Gergő Nagy V
Biographic Data
| ID | 9805143 |
|---|---|
| NAME | Gergő Nagy V |
| GIVEN NAMES | Gergő |
| FAMILY NAME | Nagy V |
| SIGNATURE | NAGY G |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Aural Figuration and the Metaphysics of the Offscreen Sounds in Lucrecia Martel’s La Ciénaga (2001)
The paper examines the figuration of sounds in the first film of Lucrecia Martel, La Ciénaga (The Swamp, 2001), with a particular emphasis on the interpretation of the figural dynamics of the film’s last scene. It argues that the idea of sonic cinema by Gregg Hainge is relevant for the figural analysis developed by Nicole Brenez since Hainge shows that the sonic realm is a privileged sphere to grasp the figuration of the filmic material. This mea…
No prominent works on this page.
Aural Figuration and the Metaphysics of the Offscreen Sounds in Lucrecia Martel’s La Ciénaga (2001)
The paper examines the figuration of sounds in the first film of Lucrecia Martel, La Ciénaga (The Swamp, 2001), with a particular emphasis on the interpretation of the figural dynamics of the film’s last scene. It argues that the idea of sonic cinema by Gregg Hainge is relevant for the figural analysis developed by Nicole Brenez since Hainge shows that the sonic realm is a privileged sphere to grasp the figuration of the filmic material. This mea…
Art (1 work) · Comparative Literary Analysis and Criticism (1 work) · Literature, Magical Realism, García Márquez (1 work) · Metaphysics (1 work) · Philosophy (1 work) · Spanish Culture and Identity (1 work) · Theology (1 work)