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Solveig Kloss

Biographic Data

ID9766445
NAMESolveig Kloss
GIVEN NAMESSolveig
FAMILY NAMEKloss
SIGNATUREKLOSS S
AFFILIATIONSLeipzig University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2022
H-INDEX0
  • “I Look Too Good Not to Be Seen”

    Solveig Kloss•ARTICLE•aspeers emerging voices in…•2022

    In this article, the pilot of the 2018 show Pose, which explores the ballroom scene of the 1980s in New York, will be analyzed. In the show, the life and struggles of transgender, poor, Black, Latinx, or generally marginalized characters are narrated as they navigate their own colorful world but also deal with AIDS, heartbreak and discrimination. As a basis for my reading, I will connect the theory of ‘bodily capital,’ which is an adaptation of P…

  • Introduction

    Vanessa Arnold, Pia Benthin et al.•ARTICLE•aspeers emerging voices in…•2021

    Just as none of us is outside or beyond geography, none of us is completely free from the struggle

  • A Message from the Editors

    Vanessa Arnold, Pia Benthin et al.•ARTICLE•aspeers emerging voices in…•2021

    s the editors of aspeers, the end of the fourteenth issue's cycle presented us with a moment of reflection. We put the finishing touches on it roughly one year after the COVID-19 pandemic began in Europe, and while we knew these circumstances certainly had an impact on the issue, we were left to wonder whether they would define it. Our workshops, meetings, and article discussions were conducted entirely online, which added the Zoom-mosaic aesthet…

No prominent works on this page.

  • Introduction

    Vanessa Arnold, Pia Benthin et al.•ARTICLE•aspeers emerging voices in…•2021

    Just as none of us is outside or beyond geography, none of us is completely free from the struggle

  • A Message from the Editors

    Vanessa Arnold, Pia Benthin et al.•ARTICLE•aspeers emerging voices in…•2021

    s the editors of aspeers, the end of the fourteenth issue's cycle presented us with a moment of reflection. We put the finishing touches on it roughly one year after the COVID-19 pandemic began in Europe, and while we knew these circumstances certainly had an impact on the issue, we were left to wonder whether they would define it. Our workshops, meetings, and article discussions were conducted entirely online, which added the Zoom-mosaic aesthet…

  • “I Look Too Good Not to Be Seen”

    Solveig Kloss•ARTICLE•aspeers emerging voices in…•2022

    In this article, the pilot of the 2018 show Pose, which explores the ballroom scene of the 1980s in New York, will be analyzed. In the show, the life and struggles of transgender, poor, Black, Latinx, or generally marginalized characters are narrated as they navigate their own colorful world but also deal with AIDS, heartbreak and discrimination. As a basis for my reading, I will connect the theory of ‘bodily capital,’ which is an adaptation of P…

Art (2 works) · Academic Writing and Publishing (1 work) · Aesthetics (1 work) · Archaeology (1 work) · Australian History and Society (1 work) · Ballroom (1 work) · Caribbean history, culture, and politics (1 work) · Cinema and Media Studies (1 work) · Colonization (1 work) · Computer Science (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae