Stephen Banfield
Biographic Data
| ID | 980952 |
|---|---|
| NAME | Stephen Banfield |
| GIVEN NAMES | Stephen |
| FAMILY NAME | Banfield |
| SIGNATURE | BANFIELD S |
| AFFILIATIONS | University of Bristol |
| VERIFIED | No |
| TOTAL WORKS | 61 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 61 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Music in the Limelight
Beyond Boundaries
Beyond Boundaries: Rethinking Music Circulation in Early Modern England. Linda Phyllis Austern, Candace Bailey, and Amanda Eubanks Winkler, eds. Music and the Early Modern Imagination. Bloomington: Indiana University Press, 2017. xvi + 318 pp. $35. - Volume 71 Issue 2
Stephen Sondheim and the Reinvention of the American Musical
Book Review| December 01 2017 Stephen Sondheim and the Reinvention of the American Musical Stephen Sondheim and the Reinvention of the American Musical. By Robert L. McLaughlin. Jackson: University Press of Mississippi, 2016. ISBN 978–1–4968–0855–4. Cloth, pp. xiii, 301. $65.00. Stephen Banfield Stephen Banfield University of Bristol Search for other works by this author on: This Site Google American Music (2017) 35 (4): 545–548. https://doi.org/…
The Penguin Book of English Song
What a surprising and delightful book! Surprising, in that no one would have expected Penguin to devote such a doorstopper to what cannot be claimed as more than a connoisseur’s corner within all that might be construed as ‘song’, or even ‘English song’ (more on that later). Delightful, in the richness of its contents, fruit of an expert labour of love by its trusty editor that presents what in literary terms is still thought of as a great tradit…
The Shuberts and their Passing Shows
Popular theatrical forms not amenable to indefinite re-creation as texted artefacts have had a hard time of it with posterity. I cannot have been the only student of musical theatre dismayed by the rattling off of genres in textbooks on musicals like some believers’ catechism of their prehistory: burlesque, vaudeville, minstrel show, pantomime, circus, cabaret, concert party, and revue. For the most part, and to change the figure of speech, I was…
Musicians of Bath and Beyond
Musicians of Bath and Beyond: Edward Loder (1809-1865) and his Family illuminates three areas that have recently attracted much interest: the musical profession, music in the British provincesand colonies, and English Romantic opera. The Loder family was pre-eminent in Bath's musical world in the early nineteenth century. John David Loder (1788-1846) led the theatre orchestra there from1807, and later the Philharmonic orchestra and Ancient Concer…
On Sondheim
Grainger the Edwardian
Percy Grainger's years in London coincided almost exactly with the pre-war era known as Edwardian by extension into the first years of George V's reign. In this article two things are argued: that he was uncommonly, perhaps uniquely responsive to the whole range of forms and genres characteristic of the time and place, especially those of popular music; and that these were the most fecund years of his compositional imagination. In a way, then, he…
Constant Lambert
Constant Lambert (1905–51) is a gift to biographers and their readers. Supremely witty, he never failed in his ability to conjure up mischievous thoughts. In response to the shocking announcement of his friend Tom Driberg’s marriage—shocking because of Driberg’s unwavering devotion to male rough trade, including, apparently, refuse collectors—he found two adjacent newspaper headlines: MARRIED, and DUSTMEN THREATEN STRIKE. Of his bête noire, Brahm…
Coleridge-Taylor, Samuel
Once Again
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Water Music
The topic of Ian Bradley’s new book, his latest in a line stretching from The Theology of Sacrifice and The Strange Rebirth of Liberal Britain to The Message of the Musical and The Complete Annotated Gilbert and Sullivan, is to be welcomed for a number of reasons. First among them is the fact that it opposes the perennially centripetal force exerted by capital cities; second is that it deals comparatively with different countries. Social historia…
What Do You Think of Stainer's Crucifixion ? Current Victorian Musicology
Take two hoary Victorian monuments from the Euston Road. Fifty years ago Sir George Gilbert Scott's St Pancras station (1868–74) was an intellectual laughing-stock and nearly got pulled down. Sir John Stainer's cantata The Crucifixion (first performed in Marylebone parish church, 1887) was in no higher standing – witness the old joke: ‘What do you think of Stainer's Crucifixion?’–‘I think it would be a very good thing’. Today, with its statue of …
Weighing Walton
Stanford, Sir Charles Villiers (opera)
Sondheim, Stephen
Through Thick and Thin
England (i)
Gibbs, Cecil Armstrong
Coleridge-Taylor, Samuel
Sondheim, Stephen
Butterworth, George
Lloyd, Charles Harford
Goossens, Eugène (ii)
Goossens, Eugène (i)
What Do You Think of Stainer's Crucifixion ? Current Victorian Musicology
Take two hoary Victorian monuments from the Euston Road. Fifty years ago Sir George Gilbert Scott's St Pancras station (1868–74) was an intellectual laughing-stock and nearly got pulled down. Sir John Stainer's cantata The Crucifixion (first performed in Marylebone parish church, 1887) was in no higher standing – witness the old joke: ‘What do you think of Stainer's Crucifixion?’–‘I think it would be a very good thing’. Today, with its statue of …
The Immortality Odes of Finzi and Somervell
Roger Quilter
Lingering Edwardian
Partsongs
Warlock Surveyed
Songs
Vocal Chamber
English Romantic Song
Songs
My Spirit Sang All Day
Songs
Clarinet Quintet
From the Bavarian Highlands Op.27
Symphony No.1 in B Flat Minor
Choral Music
Songs
Requiem
Mostly British
British
Sensibility and English Song
English and American
Th-Century British
"Too Much of Albion"? Mrs. Coolidge and Her British Connections
When, in the space of little more than a year in 1915 and 1916, Elizabeth Sprague Coolidge' found herself bereft of her husband and both her parents but in possession of a fairly large fortune, the manner in which she would thenceforth indulge herself, as she later put it,2 in her passion for chamber music only gradually began to take shape. First, the Berkshire Quartet was established under her patronage; and two years later, in 1918, it formed …
British Opera
Orchestral, Choral
Art (47 works) · History (20 works) · Art history (14 works) · Musicology and Musical Analysis (13 works) · Literature (12 works) · Visual arts (11 works) · Philosophy (9 works) · Diverse Musicological Studies (8 works) · Musical (6 works) · Theater, Performance, and Music History (6 works)