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Beatrice Farnsworth

Biographic Data

ID977065
NAMEBeatrice Farnsworth
GIVEN NAMESBeatrice
FAMILY NAMEFarnsworth
SIGNATUREFARNSWORTH B
AFFILIATIONSZurich University of the Arts
ORCID0000-0001-9095-2360
VERIFIEDYes
TOTAL WORKS43
TOTAL CITATIONS38
WORKS AS AUTHOR43
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1967
LATEST PUBLICATION YEAR2020
H-INDEX4
  • The Munich Biennale in Numbers.

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Berno Odo Polzer

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • The 2016 and 2018 Biennale Editions

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Establishing the Field

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • The Anatomy of Festivals and Biennales

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Maerzmusik 2002–2014

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

    seemingly not allow for interaction with the hard facts of its organization and basic set of assumptions.Therefore, despite its similarity to other biennales established in disputed zones, it significantly attempts to consolidate two divergent histories under a new, singular, privileged gaze.The post-reunification Musik-Biennale can thus be said to have attempted to mend a divided cultural history, though without reflecting on how its fundamental…

  • Daniel Ott and Manos Tsangaris (DOMTS)

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Opening Concert

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Decolonizing Time

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Hans Werner Henze

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Introduction

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Curating Theatre / Theatre Curating

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Curating Biennales

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Music Theatre?

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Introduction

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • The State of the Art

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Conclusion/Coda/Konzertemacher

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Introduction

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Curating Dance / Dance Curating

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Peter Ruzicka

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Scope and Overview

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Reading Shannon Jackson

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Compositional and Curatorial Practices

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Storytelling for Earthly Survival

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Conclusion/Curating Music

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

Next
  • Perestroika and Soviet Women

    Beatrice Farnsworth, Mary Buckley•ARTICLE•The Russian Review•1994•Cited by: 8

    Leading specialists explore the impact both perestroika and glasnost have had on Soviet women as workers, consumers and political actors. They discuss the implications of reform for female labor, the falling percentage of female deputies and the position of women in the Ukraine. The authors also show how glasnost had helped to expose social problems while at the same time obscuring the role of girls in youth culture, creating images of irresponsi…

  • The Litigious Daughter-in-Law

    Open Access•Beatrice Farnsworth•ARTICLE•Slavic Review•1986•Cited by: 7•References: 2

    Russian folk wisdom regarded the daughter-in-law, the snokha (a word that also meant sister-in-law), as a source of family friction. Unable to coexist in the cramped quarters of the peasant hut, or izba, where a mother-in-law ruled over the stove and a father-in-law kept watch on the family purse, the daughter-inlaw supposedly made evident her discontent. A host of proverbs and folk sayings attest to the idea of the snokha as troublemaker: the sa…

  • Bride of the Revolution

    Beatrice Farnsworth, Robert H Mcneal•ARTICLE•The Russian Review•1973•Cited by: 7

  • The Soldatka

    Open Access•Beatrice Farnsworth•ARTICLE•Slavic Review•1990•Cited by: 6•References: 8

    The most vulnerable member of the peasant household was reported to be the soldatka, the soldier's wife. The quintessential outsider in a community based on married couples, the soldatka suffered from the general coldness of the village toward single women. Stereotyped as abused, neglected, and without resources, she was seen as a loose woman who drank and the bearer of illegitimate children. We know little about her. Popular imagination has been…

  • Conversing with Stalin, Surviving the Terror

    Open Access•Beatrice Farnsworth•ARTICLE•Slavic Review•2010•Cited by: 3•References: 6

    In this article, Beatrice Farnsworth suggests that Aleksandra Kollontai, Old Bolshevik, socialist-feminist, and former leader of the Workers' Opposition, survived Iosif Stalin's terror largely because in her effort to assure Stalin that she was no longer an oppositionist, she nurtured a friendly dynamic with him. Indeed, in their conversations, she pursued a gendered strategy of warm deference and flattery. Yet, while publicly serving the Soviet …

  • Peasant Icons

    Beatrice Farnsworth, Cathy A Frierson•ARTICLE•The Russian Review•1994•Cited by: 3

  • Aleksandra Kollontai

    Rose L Glickman, Rose Glickman et al.•ARTICLE•The Russian Review•1981•Cited by: 3

  • William C. Bullitt and the Soviet Union

    Eugene P Trani, Beatrice Farnsworth•ARTICLE•The Russian Review•1968•Cited by: 1

  • William C. Bullitt and the Soviet Union

    Keith Eubank, Beatrice Farnsworth•ARTICLE•Journal of American History•1967

    Journal Article William C. Bullitt and the Soviet Union. By Beatrice Farnsworth. (Bloomington: Indiana University Press, 1967. x + 244 pp. Notes, manuscript sources, and index. $7.50.) Get access Keith Eubank Keith Eubank Queens College, City University of New York Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 54, Issue 3, December 1967, Pages 710–711, https://doi.org/10.2307/2937505 …

  • William C. Bullitt and the Soviet Union

    Eugene P Trani, Beatrice Farnsworth•ARTICLE•The Russian Review•1968•Cited by: 1

  • William C. Bullitt and the Soviet Union

    R D Accinelli, Beatrice Farnsworth•ARTICLE•International Journal Canada s…•1968

  • Bride of the Revolution

    Beatrice Farnsworth, Robert H Mcneal•ARTICLE•The Russian Review•1973•Cited by: 7

  • Aleksandra Kollontai

    Rose L Glickman, Rose Glickman et al.•ARTICLE•The Russian Review•1981•Cited by: 3

  • The Litigious Daughter-in-Law

    Open Access•Beatrice Farnsworth•ARTICLE•Slavic Review•1986•Cited by: 7•References: 2

    Russian folk wisdom regarded the daughter-in-law, the snokha (a word that also meant sister-in-law), as a source of family friction. Unable to coexist in the cramped quarters of the peasant hut, or izba, where a mother-in-law ruled over the stove and a father-in-law kept watch on the family purse, the daughter-inlaw supposedly made evident her discontent. A host of proverbs and folk sayings attest to the idea of the snokha as troublemaker: the sa…

  • The Soldatka

    Open Access•Beatrice Farnsworth•ARTICLE•Slavic Review•1990•Cited by: 6•References: 8

    The most vulnerable member of the peasant household was reported to be the soldatka, the soldier's wife. The quintessential outsider in a community based on married couples, the soldatka suffered from the general coldness of the village toward single women. Stereotyped as abused, neglected, and without resources, she was seen as a loose woman who drank and the bearer of illegitimate children. We know little about her. Popular imagination has been…

  • Inessa Armand

    Beatrice Farnsworth, R C Elwood•ARTICLE•The American Historical Review•1993

    List of illustrations Preface Introduction 1. In the nest of gentlefolk 2. From feminism to Marxism 3. Underground propagandist 4. Years of wandering 5. Building a 'party of new type' 6. In defence of women workers 7. Lenin's 'girl friday' 8. The end of an affair? 9. On the eve of revolution 10. Return to Moscow 11. French fiasco 12. Soviet feminism 13. Death in the Caucasus Bibliography Index.

  • Peasant Icons

    Beatrice Farnsworth, Cathy A Frierson•ARTICLE•The Russian Review•1994•Cited by: 3

  • Perestroika and Soviet Women

    Beatrice Farnsworth, Mary Buckley•ARTICLE•The Russian Review•1994•Cited by: 8

    Leading specialists explore the impact both perestroika and glasnost have had on Soviet women as workers, consumers and political actors. They discuss the implications of reform for female labor, the falling percentage of female deputies and the position of women in the Ukraine. The authors also show how glasnost had helped to expose social problems while at the same time obscuring the role of girls in youth culture, creating images of irresponsi…

  • Conversing with Stalin, Surviving the Terror

    Open Access•Beatrice Farnsworth•ARTICLE•Slavic Review•2010•Cited by: 3•References: 6

    In this article, Beatrice Farnsworth suggests that Aleksandra Kollontai, Old Bolshevik, socialist-feminist, and former leader of the Workers' Opposition, survived Iosif Stalin's terror largely because in her effort to assure Stalin that she was no longer an oppositionist, she nurtured a friendly dynamic with him. Indeed, in their conversations, she pursued a gendered strategy of warm deference and flattery. Yet, while publicly serving the Soviet …

  • The Munich Biennale in Numbers.

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Berno Odo Polzer

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • The 2016 and 2018 Biennale Editions

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Establishing the Field

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • The Anatomy of Festivals and Biennales

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Maerzmusik 2002–2014

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

    seemingly not allow for interaction with the hard facts of its organization and basic set of assumptions.Therefore, despite its similarity to other biennales established in disputed zones, it significantly attempts to consolidate two divergent histories under a new, singular, privileged gaze.The post-reunification Musik-Biennale can thus be said to have attempted to mend a divided cultural history, though without reflecting on how its fundamental…

  • Daniel Ott and Manos Tsangaris (DOMTS)

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Opening Concert

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Decolonizing Time

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Hans Werner Henze

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Introduction

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Curating Theatre / Theatre Curating

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Curating Biennales

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

  • Music Theatre?

    Open Access•Beatrice Farnsworth, Brandon Farnsworth•CHAPTER•Curating Contemporary Music…•2020

Art (17 works) · Computer Science (17 works) · History (16 works) · Political science (11 works) · History (8 works) · Sociology (8 works) · Law (7 works) · Law (7 works) · Visual arts (6 works) · Art history (5 works)

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