Molly Hite
Biographic Data
| ID | 980468 |
|---|---|
| NAME | Molly Hite |
| GIVEN NAMES | Molly |
| FAMILY NAME | Hite |
| SIGNATURE | HITE M |
| AFFILIATIONS | Ithaca College |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1984 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
The Other Side of the Story
Fiction (New York: Methuen, 1987), offers an intel ligent and accessible overview of the conditions and defining features of the post modernist narrative-and establishes in addition the masculine and maculinist characteristics of this category of writing.My Ideas of Order in the Novels of Thomas Pynchon (Columbus: Ohio State University Press, 1983) aims to situate Pynchon as an exemplary postmodernist and, to this end, discusses implications for …
The Other Side of the Story
In a book that compares Virginia Woolf’s writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862–1952), Molly Hite explores the fascinating connections between Woolf’s aversion to women’s "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One’s Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins’s wo…
The Disobedient Writer
Optics and Autobiography in Margaret Atwood's Cat's Eye
childhood,2 Cat's Eye plays with the implications of autobiography: advancing and withdrawing it as a mode of authorization; thematizing it as a strategy for simplistic interpretation or, conversely, as the hidden, damaged heart of a work of art; insisting with the fervor of its adolescent girls telling each other scary stories that this is true, this really happened, while at the same time demanding on both aesthetic and metaphysical grounds, Wh…
Mother Underground
Fictions of Authority
The Other Side of the Story
According to Molly Hite, a number of influential contemporary women novelists?notably Jean Rhys, Doris Lessing, Alice Walker, and Margaret Atwood?attempt innovations in narrative form that are more radical in their implications than the dominant modes of fictional experimentation characterized as postmodernist. In The Other Side of the Story, Hite makes the point that these innovations, which distinguish the genre she calls contemporary feminist …
Wild Women in the Whirlwind
Writing-and Reading-the Body
Writing beyond the Ending
Ideas of Order in the Novels of Thomas Pynchon
Signs and Symptoms
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Ideas of Order in the Novels of Thomas Pynchon
Signs and Symptoms
Writing beyond the Ending
Writing-and Reading-the Body
Wild Women in the Whirlwind
Fictions of Authority
The Other Side of the Story
According to Molly Hite, a number of influential contemporary women novelists?notably Jean Rhys, Doris Lessing, Alice Walker, and Margaret Atwood?attempt innovations in narrative form that are more radical in their implications than the dominant modes of fictional experimentation characterized as postmodernist. In The Other Side of the Story, Hite makes the point that these innovations, which distinguish the genre she calls contemporary feminist …
Mother Underground
Optics and Autobiography in Margaret Atwood's Cat's Eye
childhood,2 Cat's Eye plays with the implications of autobiography: advancing and withdrawing it as a mode of authorization; thematizing it as a strategy for simplistic interpretation or, conversely, as the hidden, damaged heart of a work of art; insisting with the fervor of its adolescent girls telling each other scary stories that this is true, this really happened, while at the same time demanding on both aesthetic and metaphysical grounds, Wh…
The Disobedient Writer
The Other Side of the Story
Fiction (New York: Methuen, 1987), offers an intel ligent and accessible overview of the conditions and defining features of the post modernist narrative-and establishes in addition the masculine and maculinist characteristics of this category of writing.My Ideas of Order in the Novels of Thomas Pynchon (Columbus: Ohio State University Press, 1983) aims to situate Pynchon as an exemplary postmodernist and, to this end, discusses implications for …
The Other Side of the Story
In a book that compares Virginia Woolf’s writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862–1952), Molly Hite explores the fascinating connections between Woolf’s aversion to women’s "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One’s Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins’s wo…
Art (11 works) · History (8 works) · Literature (8 works) · Narrative (5 works) · Philosophy (4 works) · Sociology (4 works) · Gender Studies (3 works) · Gender, Feminism, and Media (3 works) · History (3 works) · Postcolonial and Cultural Literary Studies (3 works)