Aleksandra Kania
Biographic Data
| ID | 981957 |
|---|---|
| NAME | Aleksandra Kania |
| GIVEN NAMES | Aleksandra |
| FAMILY NAME | Kania |
| SIGNATURE | KANIA A |
| AFFILIATIONS | Trinity University |
| ORCID | 0000-0002-5584-5268 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Drivers of Entrepreneurial Activities Among New‐Coming Ukrainian Female Refugees in Poland
Populations affected by armed conflicts are often forced to undergo internal or external displacement. The geographical proximity makes the direct neighbouring countries the main destination for forced migrants, and creates challenges in the reception and integration of newcomers. This study aims at determining what made new‐coming Ukrainian female forced migrants, fleeing the escalation of armed conflict in Spring 2022 from Ukraine, undertake en…
Against Recognizability as a Criterion of Work-Performance
Over the past few decades, various philosophers of music have appealed to the notion of recognizability in their theories of the performance of works of Western classical music. In this paper, I attempt to clarify that notion and examine whether it can actually do the jobs it is called upon to execute. I begin with a discussion of Jerrold Levinson's appeal to (something like) work-recognizability as a criterion of successful work-performance and …
The Local Solidarity Network in the Reception of Female Ukrainian Refugees' Influx of 2022
The Heart of Classical Work-Performance
In this critical study of Julian Dodd's Being True to Works of Music (2020), I argue that the three-tier normative profile of the work-performance tradition in classical music that Dodd defends should be rejected in favour of a two-tier version. I also argue that the theory of work-performance defended in the book fits much more naturally with a contextualist ontology of musical works than with the Platonist ontology Dodd defends in Works of Musi…
That West meant to be declining
This conversation between Zygmunt Bauman and Aleksandra Kania picks up on the themes of crisis, interregnum and the decline of the West. Decline of the West is first of all decline of western civilization. This easily leads to panic about the end of the world; what it really indicates is the limits and constraints of a world system based on nation-states. Spengler and Elias are introduced as interlocutors, in order to open these issues, and those…
Living with Zygmunt Bauman, before and after
This paper offers a memoir of living with Zygmunt Bauman. It begins with the early encounter of Bauman and Aleksandra Kania in Warsaw in 1954, where both were Masters students working with the humanist Marxist Adam Schaff. Kania and Bauman followed their separate life paths for decades, though they were both postwar communists and reconstructionists. Much later, the loss of their partners led to union, in Leeds and across the globe in travel. Thi…
An Imaginative Theory of Musical Space and Movement
The experience of notes as higher or lower than one another, and of movement within passages of music, underpins many other musical experiences. Several theories of such an experience have been defended, claiming that concepts of space and movement variously play some sort of metaphorical role in our experience, can be eliminated from musical discourse, or apply literally to the music. I argue that all such theories should be rejected in favour o…
Musical Recordings
In this article, I first consider the metaphysics of musical recordings: their variety, repeatability, and transparency. I then turn to evaluative or aesthetic issues, such as the relative virtues of recordings and live performances, in light of the metaphysical discussion
Musical Recordings
In this article, I first consider the metaphysics of musical recordings: their variety, repeatability, and transparency. I then turn to evaluative or aesthetic issues, such as the relative virtues of recordings and live performances, in light of the metaphysical discussion
The Local Solidarity Network in the Reception of Female Ukrainian Refugees' Influx of 2022
The Heart of Classical Work-Performance
In this critical study of Julian Dodd's Being True to Works of Music (2020), I argue that the three-tier normative profile of the work-performance tradition in classical music that Dodd defends should be rejected in favour of a two-tier version. I also argue that the theory of work-performance defended in the book fits much more naturally with a contextualist ontology of musical works than with the Platonist ontology Dodd defends in Works of Musi…
An Imaginative Theory of Musical Space and Movement
The experience of notes as higher or lower than one another, and of movement within passages of music, underpins many other musical experiences. Several theories of such an experience have been defended, claiming that concepts of space and movement variously play some sort of metaphorical role in our experience, can be eliminated from musical discourse, or apply literally to the music. I argue that all such theories should be rejected in favour o…
Against Recognizability as a Criterion of Work-Performance
Over the past few decades, various philosophers of music have appealed to the notion of recognizability in their theories of the performance of works of Western classical music. In this paper, I attempt to clarify that notion and examine whether it can actually do the jobs it is called upon to execute. I begin with a discussion of Jerrold Levinson's appeal to (something like) work-recognizability as a criterion of successful work-performance and …
That West meant to be declining
This conversation between Zygmunt Bauman and Aleksandra Kania picks up on the themes of crisis, interregnum and the decline of the West. Decline of the West is first of all decline of western civilization. This easily leads to panic about the end of the world; what it really indicates is the limits and constraints of a world system based on nation-states. Spengler and Elias are introduced as interlocutors, in order to open these issues, and those…
Living with Zygmunt Bauman, before and after
This paper offers a memoir of living with Zygmunt Bauman. It begins with the early encounter of Bauman and Aleksandra Kania in Warsaw in 1954, where both were Masters students working with the humanist Marxist Adam Schaff. Kania and Bauman followed their separate life paths for decades, though they were both postwar communists and reconstructionists. Much later, the loss of their partners led to union, in Leeds and across the globe in travel. Thi…
Musical Recordings
In this article, I first consider the metaphysics of musical recordings: their variety, repeatability, and transparency. I then turn to evaluative or aesthetic issues, such as the relative virtues of recordings and live performances, in light of the metaphysical discussion
An Imaginative Theory of Musical Space and Movement
The experience of notes as higher or lower than one another, and of movement within passages of music, underpins many other musical experiences. Several theories of such an experience have been defended, claiming that concepts of space and movement variously play some sort of metaphorical role in our experience, can be eliminated from musical discourse, or apply literally to the music. I argue that all such theories should be rejected in favour o…
That West meant to be declining
This conversation between Zygmunt Bauman and Aleksandra Kania picks up on the themes of crisis, interregnum and the decline of the West. Decline of the West is first of all decline of western civilization. This easily leads to panic about the end of the world; what it really indicates is the limits and constraints of a world system based on nation-states. Spengler and Elias are introduced as interlocutors, in order to open these issues, and those…
Living with Zygmunt Bauman, before and after
This paper offers a memoir of living with Zygmunt Bauman. It begins with the early encounter of Bauman and Aleksandra Kania in Warsaw in 1954, where both were Masters students working with the humanist Marxist Adam Schaff. Kania and Bauman followed their separate life paths for decades, though they were both postwar communists and reconstructionists. Much later, the loss of their partners led to union, in Leeds and across the globe in travel. Thi…
The Heart of Classical Work-Performance
In this critical study of Julian Dodd's Being True to Works of Music (2020), I argue that the three-tier normative profile of the work-performance tradition in classical music that Dodd defends should be rejected in favour of a two-tier version. I also argue that the theory of work-performance defended in the book fits much more naturally with a contextualist ontology of musical works than with the Platonist ontology Dodd defends in Works of Musi…
The Local Solidarity Network in the Reception of Female Ukrainian Refugees' Influx of 2022
Drivers of Entrepreneurial Activities Among New‐Coming Ukrainian Female Refugees in Poland
Populations affected by armed conflicts are often forced to undergo internal or external displacement. The geographical proximity makes the direct neighbouring countries the main destination for forced migrants, and creates challenges in the reception and integration of newcomers. This study aims at determining what made new‐coming Ukrainian female forced migrants, fleeing the escalation of armed conflict in Spring 2022 from Ukraine, undertake en…
Against Recognizability as a Criterion of Work-Performance
Over the past few decades, various philosophers of music have appealed to the notion of recognizability in their theories of the performance of works of Western classical music. In this paper, I attempt to clarify that notion and examine whether it can actually do the jobs it is called upon to execute. I begin with a discussion of Jerrold Levinson's appeal to (something like) work-recognizability as a criterion of successful work-performance and …
Philosophy (5 works) · Political science (5 works) · Sociology (5 works) · Epistemology (4 works) · Law (4 works) · Musicology and Musical Analysis (4 works) · Philosophy (3 works) · Psychology (3 works) · Aesthetics (2 works) · Art (2 works)