C M Girdlestone
Biographic Data
| ID | 976274 |
|---|---|
| NAME | C M Girdlestone |
| GIVEN NAMES | C M |
| FAMILY NAME | Girdlestone |
| SIGNATURE | GIRDLESTONE C M |
| AFFILIATIONS | Saint-Cloud |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1932 |
| LATEST PUBLICATION YEAR | 1965 |
| H-INDEX | 0 |
Jean-Philippe Rameau. 1683-1764
Le Cerf De La Viéville's Comparaison: Its Non-Musical Interest
Journal Article LE CERF DE LA VIÉVILLE'S COMPARAISON: ITS NON-MUSICAL INTEREST Get access C. M. GIRDLESTONE C. M. GIRDLESTONE SAINT-CLOUD Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XVI, Issue 3, July 1962, Pages 205–228, https://doi.org/10.1093/fs/XVI.3.205 Published: 01 July 1962
Rameau's Self-Borrowings
Journal Article RAMEAU'S SELF-BORROWINGS Get access C. M. GIRDLESTONE C. M. GIRDLESTONE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXXIX, Issue 1, January 1958, Pages 52–56, https://doi.org/10.1093/ml/XXXIX.1.52 Published: 01 January 1958
Racine: Confessions ; Unpublished Sonnets. Translated from the French into verse by Walter Roberts. (Mowbrays; 13s. 6d.)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Mozart Bicentenary
The celebration of Mozart's bicentenary has brought out one of the chief traits by which his worship differs from other cults for writers and artists of the past, namely, the degree of personal love and devotion which attend it. The centenary celebrations of Beethoven, Schubert, Haydn, Brahms, Chopin, Bach, have fallen within the memory of most of us; great as was the burden of praise cast upon these distinguished figures, none called up such a t…
The Tradition of the Maries in Provence
Few local traditions of evangelisation have been maintained with as much tenacity and defended with as much passion as that of the Bethany household and the Maries in Provence. Among Catholics of the modern dioceses of Marseilles, Aix, Avignon and Fréjus, which have succeeded the medieval dioceses of the same churches and those of Orange, Carpentras, Apt, Arles and Toulon, now divided between the four survivors, the belief that their province was…
Thirteenth Century Gothic in England and Normandy: A Comparison
Mozart et ses Concertos pour piano
Mozart's C Minor Mass
Muzio Clementi
MUZIO CLEMENTI Get access C. M. GIRDLESTONE C. M. GIRDLESTONE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XIII, Issue 3, July 1932, Pages 286–297, https://doi.org/10.1093/ml/XIII.3.286 Published: 01 July 1932
Muzio Clementi
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Muzio Clementi
MUZIO CLEMENTI Get access C. M. GIRDLESTONE C. M. GIRDLESTONE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XIII, Issue 3, July 1932, Pages 286–297, https://doi.org/10.1093/ml/XIII.3.286 Published: 01 July 1932
Muzio Clementi
Mozart's C Minor Mass
Mozart et ses Concertos pour piano
Thirteenth Century Gothic in England and Normandy: A Comparison
The Tradition of the Maries in Provence
Few local traditions of evangelisation have been maintained with as much tenacity and defended with as much passion as that of the Bethany household and the Maries in Provence. Among Catholics of the modern dioceses of Marseilles, Aix, Avignon and Fréjus, which have succeeded the medieval dioceses of the same churches and those of Orange, Carpentras, Apt, Arles and Toulon, now divided between the four survivors, the belief that their province was…
The Mozart Bicentenary
The celebration of Mozart's bicentenary has brought out one of the chief traits by which his worship differs from other cults for writers and artists of the past, namely, the degree of personal love and devotion which attend it. The centenary celebrations of Beethoven, Schubert, Haydn, Brahms, Chopin, Bach, have fallen within the memory of most of us; great as was the burden of praise cast upon these distinguished figures, none called up such a t…
Racine: Confessions ; Unpublished Sonnets. Translated from the French into verse by Walter Roberts. (Mowbrays; 13s. 6d.)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Rameau's Self-Borrowings
Journal Article RAMEAU'S SELF-BORROWINGS Get access C. M. GIRDLESTONE C. M. GIRDLESTONE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXXIX, Issue 1, January 1958, Pages 52–56, https://doi.org/10.1093/ml/XXXIX.1.52 Published: 01 January 1958
Le Cerf De La Viéville's Comparaison: Its Non-Musical Interest
Journal Article LE CERF DE LA VIÉVILLE'S COMPARAISON: ITS NON-MUSICAL INTEREST Get access C. M. GIRDLESTONE C. M. GIRDLESTONE SAINT-CLOUD Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XVI, Issue 3, July 1962, Pages 205–228, https://doi.org/10.1093/fs/XVI.3.205 Published: 01 July 1962
Jean-Philippe Rameau. 1683-1764
Art (8 works) · History (7 works) · Art history (5 works) · Musicology and Musical Analysis (5 works) · Literature (4 works) · MOZART (3 works) · Citation (2 works) · Computer Science (2 works) · Diverse Musicological Studies (2 works) · History (2 works)