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Bayard Quincy Morgan

Biographic Data

ID979293
NAMEBayard Quincy Morgan
GIVEN NAMESBayard Quincy
FAMILY NAMEMorgan
SIGNATUREMORGAN B Q
VERIFIEDNo
TOTAL WORKS21
TOTAL CITATIONS1
AUTHOR COUNT21
EDITOR COUNT0
FIRST PUBLICATION YEAR1935
LATEST PUBLICATION YEAR1967
H-INDEX1
  • A Critical Bibliography of German Literature in English Translation 1481-1927, Second Edition

    Garold N Davis, Bayard Quincy Morgan•ARTICLE•Modern Language Notes•1967

  • The German Lyric of the Baroque in English Translation

    Bayard Quincy Morgan, George C Schoolfield•ARTICLE•The German Quarterly•1963

  • The Sufferings of Young Werther

    Stuart Atkins, Johann Wolfgang Von Goethe et al.•ARTICLE•The German Quarterly•1958

  • Die Typischen Erzahlsituationen im Roman

    Bayard Quincy Morgan, Franz Stanzel•ARTICLE•Comparative Literature•1956

  • Inside the FL Program

    Bayard Quincy Morgan•ARTICLE•The German Quarterly•1955

  • Poems of Walther von der Vogelweide

    George C Schoolfield, Edwin H Zeydel et al.•ARTICLE•The German Quarterly•1953

  • Magda

    Paul G Graham, Georg von der Vring et al.•ARTICLE•The German Quarterly•1953

  • Melodic Lines in Goethe's Verse

    Bayard Quincy Morgan•ARTICLE•The German Quarterly•1953

    I am not the first to observe that the practice of reading aloud, once a favorite form of entertainment, is rapidly becoming extinct, and that even the ability to read aloud shows a marked decline: the number of American adults who cannot read aloud an ordinary bit of prose without stumbling or making it unintelligible is already alarmingly large. Regrettable as this development is bound to be in general, it takes on a more serious aspect when we…

  • The General Meeting of the Modern Language Association

    D D Walsh, David Devenish Walsh et al.•ARTICLE•Hispania•1953

  • Question Melodies in American English

    Bayard Quincy Morgan•ARTICLE•American Speech•1953•Cited by: 1

    T HE INVENTION of printing inaugurated a development in Western civilization which can be succinctly summarized by saying that the focus of literature has shifted more and more from the listening ear to the seeing eye. This development, probably inevitable in any case, has been accelerated by the ever growing flood of printed matter, and by the increasing complexity of Western living, which reduces the amount of time available for our reception o…

  • Herod and Mariamne

    Bayard Quincy Morgan, Friedrich Hebbel et al.•ARTICLE•The German Quarterly•1951

  • Reading German, Alternate

    J Wesley Thomas, Bayard Quincy Morgan et al.•ARTICLE•The German Quarterly•1951

  • Roy Temple House and "Books Abroad"

    Bayard Quincy Morgan•ARTICLE•The German Quarterly•1948

    Every so often in life, some man hits upon an idea and carries it out successfully. Of course! because the idea is so patently right and useful, so adapted to all the circumstances of the place and time, that given half chance it cannot but succee&d So it must have been with Books Abroad, which has been serving us so long and so admirably that one can hardly imagine our intellectual world without it. Yet what simple idea it was, at bottom! So sim…

  • Space in Speech

    Bayard Quincy Morgan•ARTICLE•American Speech•1947

    ONE OF the most important ways in which our speech is enlarged in scope, enriched in color, and endowed with useful distinctions, is the employment of simile and metaphor, which are really variants of the same principle. By saying or suggesting that one thing is like another one, which at first sight may seem totally unlike it, we assign to the designated object a new value and a fresh aspect. Similarly, when a physical relationship between objec…

  • Two Moods of Minnesong. An Adaptation into English Verse of Gottfried von Strassburg's First Part of Tristan… and of Hartmann von Aue's Complete Poem of Hapless Henry

    Bayard Quincy Morgan, Charles Maxwell Lancaster et al.•ARTICLE•The German Quarterly•1946

  • Some Functions of Time in Speech

    Bayard Quincy Morgan•ARTICLE•American Speech•1945

  • Der goldene Apfel. Eine Erzahlung fur die Jugend

    Bayard Quincy Morgan, Oskar Seidlin et al.•ARTICLE•The German Quarterly•1943

  • The Higher the Better

    Bayard Quincy Morgan•ARTICLE•American Speech•1941

    tT IS A familiar fact, which requires no elaboration here, that our lan1 guage frequently extends its expressive possibilities by transferring a picture or an idea from one field to another, as when we speak of a writer's style as being 'heavy,' 'graceful,' 'forceful,' 'clumsy,' 'brilliant,' and the like. All of these terms, of course, are condensed comparisons, and their use constitutes a sort of verbal shorthand or code. Lately I have been obse…

  • Substantive Infinitives and Verbal Nouns in German

    Bayard Quincy Morgan•ARTICLE•The German Quarterly•1940

  • A Critical Bibliography of German Literature in English Translation 1481-1927 with Supplement Embracing the Years 1928-1935

    Henry A Pochmann, Bayard Quincy Morgan•ARTICLE•American Literature•1939

  • Das Gluck von Lautenthal

    Ernst Rose, Paul Ernst et al.•ARTICLE•The German Quarterly•1935

  • Question Melodies in American English

    Bayard Quincy Morgan•ARTICLE•American Speech•1953•Cited by: 1

    T HE INVENTION of printing inaugurated a development in Western civilization which can be succinctly summarized by saying that the focus of literature has shifted more and more from the listening ear to the seeing eye. This development, probably inevitable in any case, has been accelerated by the ever growing flood of printed matter, and by the increasing complexity of Western living, which reduces the amount of time available for our reception o…

  • Das Gluck von Lautenthal

    Ernst Rose, Paul Ernst et al.•ARTICLE•The German Quarterly•1935

  • A Critical Bibliography of German Literature in English Translation 1481-1927 with Supplement Embracing the Years 1928-1935

    Henry A Pochmann, Bayard Quincy Morgan•ARTICLE•American Literature•1939

  • Substantive Infinitives and Verbal Nouns in German

    Bayard Quincy Morgan•ARTICLE•The German Quarterly•1940

  • The Higher the Better

    Bayard Quincy Morgan•ARTICLE•American Speech•1941

    tT IS A familiar fact, which requires no elaboration here, that our lan1 guage frequently extends its expressive possibilities by transferring a picture or an idea from one field to another, as when we speak of a writer's style as being 'heavy,' 'graceful,' 'forceful,' 'clumsy,' 'brilliant,' and the like. All of these terms, of course, are condensed comparisons, and their use constitutes a sort of verbal shorthand or code. Lately I have been obse…

  • Der goldene Apfel. Eine Erzahlung fur die Jugend

    Bayard Quincy Morgan, Oskar Seidlin et al.•ARTICLE•The German Quarterly•1943

  • Some Functions of Time in Speech

    Bayard Quincy Morgan•ARTICLE•American Speech•1945

  • Two Moods of Minnesong. An Adaptation into English Verse of Gottfried von Strassburg's First Part of Tristan… and of Hartmann von Aue's Complete Poem of Hapless Henry

    Bayard Quincy Morgan, Charles Maxwell Lancaster et al.•ARTICLE•The German Quarterly•1946

  • Space in Speech

    Bayard Quincy Morgan•ARTICLE•American Speech•1947

    ONE OF the most important ways in which our speech is enlarged in scope, enriched in color, and endowed with useful distinctions, is the employment of simile and metaphor, which are really variants of the same principle. By saying or suggesting that one thing is like another one, which at first sight may seem totally unlike it, we assign to the designated object a new value and a fresh aspect. Similarly, when a physical relationship between objec…

  • Roy Temple House and "Books Abroad"

    Bayard Quincy Morgan•ARTICLE•The German Quarterly•1948

    Every so often in life, some man hits upon an idea and carries it out successfully. Of course! because the idea is so patently right and useful, so adapted to all the circumstances of the place and time, that given half chance it cannot but succee&d So it must have been with Books Abroad, which has been serving us so long and so admirably that one can hardly imagine our intellectual world without it. Yet what simple idea it was, at bottom! So sim…

  • Herod and Mariamne

    Bayard Quincy Morgan, Friedrich Hebbel et al.•ARTICLE•The German Quarterly•1951

  • Reading German, Alternate

    J Wesley Thomas, Bayard Quincy Morgan et al.•ARTICLE•The German Quarterly•1951

  • Poems of Walther von der Vogelweide

    George C Schoolfield, Edwin H Zeydel et al.•ARTICLE•The German Quarterly•1953

  • Magda

    Paul G Graham, Georg von der Vring et al.•ARTICLE•The German Quarterly•1953

  • Melodic Lines in Goethe's Verse

    Bayard Quincy Morgan•ARTICLE•The German Quarterly•1953

    I am not the first to observe that the practice of reading aloud, once a favorite form of entertainment, is rapidly becoming extinct, and that even the ability to read aloud shows a marked decline: the number of American adults who cannot read aloud an ordinary bit of prose without stumbling or making it unintelligible is already alarmingly large. Regrettable as this development is bound to be in general, it takes on a more serious aspect when we…

  • The General Meeting of the Modern Language Association

    D D Walsh, David Devenish Walsh et al.•ARTICLE•Hispania•1953

  • Question Melodies in American English

    Bayard Quincy Morgan•ARTICLE•American Speech•1953•Cited by: 1

    T HE INVENTION of printing inaugurated a development in Western civilization which can be succinctly summarized by saying that the focus of literature has shifted more and more from the listening ear to the seeing eye. This development, probably inevitable in any case, has been accelerated by the ever growing flood of printed matter, and by the increasing complexity of Western living, which reduces the amount of time available for our reception o…

  • Inside the FL Program

    Bayard Quincy Morgan•ARTICLE•The German Quarterly•1955

  • Die Typischen Erzahlsituationen im Roman

    Bayard Quincy Morgan, Franz Stanzel•ARTICLE•Comparative Literature•1956

  • The Sufferings of Young Werther

    Stuart Atkins, Johann Wolfgang Von Goethe et al.•ARTICLE•The German Quarterly•1958

  • The German Lyric of the Baroque in English Translation

    Bayard Quincy Morgan, George C Schoolfield•ARTICLE•The German Quarterly•1963

  • A Critical Bibliography of German Literature in English Translation 1481-1927, Second Edition

    Garold N Davis, Bayard Quincy Morgan•ARTICLE•Modern Language Notes•1967

Art (16 works) · Philosophy (11 works) · Linguistics (10 works) · Literature (8 works) · German Literature and Culture Studies (7 works) · History (6 works) · German (5 works) · Computer Science (4 works) · Psychology (4 works) · Comparative and World Literature (3 works)

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