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Ruby Cohn

Biographic Data

ID976091
NAMERuby Cohn
GIVEN NAMESRuby
FAMILY NAMECohn
SIGNATURECOHN R
AFFILIATIONSUniversity of California System
VERIFIEDNo
TOTAL WORKS26
TOTAL CITATIONS16
AUTHOR COUNT24
EDITOR COUNT0
FIRST PUBLICATION YEAR1959
LATEST PUBLICATION YEAR2015
H-INDEX2
  • Modern Shakespeare Offshoots

    Ruby Cohn•BOOK•Modern Shakespeare Offshoots•2015

  • Anglo-American Interplay in Recent Drama

    Martha Gilman Bower, Ruby Cohn•ARTICLE•American Literature•1996

  • Around the Absurd

    Karen Laughlin, Karen L Laughlin et al.•ARTICLE•Theatre Journal•1993

  • Radical Stages

    Susan Carlson, D Keith Peacock et al.•ARTICLE•Theatre Journal•1993

  • From Desire to Godot

    David Bradby, Ruby Cohn•ARTICLE•Theatre Journal•1988

  • Shakespeare Left

    Ruby Cohn•ARTICLE•Theatre Journal•1988

  • Disjecta

    William B Worthen, Samuel Beckett et al.•ARTICLE•Theatre Journal•1985•Cited by: 3

  • Disjecta

    Laurie Lassiter, Samuel Beckett et al.•ARTICLE•Performing Arts Journal•1984

  • American Playwrights

    Philip Auslander, Bonnie Marranca et al.•ARTICLE•Theatre Journal•1983

  • New American Dramatists

    Mignon Smith, Ruby Cohn•ARTICLE•Performing Arts Journal•1982

  • Just Play

    Michael Earley, Ruby Cohn•ARTICLE•Performing Arts Journal•1980

  • Joan Holden and the San Francisco Mime Troupe

    Open Access•Ruby Cohn•ARTICLE•The Drama Review TDR•1980

    At 10:00 a.m. a red metrovan truck rolls up to a Bay Area park. Along its side white letters blare “San Francisco Mime Troupe.” Within a few minutes two old cars park near the truck, and 10 people alight from the vehicles. They confer swiftly before unburdening the truck of collapsible platform, costume rack and prop boxes on wheels. One of the people points to the sky, designating the path of the afternoon sun; the stage must be positioned with …

  • Just Play

    Ruby Cohn•BOOK•Just Play•1980•Cited by: 9

    The author ranges through Beckett's drama to analyze his approach to place, time, soliloquy, fiction, and repetition. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback an…

  • "Artaud's "Jet de Sang

    Ruby Cohn•ARTICLE•Theatre Journal•1979

  • The Woman

    Ruby Cohn, Edward Bond•ARTICLE•Theatre Journal•1979

  • Ends and Odds

    Ruby Cohn, Samuel Beckett et al.•ARTICLE•Performing Arts Journal•1977

    In A Call to Heroism, Peter Gibbon argues that the heroes we honor are the embodiment of the ideals that America was founded on: liberty, justice, and tolerance chief among them. Because the very concept of heroism has come under threat in our cynical media age, Gibbon believes that we must forge a new understanding of what it means to be a hero to fortify our ideals as we engage our present challenges and face those that lay ahead. Gibbon examin…

  • Dialogue in American Drama

    John Henry Raleigh, Ruby Cohn•ARTICLE•American Literature•1972

  • Black Power on Stage

    Ruby Cohn•ARTICLE•Yale French Studies•1971•Cited by: 2

  • Surrealism And Today's French Theatre

    Ruby Cohn•ARTICLE•Yale French Studies•1964

  • The Artaud Experiment

    Open Access•Patrick M Arnold, Paul Arnold et al.•ARTICLE•The Tulane Drama Review•1963•Cited by: 1

    With the intransigence of an innovator who feels himself inspired, Antonin Artaud, by an imperious gesture of the pen, by an imperious gesture of the mind, wrote off about two thousand three hundred years of theatre. Of Western theatre. We are in the early thirties. This was the period when Louis Jouvet successfully produced the masterpieces of Jean Giraudoux: the period of Electra and her half-god, half-prophet Beggar, just before the Trojan War…

  • The Theatrical World of Michel de Ghelderode

    Open Access•Auréliu Weiss, Ruby Cohn•ARTICLE•The Tulane Drama Review•1963

    The recent death of Ghelderode has awakened renewed interest in his drama. One of the most astounding figures in the contemporary theatre (a theatre full of astounding figures), his work is characterized by such bizarre aspects as fetishism, living dead men, leaps through time, devils, sorcerers, ghosts, grinning buffoons, legendary heroes stubbornly destroying their legend, historical characters denying the facts of their history, philosophical …

  • Nathalie Sarraute's Sub-Conciousversations

    Ruby Cohn•ARTICLE•Modern Language Notes•1963

  • Plays and Player in the Plays of Samuel Beckett

    Ruby Cohn•ARTICLE•Yale French Studies•1962

  • A Diminishing Difference

    Ruby Cohn•ARTICLE•Yale French Studies•1961

  • The Comedy of Samuel Beckett

    Ruby Cohn•ARTICLE•Yale French Studies•1959

Next
  • Just Play

    Ruby Cohn•BOOK•Just Play•1980•Cited by: 9

    The author ranges through Beckett's drama to analyze his approach to place, time, soliloquy, fiction, and repetition. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback an…

  • Disjecta

    William B Worthen, Samuel Beckett et al.•ARTICLE•Theatre Journal•1985•Cited by: 3

  • Black Power on Stage

    Ruby Cohn•ARTICLE•Yale French Studies•1971•Cited by: 2

  • The Artaud Experiment

    Open Access•Patrick M Arnold, Paul Arnold et al.•ARTICLE•The Tulane Drama Review•1963•Cited by: 1

    With the intransigence of an innovator who feels himself inspired, Antonin Artaud, by an imperious gesture of the pen, by an imperious gesture of the mind, wrote off about two thousand three hundred years of theatre. Of Western theatre. We are in the early thirties. This was the period when Louis Jouvet successfully produced the masterpieces of Jean Giraudoux: the period of Electra and her half-god, half-prophet Beggar, just before the Trojan War…

  • Still Novel

    Ruby Cohn•ARTICLE•Yale French Studies•1959•Cited by: 1

  • The Comedy of Samuel Beckett

    Ruby Cohn•ARTICLE•Yale French Studies•1959

  • Still Novel

    Ruby Cohn•ARTICLE•Yale French Studies•1959•Cited by: 1

  • A Diminishing Difference

    Ruby Cohn•ARTICLE•Yale French Studies•1961

  • Plays and Player in the Plays of Samuel Beckett

    Ruby Cohn•ARTICLE•Yale French Studies•1962

  • The Artaud Experiment

    Open Access•Patrick M Arnold, Paul Arnold et al.•ARTICLE•The Tulane Drama Review•1963•Cited by: 1

    With the intransigence of an innovator who feels himself inspired, Antonin Artaud, by an imperious gesture of the pen, by an imperious gesture of the mind, wrote off about two thousand three hundred years of theatre. Of Western theatre. We are in the early thirties. This was the period when Louis Jouvet successfully produced the masterpieces of Jean Giraudoux: the period of Electra and her half-god, half-prophet Beggar, just before the Trojan War…

  • The Theatrical World of Michel de Ghelderode

    Open Access•Auréliu Weiss, Ruby Cohn•ARTICLE•The Tulane Drama Review•1963

    The recent death of Ghelderode has awakened renewed interest in his drama. One of the most astounding figures in the contemporary theatre (a theatre full of astounding figures), his work is characterized by such bizarre aspects as fetishism, living dead men, leaps through time, devils, sorcerers, ghosts, grinning buffoons, legendary heroes stubbornly destroying their legend, historical characters denying the facts of their history, philosophical …

  • Nathalie Sarraute's Sub-Conciousversations

    Ruby Cohn•ARTICLE•Modern Language Notes•1963

  • Surrealism And Today's French Theatre

    Ruby Cohn•ARTICLE•Yale French Studies•1964

  • Black Power on Stage

    Ruby Cohn•ARTICLE•Yale French Studies•1971•Cited by: 2

  • Dialogue in American Drama

    John Henry Raleigh, Ruby Cohn•ARTICLE•American Literature•1972

  • Ends and Odds

    Ruby Cohn, Samuel Beckett et al.•ARTICLE•Performing Arts Journal•1977

    In A Call to Heroism, Peter Gibbon argues that the heroes we honor are the embodiment of the ideals that America was founded on: liberty, justice, and tolerance chief among them. Because the very concept of heroism has come under threat in our cynical media age, Gibbon believes that we must forge a new understanding of what it means to be a hero to fortify our ideals as we engage our present challenges and face those that lay ahead. Gibbon examin…

  • "Artaud's "Jet de Sang

    Ruby Cohn•ARTICLE•Theatre Journal•1979

  • The Woman

    Ruby Cohn, Edward Bond•ARTICLE•Theatre Journal•1979

  • Just Play

    Michael Earley, Ruby Cohn•ARTICLE•Performing Arts Journal•1980

  • Joan Holden and the San Francisco Mime Troupe

    Open Access•Ruby Cohn•ARTICLE•The Drama Review TDR•1980

    At 10:00 a.m. a red metrovan truck rolls up to a Bay Area park. Along its side white letters blare “San Francisco Mime Troupe.” Within a few minutes two old cars park near the truck, and 10 people alight from the vehicles. They confer swiftly before unburdening the truck of collapsible platform, costume rack and prop boxes on wheels. One of the people points to the sky, designating the path of the afternoon sun; the stage must be positioned with …

  • Just Play

    Ruby Cohn•BOOK•Just Play•1980•Cited by: 9

    The author ranges through Beckett's drama to analyze his approach to place, time, soliloquy, fiction, and repetition. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback an…

  • New American Dramatists

    Mignon Smith, Ruby Cohn•ARTICLE•Performing Arts Journal•1982

  • American Playwrights

    Philip Auslander, Bonnie Marranca et al.•ARTICLE•Theatre Journal•1983

  • Disjecta

    Laurie Lassiter, Samuel Beckett et al.•ARTICLE•Performing Arts Journal•1984

  • Disjecta

    William B Worthen, Samuel Beckett et al.•ARTICLE•Theatre Journal•1985•Cited by: 3

  • From Desire to Godot

    David Bradby, Ruby Cohn•ARTICLE•Theatre Journal•1988

  • Shakespeare Left

    Ruby Cohn•ARTICLE•Theatre Journal•1988

  • Around the Absurd

    Karen Laughlin, Karen L Laughlin et al.•ARTICLE•Theatre Journal•1993

  • Radical Stages

    Susan Carlson, D Keith Peacock et al.•ARTICLE•Theatre Journal•1993

  • Anglo-American Interplay in Recent Drama

    Martha Gilman Bower, Ruby Cohn•ARTICLE•American Literature•1996

Art (24 works) · Theatre and Performance Studies (11 works) · History (9 works) · Literature (9 works) · Philosophy (8 works) · Art history (6 works) · Philosophy (6 works) · Drama (5 works) · Samuel Beckett and Modernism (5 works) · Aesthetics (4 works)

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