Keith D Leonard
Biographic Data
| ID | 983223 |
|---|---|
| NAME | Keith D Leonard |
| GIVEN NAMES | Keith D |
| FAMILY NAME | Leonard |
| SIGNATURE | LEONARD K D |
| AFFILIATIONS | American University |
| ORCID | 0000-0002-0897-6804 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
The Mission of Africana Studies: An Interview with Hortense Spillers
Love in the Black Arts Movement: The Other American Exceptionalism
Love in the Black Arts MovementThe Other American Exceptionalism Keith D. Leonard (bio) Click for larger view View full resolution Keith D. Leonard Callaloo © 2012 [End Page 618] In the last paragraph of her essay “Standing in for the State: Black Nationalism and ‘Writing’ the Black Subject,” Wahneema Lubiano identifies literary criticism as what she calls the “site of possibility” for the articulation of the best version of the Black Nationalist…
The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium the Postwar African American Novel: Protest and Discontent, 1945–1950 If We Must Die: From Bigger Thomas to Biggie Smalls
Book Review| December 01 2012 The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium the Postwar African American Novel: Protest and Discontent, 1945–1950 If We Must Die: From Bigger Thomas to Biggie Smalls The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium. By Elam, Michelle. Stanford, CA: Stanford Univ. Press. 2011. xxiii, 277 pp. Cloth, $75.00; paper, $24.95.The Postwar African American Novel: …
Which Me Will Survive: Rethinking Identity, Reclaiming Audre Lorde
Skin, Inc: Identity Repair Poems
Reveling in Fluidity, Resisting Dichotomies: An Interview with Barbara Jane Reyes and Matthew Shenoda
Meta DuEwa Jones, Keith D. Leonard; Reveling in Fluidity, Resisting Dichotomies: An Interview with Barbara Jane Reyes and Matthew Shenoda, MELUS, Volume 35
Future Imperfect: An Introduction
Future Imperfect:An Introduction Keith D. Leonard (bio) and Kyle Dargan The Changing Same Again Being asked to name the future—I originally thought that this was the strange privilege and humbling burden inherent in serving as guest editors of "The Next Thirty" issue of Callaloo. I thought that our task would be to name and claim the voices in African-American and Africana studies and literature that were most fully pushing the boundaries of the …
First Questions: The Mission of Africana Studies:An Interview with Hortense Spillers
First Questions:The Mission of Africana Studies:An Interview with Hortense Spillers Keith D. Leonard (bio) This interview was conducted and recorded on September 29, 2006, at the home of Hortense Spillers in Nashville, Tennessee. KEITH D. LEONARD: This interview is to get your august perspective on the evolution of African-American/Africana studies as it has happened over your career and then to get some projections and speculations about what th…
Yusef Komunyakaa's Blues: The Postmodern Music of Neon Vernacular
Songlines in Michaeltree: New and Selected Poems
Songlines in Michaeltree: New and Selected Poems
Yusef Komunyakaa's Blues: The Postmodern Music of Neon Vernacular
Future Imperfect: An Introduction
Future Imperfect:An Introduction Keith D. Leonard (bio) and Kyle Dargan The Changing Same Again Being asked to name the future—I originally thought that this was the strange privilege and humbling burden inherent in serving as guest editors of "The Next Thirty" issue of Callaloo. I thought that our task would be to name and claim the voices in African-American and Africana studies and literature that were most fully pushing the boundaries of the …
First Questions: The Mission of Africana Studies:An Interview with Hortense Spillers
First Questions:The Mission of Africana Studies:An Interview with Hortense Spillers Keith D. Leonard (bio) This interview was conducted and recorded on September 29, 2006, at the home of Hortense Spillers in Nashville, Tennessee. KEITH D. LEONARD: This interview is to get your august perspective on the evolution of African-American/Africana studies as it has happened over your career and then to get some projections and speculations about what th…
Reveling in Fluidity, Resisting Dichotomies: An Interview with Barbara Jane Reyes and Matthew Shenoda
Meta DuEwa Jones, Keith D. Leonard; Reveling in Fluidity, Resisting Dichotomies: An Interview with Barbara Jane Reyes and Matthew Shenoda, MELUS, Volume 35
Skin, Inc: Identity Repair Poems
The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium the Postwar African American Novel: Protest and Discontent, 1945–1950 If We Must Die: From Bigger Thomas to Biggie Smalls
Book Review| December 01 2012 The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium the Postwar African American Novel: Protest and Discontent, 1945–1950 If We Must Die: From Bigger Thomas to Biggie Smalls The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium. By Elam, Michelle. Stanford, CA: Stanford Univ. Press. 2011. xxiii, 277 pp. Cloth, $75.00; paper, $24.95.The Postwar African American Novel: …
Which Me Will Survive: Rethinking Identity, Reclaiming Audre Lorde
Love in the Black Arts Movement: The Other American Exceptionalism
Love in the Black Arts MovementThe Other American Exceptionalism Keith D. Leonard (bio) Click for larger view View full resolution Keith D. Leonard Callaloo © 2012 [End Page 618] In the last paragraph of her essay “Standing in for the State: Black Nationalism and ‘Writing’ the Black Subject,” Wahneema Lubiano identifies literary criticism as what she calls the “site of possibility” for the articulation of the best version of the Black Nationalist…
The Mission of Africana Studies: An Interview with Hortense Spillers
Art (9 works) · History (6 works) · Literature (6 works) · Aesthetics (4 works) · Art history (4 works) · Race, History, and American Society (4 works) · Sociology (4 works) · Law (3 works) · Philosophy (3 works) · Poetry (3 works)