Anastasia A Komarova
Biographic Data
| ID | 9790161 |
|---|---|
| NAME | Anastasia A Komarova |
| GIVEN NAMES | Anastasia A |
| FAMILY NAME | Komarova |
| SIGNATURE | KOMAROVA A A |
| ORCID | 0000-0002-3563-1625 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Quotations from Brahms’s Piano Music in the Context of the Metamodernist Trends in 21st Century Cinema
This article is devoted to quotations from the piano music of German Romantic composer Johannes Brahms as implemented in three films: “The Phantom Thread” (2017), “We have Always Lived in the Castle” (2018) and “Little Women” (2019). These films were shot by American directors Paul Thomas Anderson, Stacie Passon and Greta Gerwig following the genre of drama movies. The article aims to disclose how the quotations of Brahms' piano music (Waltz in B…
Musical Quotation as a Semantic Factor in the Cinematic Texts of the 20th and 21st Centuries (by the Example of Johannes Brahms’ Rhapsody opus 79 No. 2)
This research is devoted to quotation of the music of the Rhapsody opus 79 No. 2 by German composer Johannes Brahms in three motion pictures: “Song of Love” (1947), “Le Phantôme de la liberté” (1974) and “De batter mon Coeur s’est arrȇté” (2005). These films, made by outstanding film producers Clarence Brown, Luis Bunuel and Jacques Audiard, pertain to the genres of biography, comedy of the absurd and drama. The article sets the goal of revealing…
No prominent works on this page.
Musical Quotation as a Semantic Factor in the Cinematic Texts of the 20th and 21st Centuries (by the Example of Johannes Brahms’ Rhapsody opus 79 No. 2)
This research is devoted to quotation of the music of the Rhapsody opus 79 No. 2 by German composer Johannes Brahms in three motion pictures: “Song of Love” (1947), “Le Phantôme de la liberté” (1974) and “De batter mon Coeur s’est arrȇté” (2005). These films, made by outstanding film producers Clarence Brown, Luis Bunuel and Jacques Audiard, pertain to the genres of biography, comedy of the absurd and drama. The article sets the goal of revealing…
Quotations from Brahms’s Piano Music in the Context of the Metamodernist Trends in 21st Century Cinema
This article is devoted to quotations from the piano music of German Romantic composer Johannes Brahms as implemented in three films: “The Phantom Thread” (2017), “We have Always Lived in the Castle” (2018) and “Little Women” (2019). These films were shot by American directors Paul Thomas Anderson, Stacie Passon and Greta Gerwig following the genre of drama movies. The article aims to disclose how the quotations of Brahms' piano music (Waltz in B…
Art (2 works) · Literature (2 works) · Archaeology (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Cognitive Science and Education Research (1 work) · Computer Science (1 work) · History (1 work) · Linguistics (1 work) · Movie theater (1 work)