Jianan Qi
Biographic Data
| ID | 9795679 |
|---|---|
| NAME | Jianan Qi |
| GIVEN NAMES | Jianan |
| FAMILY NAME | Qi |
| SIGNATURE | QI J |
| AFFILIATIONS | University of Leicester |
| ORCID | 0009-0001-6372-1556 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Against authority: Performance art in 1980s China
This article investigates the origins of performance art in China. Early forms of performance art showed a rebellious attitude against authority in the context of social and cultural change in the 1980s. This article examines the social and art historical contexts of xingwei yishu in China and its development as an art form. Through analysing early performance practices, particularly the art group Concept 21, it discusses how performance art was …
Gender Inequalities in Employment and Wage-earning among Economic Migrants in Chinese Cities
Recent trends show an unprecedented feminisation of migration in China, triggered by the increasing demand for cheap labour in big cities and the availability of women in the labour market. These trends corroborate the evidence that non-agricultural work a
Gender Inequalities in Employment and Wage-earning among Economic Migrants in Chinese Cities
Recent trends show an unprecedented feminisation of migration in China, triggered by the increasing demand for cheap labour in big cities and the availability of women in the labour market. These trends corroborate the evidence that non-agricultural work a
Gender Inequalities in Employment and Wage-earning among Economic Migrants in Chinese Cities
Recent trends show an unprecedented feminisation of migration in China, triggered by the increasing demand for cheap labour in big cities and the availability of women in the labour market. These trends corroborate the evidence that non-agricultural work a
Against authority: Performance art in 1980s China
This article investigates the origins of performance art in China. Early forms of performance art showed a rebellious attitude against authority in the context of social and cultural change in the 1980s. This article examines the social and art historical contexts of xingwei yishu in China and its development as an art form. Through analysing early performance practices, particularly the art group Concept 21, it discusses how performance art was …
China (2 works) · Aesthetics (1 works) · Art (1 works) · Art history (1 works) · Art methodology (1 works) · Bureaucracy (1 works) · China's Socioeconomic Reforms and Governance (1 works) · Chinese art (1 works) · Chinese history and philosophy (1 works) · Contemporary art (1 works)