works within post-World War I Europe and post-Vietnam America, it analyses how fragmentation, repetition, and disrupted continuity shape experiences of existential dislocation. Through a comparative literary and cinematic approach, the study argues that emptiness operates not only as a theme but as a structural condition embe…
Sat-Chit-Anand and Pleroma
This paper examines how distinct metaphysical traditions articulate the relationship among ultimate reality, consciousness, and human flourishing. Vedantic non-dualism conceives ultimate reality as Sat-Chit-Anand (being, consciousness, bliss), while Gnostic thought expresses a comparable vision through the idea of Pleroma as divine fullness. Using a comparative hermeneutic approach, the study interprets these concepts within their textual traditi…
Alienation (1 work) · Biology (1 work) · Cultural Studies and Interdisciplinary Research (1 work) · Ecocriticism and Environmental Literature (1 work) · Emptiness (1 work) · Existentialism (1 work) · Flourishing (1 work) · Indian and Buddhist Studies (1 work) · Metaphysics (1 work) · Mindfulness and Compassion Interventions (1 work)