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Véronique Tadjo

Biographic Data

ID978474
NAMEVéronique Tadjo
GIVEN NAMESVéronique
FAMILY NAMETadjo
SIGNATURETADJO V
AFFILIATIONSUniversity of the Witwatersrand
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS1
AUTHOR COUNT15
EDITOR COUNT1
FIRST PUBLICATION YEAR1985
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Poèmes

    Maurice Kamto, Maixan Missamou-Ntondele et al.•ARTICLE•Présence Africaine•2021

  • The Culture of Dissenting Memory: Truth Commissions in the Global South

    Véronique Tadjo•BOOK•Culture of Dissenting Memory•2019

    "This volume deals with the manifold ways in which histories are debated and indeed historicity and historiography themselves are interrogated via the narrative modes of the truth commissions and the various medial responses (memoirs, fiction, poetry, film, art) which have emerged in the wake of the truth commissions. The 1990s and the 2000s saw a spate of so-called truth commissions across the Global South. From the inaugural Truth Commissions i…

  • Agir par l'imagination

    Véronique Tadjo, Lucile Schmid•ARTICLE•Esprit•2018

  • Hospitality and Hostility in the Multilingual Global Village

    Kathleen Thorpe, Anette Horn et al.•BOOK•Hospitality and Hostility in the…•2014

    This interdisciplinary, international, and multi-lingual collection of essays explores a broad range of issues related to hospitality and hostility, in literary and cultural contexts from antiquity to the present. Insightful theoretical and historical discussions undergird richly detailed particular studies. The central focus unifies the diverse pieces, which are original, well-researched and reasoned, and clearly written. A solid contribution to…

  • The cartography of African literature: Beyond borders

    Véronique Tadjo•ARTICLE•Présence Africaine•2013

  • Interview with Boubacar Boris Diop

    Véronique Tadjo•ARTICLE•African Identities•2010

  • Genocide: The changing landscape of memory in Kigali

    Véronique Tadjo•ARTICLE•African Identities•2010•Cited by: 1

    This paper reflects on the memory of the genocide in Rwanda from two angles. First, through the literary project, ‘Rwanda: Writing as a Duty to Memory’, in which I was involved along with nine other African writers and also through the Gisozi Memorial Museum in Kigali which is one of the main official forms of representation of the genocide. I shall not look at all the other constructions of memory, namely through fine arts, music and cinema

  • Creating books for children in francophone Africa and beyond: A personal experience

    Véronique Tadjo•ARTICLE•Wasafiri•2009

    Lord of the Dance was my first picture book for children and, strangely enough for a francophone writer, it came out in London in 1988 after the UK had temporarily become my home. Several years lat

  • Barack Obama: Les enjeux du métissage. Une approche de deux discours

    Véronique Tadjo•ARTICLE•Présence Africaine•2008

  • « Le mythe est sorti trop tôt de sa cachette »

    Véronique Tadjo, Taïna Tervonen•ARTICLE•Africultures•2005

  • Le garçon qui voulait devenir blanc

    Véronique Tadjo•ARTICLE•Africultures•2005

  • V ronique Tadjo Speaks with Stephen Gray

    Véronique Tadjo•ARTICLE•Research in African Literatures•2003

    In South Africa during the month of March writers are known to migrate to Durban for the annual "Time of the Writer" festival, where a meeting of anglophone and francophone African practitioners is generally an important theme. In 2002, as a spin-off event, the Alliance Française in Johannesburg organized a round-table discussion with several of the visitors from the French-speaking world, and included Véronique Tadjo, a previous guest at the Tim…

  • Littérature africaine et mondialisation

    Véronique Tadjo•ARTICLE•Présence Africaine•2003

  • As the Crow Flies

    Phyllis Taoua, Véronique Tadjo et al.•ARTICLE•The International Journal of…•2002

  • Poèmes

    Jeannine Dion-Guérin, Véronique Tadjo•ARTICLE•Présence Africaine•1996

  • The magician and the girl

    Véronique Tadjo•ARTICLE•Wasafiri•1985

  • Genocide: The changing landscape of memory in Kigali

    Véronique Tadjo•ARTICLE•African Identities•2010•Cited by: 1

    This paper reflects on the memory of the genocide in Rwanda from two angles. First, through the literary project, ‘Rwanda: Writing as a Duty to Memory’, in which I was involved along with nine other African writers and also through the Gisozi Memorial Museum in Kigali which is one of the main official forms of representation of the genocide. I shall not look at all the other constructions of memory, namely through fine arts, music and cinema

  • The magician and the girl

    Véronique Tadjo•ARTICLE•Wasafiri•1985

  • Poèmes

    Jeannine Dion-Guérin, Véronique Tadjo•ARTICLE•Présence Africaine•1996

  • As the Crow Flies

    Phyllis Taoua, Véronique Tadjo et al.•ARTICLE•The International Journal of…•2002

  • V ronique Tadjo Speaks with Stephen Gray

    Véronique Tadjo•ARTICLE•Research in African Literatures•2003

    In South Africa during the month of March writers are known to migrate to Durban for the annual "Time of the Writer" festival, where a meeting of anglophone and francophone African practitioners is generally an important theme. In 2002, as a spin-off event, the Alliance Française in Johannesburg organized a round-table discussion with several of the visitors from the French-speaking world, and included Véronique Tadjo, a previous guest at the Tim…

  • Littérature africaine et mondialisation

    Véronique Tadjo•ARTICLE•Présence Africaine•2003

  • « Le mythe est sorti trop tôt de sa cachette »

    Véronique Tadjo, Taïna Tervonen•ARTICLE•Africultures•2005

  • Le garçon qui voulait devenir blanc

    Véronique Tadjo•ARTICLE•Africultures•2005

  • Barack Obama: Les enjeux du métissage. Une approche de deux discours

    Véronique Tadjo•ARTICLE•Présence Africaine•2008

  • Creating books for children in francophone Africa and beyond: A personal experience

    Véronique Tadjo•ARTICLE•Wasafiri•2009

    Lord of the Dance was my first picture book for children and, strangely enough for a francophone writer, it came out in London in 1988 after the UK had temporarily become my home. Several years lat

  • Interview with Boubacar Boris Diop

    Véronique Tadjo•ARTICLE•African Identities•2010

  • Genocide: The changing landscape of memory in Kigali

    Véronique Tadjo•ARTICLE•African Identities•2010•Cited by: 1

    This paper reflects on the memory of the genocide in Rwanda from two angles. First, through the literary project, ‘Rwanda: Writing as a Duty to Memory’, in which I was involved along with nine other African writers and also through the Gisozi Memorial Museum in Kigali which is one of the main official forms of representation of the genocide. I shall not look at all the other constructions of memory, namely through fine arts, music and cinema

  • The cartography of African literature: Beyond borders

    Véronique Tadjo•ARTICLE•Présence Africaine•2013

  • Hospitality and Hostility in the Multilingual Global Village

    Kathleen Thorpe, Anette Horn et al.•BOOK•Hospitality and Hostility in the…•2014

    This interdisciplinary, international, and multi-lingual collection of essays explores a broad range of issues related to hospitality and hostility, in literary and cultural contexts from antiquity to the present. Insightful theoretical and historical discussions undergird richly detailed particular studies. The central focus unifies the diverse pieces, which are original, well-researched and reasoned, and clearly written. A solid contribution to…

  • Agir par l'imagination

    Véronique Tadjo, Lucile Schmid•ARTICLE•Esprit•2018

  • The Culture of Dissenting Memory: Truth Commissions in the Global South

    Véronique Tadjo•BOOK•Culture of Dissenting Memory•2019

    "This volume deals with the manifold ways in which histories are debated and indeed historicity and historiography themselves are interrogated via the narrative modes of the truth commissions and the various medial responses (memoirs, fiction, poetry, film, art) which have emerged in the wake of the truth commissions. The 1990s and the 2000s saw a spate of so-called truth commissions across the Global South. From the inaugural Truth Commissions i…

  • Poèmes

    Maurice Kamto, Maixan Missamou-Ntondele et al.•ARTICLE•Présence Africaine•2021

Art (6 works) · Political science (6 works) · African history and culture studies (5 works) · History (5 works) · Sociology (5 works) · Humanities (3 works) · Law (3 works) · Philosophy (3 works) · Computer Science (2 works) · French (2 works)

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