Desiree Yomtoob
Biographic Data
| ID | 97964 |
|---|---|
| NAME | Desiree Yomtoob |
| GIVEN NAMES | Desiree |
| FAMILY NAME | Yomtoob |
| SIGNATURE | YOMTOOB D |
| AFFILIATIONS | Institute of Communications Research, University of Illinois at Urbana-Champaign, |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
How is Home, a Performance Autoethnography in Four Parts
How Is Home,1 a Performance Autoethnography in Four Parts,2 is a contemplative, interpretive, account on the nature of home. It is a multiple-voiced work. The nature of the empiricism used in this piece works to connect ethnographic detail in a meaningful way, toward the end of a telling of the production of emotions, symbol, and affect combined to display a sense of the way a life is built and undertaken through subjectivity. This work enables a…
Transgressive Borders
This performance piece is a collaboration between three diasporic subjects: a brown woman from Puerto Rico, an American-Persian-Iraqi woman, and a (White) Brazilian man. Their stories are weaved together to narrate a collective piece of diasporic life that moves across different social-cultural-political contexts and time. Reyes Cruz narrates her personal borders as she grew up, left her home country, and returned. Yomtoob tells stories that conn…
No prominent works on this page.
Transgressive Borders
This performance piece is a collaboration between three diasporic subjects: a brown woman from Puerto Rico, an American-Persian-Iraqi woman, and a (White) Brazilian man. Their stories are weaved together to narrate a collective piece of diasporic life that moves across different social-cultural-political contexts and time. Reyes Cruz narrates her personal borders as she grew up, left her home country, and returned. Yomtoob tells stories that conn…
How is Home, a Performance Autoethnography in Four Parts
How Is Home,1 a Performance Autoethnography in Four Parts,2 is a contemplative, interpretive, account on the nature of home. It is a multiple-voiced work. The nature of the empiricism used in this piece works to connect ethnographic detail in a meaningful way, toward the end of a telling of the production of emotions, symbol, and affect combined to display a sense of the way a life is built and undertaken through subjectivity. This work enables a…
Gender Studies (2 works) · Law (2 works) · Media studies (2 works) · Philosophy (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Arbitrariness (1 work)