Vera N Dyomina
Biographic Data
| ID | 9790076 |
|---|---|
| NAME | Vera N Dyomina |
| GIVEN NAMES | Vera N |
| FAMILY NAME | Dyomina |
| SIGNATURE | DYOMINA V N |
| AFFILIATIONS | Rostov State Rakhmaninov Conservatory |
| ORCID | 0000-0002-7402-9020 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Peculiarities of the Sound Space of Ritual Actions in Richard Schechner’s Theatrical Performance “Dionysos-69”
The article dwells upon the issue of the specificity of sound space in Richard Schechner’s theater. Upon examination of the history of formation of performativity as the most important component of the nature of contemporary culture, the factors which have stipulated its transformation in interaction with the relevant forms of theater are highlighted. The peculiarities of the development of performative practices in the history of theater, the ch…
The Artistic Action “The Conquest of the Winter Palace” for Celebrating the Anniversary of the October Revolution in the History of the Formation of Performative Arts
The article is devoted to the issue of formation of performative art in the context of development of spectacular forms of Soviet state holidays. While examining the time and space of official festivities, the author traces the process of design of texts of symbolic pictures narrating on the advent of “the happy life” of the new socialist era in the history of humankind. The theatrical pageantry replicating the chief events of Soviet history, bei…
Mythological Models and Ritual Forms in Contemporary Musical Theater Performance
Performativity as one of the essential qualities of the present-day art of music has created an important role in the process of renewal of its leading genres. Drawing its sources in the theatrical experiments in the mid-20th century, toward the end of the century musical performance has imbedded itself not only into the sphere of art practice, but also created an impact on such a conservative sphere of academic music as musical theater, and in p…
The Eleventh Olympic Games In the Context of the Formation of the Art of Performance
The work examines the question of the influence of Ancient Greek and Roman culture in the aspect of studying the process of formation of performative practices. Research is made of the theatrical productions carried out within the framework of the cultural program of the Olympic Games which took place in Berlin in August 1936. During the process of studying the synthetic nature of the sportive holiday as a central component of the action the chro…
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The Artistic Action “The Conquest of the Winter Palace” for Celebrating the Anniversary of the October Revolution in the History of the Formation of Performative Arts
The article is devoted to the issue of formation of performative art in the context of development of spectacular forms of Soviet state holidays. While examining the time and space of official festivities, the author traces the process of design of texts of symbolic pictures narrating on the advent of “the happy life” of the new socialist era in the history of humankind. The theatrical pageantry replicating the chief events of Soviet history, bei…
Mythological Models and Ritual Forms in Contemporary Musical Theater Performance
Performativity as one of the essential qualities of the present-day art of music has created an important role in the process of renewal of its leading genres. Drawing its sources in the theatrical experiments in the mid-20th century, toward the end of the century musical performance has imbedded itself not only into the sphere of art practice, but also created an impact on such a conservative sphere of academic music as musical theater, and in p…
The Eleventh Olympic Games In the Context of the Formation of the Art of Performance
The work examines the question of the influence of Ancient Greek and Roman culture in the aspect of studying the process of formation of performative practices. Research is made of the theatrical productions carried out within the framework of the cultural program of the Olympic Games which took place in Berlin in August 1936. During the process of studying the synthetic nature of the sportive holiday as a central component of the action the chro…
Peculiarities of the Sound Space of Ritual Actions in Richard Schechner’s Theatrical Performance “Dionysos-69”
The article dwells upon the issue of the specificity of sound space in Richard Schechner’s theater. Upon examination of the history of formation of performativity as the most important component of the nature of contemporary culture, the factors which have stipulated its transformation in interaction with the relevant forms of theater are highlighted. The peculiarities of the development of performative practices in the history of theater, the ch…
Aesthetics (3 works) · Art (3 works) · Archaeology (2 works) · Diverse Musicological Studies (2 works) · History (2 works) · Linguistics (2 works) · Literature (2 works) · Performative utterance (2 works) · Philosophy (2 works) · Physics (2 works)