Claudine Gélinas‐Faucher
Biographic Data
| ID | 9771014 |
|---|---|
| NAME | Claudine Gélinas‐Faucher |
| GIVEN NAMES | Claudine |
| FAMILY NAME | Gélinas‐Faucher |
| SIGNATURE | FAUCHER C G |
| AFFILIATIONS | Cegep de Thetford |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
New Women and/in Masculine Spaces
Using close reading of archival material, this paper uncovers the anti-feminist underpinnings of the Pen and Pencil Club of Montreal, amidst which Stephen Leacock and Andrew Macphail spent their formative years as writers. It examines four instances of the artistic and literary output of the Club’s members from 1895 to 1915: William McLennan’s unpublished poem “The New Woman,” a drawing by Edmond Dyonnet, a watercolour by Kenneth Macpherson, and …
“Social Enjoyment and the Promotion of Arts and Letters”
The Pen and Pencil Club of Montreal is one of the numerous associations founded in Montreal at the turn of the twentieth century. In offering its members the opportunity to circulate their work and receive informal feedback from other artists and writers, the club emerges as one of the forces in what Robert Darnton calls the “communications circuit,” one that creates a smaller, iterative circuit joining the author and the reader, the author as re…
No prominent works on this page.
“Social Enjoyment and the Promotion of Arts and Letters”
The Pen and Pencil Club of Montreal is one of the numerous associations founded in Montreal at the turn of the twentieth century. In offering its members the opportunity to circulate their work and receive informal feedback from other artists and writers, the club emerges as one of the forces in what Robert Darnton calls the “communications circuit,” one that creates a smaller, iterative circuit joining the author and the reader, the author as re…
New Women and/in Masculine Spaces
Using close reading of archival material, this paper uncovers the anti-feminist underpinnings of the Pen and Pencil Club of Montreal, amidst which Stephen Leacock and Andrew Macphail spent their formative years as writers. It examines four instances of the artistic and literary output of the Club’s members from 1895 to 1915: William McLennan’s unpublished poem “The New Woman,” a drawing by Edmond Dyonnet, a watercolour by Kenneth Macpherson, and …
Art (2 works) · Canadian Identity and History (2 works) · Club (2 works) · Engineering (2 works) · Sociology (2 works) · American History and Culture (1 work) · Feminism (1 work) · Gender Studies (1 work) · Historical and Scientific Studies (1 work) · Law (1 work)