D W Fokkema
Biographic Data
| ID | 982087 |
|---|---|
| NAME | D W Fokkema |
| GIVEN NAMES | D W |
| FAMILY NAME | Fokkema |
| SIGNATURE | FOKKEMA D W |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1966 |
| LATEST PUBLICATION YEAR | 1982 |
| H-INDEX | 1 |
A Semiotic Definition of Aesthetic Experience and the Period Code of Modernism: With Reference to an Interpretation of Les Faux-Monnayeurs
In the absence of a consensus of what literature is and how it is to be defined, many students of literature believe that the problem can be circumvented by disregarding the literary nature of their object. This tendency has given rise first to narratology, which is concerned with narrative, irrespective of whether it is received as being literary or nonliterary, and second to the study of texts in general (text grammar, Textwissenschaft, etc.), …
Theories of Literature in the Twentieth Century: Structuralism, Marxism, Aesthetics of Reception, Semiotics
The Forms and Values of Contemporary Chinese Literature
N THIS PAPER a number of generalizing hypotheses will be advanced about the predominant features of the literary forms and values of contemporary, post-1949 Chinese literature. In some respects the prevailing forms and values of contemporary Chinese literature are the outcome of a long literary tradition, whereas in other respects they are the result of a reevaluation of the traditional values and the introduction of new ones
Report from Peking-Observations of a Western Diplomat on the Cultural Revolution
Chinese Criticism of Humanism: Campaigns Against the Intellectuals 1964–1965
During the heyday of the Hundred Flowers period the Chinese literary rebels sought their models outside China. They understood that, if liberalisation were to have any chance at all, it should reach China via the communist countries and not via the Western world. Therefore many Chinese writers studied Soviet literature, and made no secret of their admiration for those Soviet writers who had presented unorthodox views, or views that, though correc…
A Semiotic Definition of Aesthetic Experience and the Period Code of Modernism: With Reference to an Interpretation of Les Faux-Monnayeurs
In the absence of a consensus of what literature is and how it is to be defined, many students of literature believe that the problem can be circumvented by disregarding the literary nature of their object. This tendency has given rise first to narratology, which is concerned with narrative, irrespective of whether it is received as being literary or nonliterary, and second to the study of texts in general (text grammar, Textwissenschaft, etc.), …
The Forms and Values of Contemporary Chinese Literature
N THIS PAPER a number of generalizing hypotheses will be advanced about the predominant features of the literary forms and values of contemporary, post-1949 Chinese literature. In some respects the prevailing forms and values of contemporary Chinese literature are the outcome of a long literary tradition, whereas in other respects they are the result of a reevaluation of the traditional values and the introduction of new ones
Chinese Criticism of Humanism: Campaigns Against the Intellectuals 1964–1965
During the heyday of the Hundred Flowers period the Chinese literary rebels sought their models outside China. They understood that, if liberalisation were to have any chance at all, it should reach China via the communist countries and not via the Western world. Therefore many Chinese writers studied Soviet literature, and made no secret of their admiration for those Soviet writers who had presented unorthodox views, or views that, though correc…
The Forms and Values of Contemporary Chinese Literature
N THIS PAPER a number of generalizing hypotheses will be advanced about the predominant features of the literary forms and values of contemporary, post-1949 Chinese literature. In some respects the prevailing forms and values of contemporary Chinese literature are the outcome of a long literary tradition, whereas in other respects they are the result of a reevaluation of the traditional values and the introduction of new ones
Report from Peking-Observations of a Western Diplomat on the Cultural Revolution
Theories of Literature in the Twentieth Century: Structuralism, Marxism, Aesthetics of Reception, Semiotics
A Semiotic Definition of Aesthetic Experience and the Period Code of Modernism: With Reference to an Interpretation of Les Faux-Monnayeurs
In the absence of a consensus of what literature is and how it is to be defined, many students of literature believe that the problem can be circumvented by disregarding the literary nature of their object. This tendency has given rise first to narratology, which is concerned with narrative, irrespective of whether it is received as being literary or nonliterary, and second to the study of texts in general (text grammar, Textwissenschaft, etc.), …
Aesthetics (3 works) · Art (3 works) · Chinese history and philosophy (3 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · China (2 works) · Epistemology (2 works) · Political science (2 works) · Semiotics (2 works)