Esther Levinger
Biographic Data
| ID | 978868 |
|---|---|
| NAME | Esther Levinger |
| GIVEN NAMES | Esther |
| FAMILY NAME | Levinger |
| SIGNATURE | LEVINGER E |
| AFFILIATIONS | University of Haifa |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 0 |
Identity and Urban Experience
This book recounts the history of Budapest at the end of the nineteenth and beginning of the twentieth centuries, during the heyday of its development. Gyani creates a rich profile of Budapest's citizens as they faced a newly congested social universe, rapidly evolving physical space, and extreme changes in their urban living experience as the city expanded
Return to Figuration
Contrary to the homogeneous flat canvases of Unism, in which Władisław Strzeminński attempted to surpass the incidents and vagaries of sensory perception, in the nature‐inspired works he sought to represent a physiologically accurate vision. His purpose was to present humankind in the role of an active agent who formed the world and its concepts through observation and actual labour. An important contribution by Strzemiński to modern thought was …
Women and War Memorials in Israel
Socialist-Zionist Ideology in Israeli War Memorials of the 1950s
Art and Mathematics in the Thought of El Lissitzky
Lissitzk’s analogies between art and mathematics pertain to two aspects of modernity—namely, non-objectivity and the negation of perspectival space. According to Lissitzky, non-objectivity in art was analogous to the modern concept of number, and the structure of a work of art corresponded to mathematical concepts such as functions and systems. These theories demonstrate Lissitzk’s divergence from both Suprematism and Russian Constructivism. Furt…
No prominent works on this page.
Art and Mathematics in the Thought of El Lissitzky
Lissitzk’s analogies between art and mathematics pertain to two aspects of modernity—namely, non-objectivity and the negation of perspectival space. According to Lissitzky, non-objectivity in art was analogous to the modern concept of number, and the structure of a work of art corresponded to mathematical concepts such as functions and systems. These theories demonstrate Lissitzk’s divergence from both Suprematism and Russian Constructivism. Furt…
Socialist-Zionist Ideology in Israeli War Memorials of the 1950s
Women and War Memorials in Israel
Return to Figuration
Contrary to the homogeneous flat canvases of Unism, in which Władisław Strzeminński attempted to surpass the incidents and vagaries of sensory perception, in the nature‐inspired works he sought to represent a physiologically accurate vision. His purpose was to present humankind in the role of an active agent who formed the world and its concepts through observation and actual labour. An important contribution by Strzemiński to modern thought was …
Identity and Urban Experience
This book recounts the history of Budapest at the end of the nineteenth and beginning of the twentieth centuries, during the heyday of its development. Gyani creates a rich profile of Budapest's citizens as they faced a newly congested social universe, rapidly evolving physical space, and extreme changes in their urban living experience as the city expanded
Art (3 works) · History (3 works) · Aesthetics (2 works) · Ancient history (2 works) · Art history (2 works) · Epistemology (2 works) · Jewish and Middle Eastern Studies (2 works) · Mathematics (2 works) · Memory, Trauma, and Commemoration (2 works) · Middle East and Rwanda Conflicts (2 works)