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Regaria Tindarika

Biographic Data

ID9765943
NAMERegaria Tindarika
GIVEN NAMESRegaria
FAMILY NAMETindarika
SIGNATURETINDARIKA R
AFFILIATIONSTanjungpura University
ORCID0000-0002-5602-3223
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Babukong Ritual and the Persistence of Dayak Ma'ap Cultural Identity in the Modern Era

    Open Access•Regaria Tindarika, Nurmila Sari Djau et al.•ARTICLE•Jurnal Pendidikan Sosiologi dan…•2026

    This study examines the transformation, functions, and meanings of the Katipak Dance within the Babukong funeral ritual of the Dayak Ma’ap community in the context of modernization and cultural globalization. The urgency of this research lies in the increasing pressure of global culture, which threatens the continuity of local traditions and weakens cultural identity. This study aims to (1) describe the role of the Katipak Dance in the structure …

  • Inclusivity in Jepin and Raddat Dance

    Open Access•Regaria Tindarika, Ridho Rianto et al.•ARTICLE•Jurnal Pendidikan Sosiologi dan…•2025

    This study aims to examine the changes in gender roles in the Jepin dance in Sambas Regency, particularly regarding the involvement of women in performances that were previously dominated by men. The research also aims to understand the impact of these changes on the preservation of art, aesthetics, and the cultural values of the Sambas community. The methodology used is a qualitative approach with literature analysis and in-depth interviews with…

  • Analysis of Social And Religion Change of Dayak Ma'amp on Katipak Dance In The Ritual Babukokng

    Open Access•Sovi Audina, Regaria Tindarika et al.•ARTICLE•Jurnal Pendidikan Sosiologi dan…•2025

    This study aims to explain the forms of social change and shifts in belief systems that occur within the Dayak Ma’amp community, as well as their relationship to the implementation of the Babukokng ritual and the continuity of the Katipak Dance as one of the sacred cultural elements. The focus of the research is directed toward identifying the forms of social and belief changes within the Dayak Ma’amp community, particularly those related to the …

  • Role of Tajo Dance in The Bohien Dohik Ritual on Dayak Hibun in Parindu

    Open Access•Della Aprilya Dewi, Regaria Tindarika et al.•ARTICLE•Jurnal Pendidikan Sosiologi dan…•2025

    This study examines the central role of the Tajo Dance in the Bohien Dohik healing ritual performed by the Dayak Hibun community in Parindu District, Sanggau Regency, West Kalimantan. The Tajo Dance is understood as a spiritual medium that connects humans, ancestors, and Penompo (God), and serves as an essential element in restoring balance between the physical world and the spiritual realm. This study aims to describe the role of the Tajo Dance …

  • Pesaguan Dayak Culture

    Open Access•Regaria Tindarika, Aline Rizky Oktaviari Satrianingsih et al.•ARTICLE•Jurnal Pendidikan Sosiologi dan…•2023

    The Pesaguan Dayak ethnic has various types of culture and customs within it. One of the cultures it has is in the form of traditional ceremonies. The Tentobus Traditional Ceremony has a series of activities that have been arranged systematically from start to finish. This research aims to describe the processions contained in the Tentobus Traditional Ceremony considering that carrying out traditional ceremonies has its own applicable rules and p…

  • Representasi Gong Dalam Tari Ngeruai Kenemiak (Analisis Pola Dua Estetika Paradoks)

    Regaria Tindarika, Winda Istiandini et al.•ARTICLE•JOGED•2023

    ABSTRAKTari Ngeruai Kenemiak memiliki keunikan tersendiri yaitu terdapatpenggunaan alat musik Gong sebagai properti tarinya. Gong ini dimainkan selama pertunjukan tari berlangsung. Adapun cara memainkannya dengan dipegang, diayunkan ke atas dan bawah, diinjak, dan diduduki. Dengan menggunakan teori estetika paradoks oleh Jakob Sumarjo, penelitian ini akan dianalisis berdasarkan bentuk properti, cara penggunaannya dalam upacara maupun tari Ngeruai…

  • Nilai-Nilai Dalam Kesenian Hadrah Di Kota Pontianak

    Open Access•Regaria Tindarika•ARTICLE•Jurnal Pendidikan Sosiologi dan…•2021

    This study describes the values contained in Hadrah art in Pontianak, West Kalimantan. Hadrah is closely related to Islamic art because the poetry that is sung contains praise for the Creator and Prophet Muhammad Sallallahu Alaihi Wasallam and advice. Using qualitative research methods with an anthropological approach. Data collection techniques used interviews, observation, literature study, and data validity testing by extending observations an…

No prominent works on this page.

  • Nilai-Nilai Dalam Kesenian Hadrah Di Kota Pontianak

    Open Access•Regaria Tindarika•ARTICLE•Jurnal Pendidikan Sosiologi dan…•2021

    This study describes the values contained in Hadrah art in Pontianak, West Kalimantan. Hadrah is closely related to Islamic art because the poetry that is sung contains praise for the Creator and Prophet Muhammad Sallallahu Alaihi Wasallam and advice. Using qualitative research methods with an anthropological approach. Data collection techniques used interviews, observation, literature study, and data validity testing by extending observations an…

  • Pesaguan Dayak Culture

    Open Access•Regaria Tindarika, Aline Rizky Oktaviari Satrianingsih et al.•ARTICLE•Jurnal Pendidikan Sosiologi dan…•2023

    The Pesaguan Dayak ethnic has various types of culture and customs within it. One of the cultures it has is in the form of traditional ceremonies. The Tentobus Traditional Ceremony has a series of activities that have been arranged systematically from start to finish. This research aims to describe the processions contained in the Tentobus Traditional Ceremony considering that carrying out traditional ceremonies has its own applicable rules and p…

  • Representasi Gong Dalam Tari Ngeruai Kenemiak (Analisis Pola Dua Estetika Paradoks)

    Regaria Tindarika, Winda Istiandini et al.•ARTICLE•JOGED•2023

    ABSTRAKTari Ngeruai Kenemiak memiliki keunikan tersendiri yaitu terdapatpenggunaan alat musik Gong sebagai properti tarinya. Gong ini dimainkan selama pertunjukan tari berlangsung. Adapun cara memainkannya dengan dipegang, diayunkan ke atas dan bawah, diinjak, dan diduduki. Dengan menggunakan teori estetika paradoks oleh Jakob Sumarjo, penelitian ini akan dianalisis berdasarkan bentuk properti, cara penggunaannya dalam upacara maupun tari Ngeruai…

  • Inclusivity in Jepin and Raddat Dance

    Open Access•Regaria Tindarika, Ridho Rianto et al.•ARTICLE•Jurnal Pendidikan Sosiologi dan…•2025

    This study aims to examine the changes in gender roles in the Jepin dance in Sambas Regency, particularly regarding the involvement of women in performances that were previously dominated by men. The research also aims to understand the impact of these changes on the preservation of art, aesthetics, and the cultural values of the Sambas community. The methodology used is a qualitative approach with literature analysis and in-depth interviews with…

  • Analysis of Social And Religion Change of Dayak Ma'amp on Katipak Dance In The Ritual Babukokng

    Open Access•Sovi Audina, Regaria Tindarika et al.•ARTICLE•Jurnal Pendidikan Sosiologi dan…•2025

    This study aims to explain the forms of social change and shifts in belief systems that occur within the Dayak Ma’amp community, as well as their relationship to the implementation of the Babukokng ritual and the continuity of the Katipak Dance as one of the sacred cultural elements. The focus of the research is directed toward identifying the forms of social and belief changes within the Dayak Ma’amp community, particularly those related to the …

  • Role of Tajo Dance in The Bohien Dohik Ritual on Dayak Hibun in Parindu

    Open Access•Della Aprilya Dewi, Regaria Tindarika et al.•ARTICLE•Jurnal Pendidikan Sosiologi dan…•2025

    This study examines the central role of the Tajo Dance in the Bohien Dohik healing ritual performed by the Dayak Hibun community in Parindu District, Sanggau Regency, West Kalimantan. The Tajo Dance is understood as a spiritual medium that connects humans, ancestors, and Penompo (God), and serves as an essential element in restoring balance between the physical world and the spiritual realm. This study aims to describe the role of the Tajo Dance …

  • Babukong Ritual and the Persistence of Dayak Ma'ap Cultural Identity in the Modern Era

    Open Access•Regaria Tindarika, Nurmila Sari Djau et al.•ARTICLE•Jurnal Pendidikan Sosiologi dan…•2026

    This study examines the transformation, functions, and meanings of the Katipak Dance within the Babukong funeral ritual of the Dayak Ma’ap community in the context of modernization and cultural globalization. The urgency of this research lies in the increasing pressure of global culture, which threatens the continuity of local traditions and weakens cultural identity. This study aims to (1) describe the role of the Katipak Dance in the structure …

Cultural and Artistic Studies (7 works) · Cultural and Religious Practices in Indonesia (6 works) · Dance (6 works) · Art (4 works) · Ethnography (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Cultural and Social Studies (2 works) · Philosophy (2 works) · Political science (2 works)

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