Moira Fradinger
Biographic Data
| ID | 977886 |
|---|---|
| NAME | Moira Fradinger |
| GIVEN NAMES | Moira |
| FAMILY NAME | Fradinger |
| SIGNATURE | FRADINGER M |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Reading Greek Tragedy with Judith Butler
Considering Butler’s “tragic trilogy”—a set of interventions on Sophocles’ Antigone, Euripides’ Bacchae, and Aeschylus’s Eumenides—this book seeks to understand not just how Butler uses and interprets Greek tragedy, but also how tragedy shapes Butler’s thinking, even when their gaze is directed elsewhere. Through close readings of these tragedies, this book brings to light the tragic quality of Butler’s writing. It shows how Butler’s mode of read…
Huellas de archivo al rescate de una pionera del cine sudamericano. Josefina Emilia Saleny (1894-1978)
Este artículo trata de la biografía y filmografía de la que suponemos ser la primera mujer realizadora y profesora de cine de América del Sur, Emilia Saleny. Verdadera pionera del cine, Emilia habría nacido en Buenos Aires, hija de italianos. Habiendo comenzado su carrera como actriz de teatro, pronto se convirtió en cineasta y también fundó una Academia para actores de cine en Buenos Aires.
Traces d’archives pour tirer de l’oubli une pionnière du cinéma sud-américain
Cet article traite de la biographie et de la filmographie de celle que nous supposons être la première femme réalisatrice et professeure de cinéma d’Amérique du Sud, Emilia Saleny. Véritable pionnière du cinéma, Emilia serait née à Buenos Aires, de parents italiens. Ayant débuté sa carrière comme actrice de théâtre, elle devint rapidement cinéaste et fonda une académie de cinéma à Buenos Aires.
Revisiting the Argentine Political Documentary of the Late 1950s and Early 1960s
Criticism has tended to see the pioneer documentaries of the New Latin American Cinema in the late 1950s and early 1960s as reproducing what they denounced. Close analysis of the formal strategies of three classic Argentine films of the period-Fernando Birri's Tire Dié, Humberto Ríos's Faena, and Raymundo Gleyzer's Ceramiqueros de Traslasierra-suggests, instead, that the questions and contradictions in these political documentaries are illuminate…
Nomadic Antigone
Revisiting the Argentine Political Documentary of the Late 1950s and Early 1960s
Criticism has tended to see the pioneer documentaries of the New Latin American Cinema in the late 1950s and early 1960s as reproducing what they denounced. Close analysis of the formal strategies of three classic Argentine films of the period-Fernando Birri's Tire Dié, Humberto Ríos's Faena, and Raymundo Gleyzer's Ceramiqueros de Traslasierra-suggests, instead, that the questions and contradictions in these political documentaries are illuminate…
Nomadic Antigone
Revisiting the Argentine Political Documentary of the Late 1950s and Early 1960s
Criticism has tended to see the pioneer documentaries of the New Latin American Cinema in the late 1950s and early 1960s as reproducing what they denounced. Close analysis of the formal strategies of three classic Argentine films of the period-Fernando Birri's Tire Dié, Humberto Ríos's Faena, and Raymundo Gleyzer's Ceramiqueros de Traslasierra-suggests, instead, that the questions and contradictions in these political documentaries are illuminate…
Huellas de archivo al rescate de una pionera del cine sudamericano. Josefina Emilia Saleny (1894-1978)
Este artículo trata de la biografía y filmografía de la que suponemos ser la primera mujer realizadora y profesora de cine de América del Sur, Emilia Saleny. Verdadera pionera del cine, Emilia habría nacido en Buenos Aires, hija de italianos. Habiendo comenzado su carrera como actriz de teatro, pronto se convirtió en cineasta y también fundó una Academia para actores de cine en Buenos Aires.
Traces d’archives pour tirer de l’oubli une pionnière du cinéma sud-américain
Cet article traite de la biographie et de la filmographie de celle que nous supposons être la première femme réalisatrice et professeure de cinéma d’Amérique du Sud, Emilia Saleny. Véritable pionnière du cinéma, Emilia serait née à Buenos Aires, de parents italiens. Ayant débuté sa carrière comme actrice de théâtre, elle devint rapidement cinéaste et fonda une académie de cinéma à Buenos Aires.
Reading Greek Tragedy with Judith Butler
Considering Butler’s “tragic trilogy”—a set of interventions on Sophocles’ Antigone, Euripides’ Bacchae, and Aeschylus’s Eumenides—this book seeks to understand not just how Butler uses and interprets Greek tragedy, but also how tragedy shapes Butler’s thinking, even when their gaze is directed elsewhere. Through close readings of these tragedies, this book brings to light the tragic quality of Butler’s writing. It shows how Butler’s mode of read…
Cinema History and Criticism (3 works) · Argentine cinema (2 works) · Cinema and Media Studies (2 works) · film history (2 works) · Filmography (2 works) · History (2 works) · Philosophy (2 works) · South Asian Cinema and Culture (2 works) · women filmmakers (2 works) · African history and culture analysis (1 work)