Faber Birren
Biographic Data
| ID | 979703 |
|---|---|
| NAME | Faber Birren |
| GIVEN NAMES | Faber |
| FAMILY NAME | Birren |
| SIGNATURE | BIRREN F |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1972 |
| LATEST PUBLICATION YEAR | 1988 |
| H-INDEX | 1 |
The Principles of Harmony and Contrast of Colors and Their Applications to the Arts
Light, Color and Environment
Color and Human Responses
Color Perception in Art
From Contrast to Assimilation
Color Perception in Art
The author points out that the application of the science of color to art probably had its beginning during the schools of Impressionism and Neo-Impressionism in France. In the 19th century, scientists like M. E. Chevreul, James Clerk Maxwell, Hermann von Helmholtz and Ogden N. Rood fostered new principles drawn from physiological optics. In the 20th century, came Op art that took cues from psychology, but which dealt mostly with optical phenomen…
The Master of Light
Light, Color and Environment
Color Perception in Art
The author points out that the application of the science of color to art probably had its beginning during the schools of Impressionism and Neo-Impressionism in France. In the 19th century, scientists like M. E. Chevreul, James Clerk Maxwell, Hermann von Helmholtz and Ogden N. Rood fostered new principles drawn from physiological optics. In the 20th century, came Op art that took cues from psychology, but which dealt mostly with optical phenomen…
Light, Color and Environment
The Master of Light
From Contrast to Assimilation
Color Perception in Art
The author points out that the application of the science of color to art probably had its beginning during the schools of Impressionism and Neo-Impressionism in France. In the 19th century, scientists like M. E. Chevreul, James Clerk Maxwell, Hermann von Helmholtz and Ogden N. Rood fostered new principles drawn from physiological optics. In the 20th century, came Op art that took cues from psychology, but which dealt mostly with optical phenomen…
Color Perception in Art
Color and Human Responses
Light, Color and Environment
The Principles of Harmony and Contrast of Colors and Their Applications to the Arts
Computer Science (7 works) · Art (6 works) · Color perception and design (6 works) · Psychology (4 works) · Computer vision (3 works) · Aesthetics (2 works) · Artificial Intelligence (2 works) · Artificial Intelligence (2 works) · Categorization, perception, and language (2 works) · Contrast (vision) (2 works)