Alice Bombardier
Biographic Data
| ID | 98356 |
|---|---|
| NAME | Alice Bombardier |
| GIVEN NAMES | Alice |
| FAMILY NAME | Bombardier |
| SIGNATURE | BOMBARDIER A |
| AFFILIATIONS | Centre d’Analyse et d’Intervention Sociologiques CADIS (EHESS-CNRS), CADIS (UMR 8039, CNRS-EHESS), 190–198 avenue de France , 75244 Paris Cedex 13 |
| ORCID | 0009-0007-2470-9240 |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Xix e - xxi e siècle. Nouveaux enjeux
Être élève en Iran au tournant des années 1900
S’intéresser aux acteurs de l’école, à leur vécu et aux modalités d’enseignement au sein des systèmes scolaires locaux au Moyen-Orient permet de renouveler l’histoire de l’éducation portant sur la région. Le choix a été fait ici de se concentrer, en Iran dans les années 1898-1908, sur un système scolaire local mais étranger, celui de l’Alliance israélite universelle (AIU), et d’étudier à la fois le profil, le quotidien des élèves, le mode d’ensei…
The Pioneers of Iranian New Painting
In an interview, the Iranian painter Ahmad Esfandiari (1922–2012) related that he witnessed a particularly difficult time at the beginning of his career, when he did not know what direction his work might take. Slowly he overcame this fear of the unknown and discovered ‘the pleasure of uncharted paths’. But the critics did not see any social value in his work (Mojabi 1998: 155). In his testimony, Ahmad Esfandiari described the tumultuous 1940s, d…
À l’est de Chypre – la Vénus de Botticelli chez Āghdāshlū, Karamustafa et Osūlī
Cette étude analyse les modalités du transfert du motif vénusien de Botticelli refaisant surface dans les œuvres de trois artistes contemporains issus de Turquie et d’Iran. Contribuant à l’élaboration d’un espace interculturel mondialisé, ces œuvres chargent le motif de Vénus de nouvelles significations tout en attirant l’attention sur l’environnement quotidien des artistes, leurs systèmes de valeurs, les enjeux socio-politiques et l’état actuel …
L’essor d’une avant-garde picturale dans les années 1940 en Iran
In 1940s’ Iran, the first graduates in painting from the Fine Arts Faculty of the Tehran University distinguished themselves from their predecessors. They praised a new vision of art, activities of a new kind – such as the practice of public exhibitions – and new forms of organization. Initially, they used cultural centres of foreign embassies as springboards. Then, some of them founded – pioneering and still largely unknown – independent exhibit…
Iranian Revolutionary Painting on Canvas
The figure of the martyred soldier is so ingrained in the Iranian public sphere that today, thirty years after the Revolution and twenty years after the cessation of the hostilities against Iraq, Iranian revolutionary painting on canvas keeps drawing most of its inspiration from the Shiite rhetoric of the martyred body and from the war. this article identifies and analyzes the iconographic forms of the martyred body in this pictorial production, …
War Painting and Pilgrimage in Iran
The Iraqi army entered the border town of Khoramshahr, in Iranian territory, on September 22, 1980, triggering a war that lasted for eight years. The Khoramshahr mosque houses a mural painted by Nasser Palangi (born 1957) after the liberation of the city in 1982. This work is becoming the pictorial support of a pilgrimage. I seek to understand—through its modes of elaboration, its contents and the echo that the painting still receives in Iran tod…
No prominent works on this page.
War Painting and Pilgrimage in Iran
The Iraqi army entered the border town of Khoramshahr, in Iranian territory, on September 22, 1980, triggering a war that lasted for eight years. The Khoramshahr mosque houses a mural painted by Nasser Palangi (born 1957) after the liberation of the city in 1982. This work is becoming the pictorial support of a pilgrimage. I seek to understand—through its modes of elaboration, its contents and the echo that the painting still receives in Iran tod…
Iranian Revolutionary Painting on Canvas
The figure of the martyred soldier is so ingrained in the Iranian public sphere that today, thirty years after the Revolution and twenty years after the cessation of the hostilities against Iraq, Iranian revolutionary painting on canvas keeps drawing most of its inspiration from the Shiite rhetoric of the martyred body and from the war. this article identifies and analyzes the iconographic forms of the martyred body in this pictorial production, …
L’essor d’une avant-garde picturale dans les années 1940 en Iran
In 1940s’ Iran, the first graduates in painting from the Fine Arts Faculty of the Tehran University distinguished themselves from their predecessors. They praised a new vision of art, activities of a new kind – such as the practice of public exhibitions – and new forms of organization. Initially, they used cultural centres of foreign embassies as springboards. Then, some of them founded – pioneering and still largely unknown – independent exhibit…
À l’est de Chypre – la Vénus de Botticelli chez Āghdāshlū, Karamustafa et Osūlī
Cette étude analyse les modalités du transfert du motif vénusien de Botticelli refaisant surface dans les œuvres de trois artistes contemporains issus de Turquie et d’Iran. Contribuant à l’élaboration d’un espace interculturel mondialisé, ces œuvres chargent le motif de Vénus de nouvelles significations tout en attirant l’attention sur l’environnement quotidien des artistes, leurs systèmes de valeurs, les enjeux socio-politiques et l’état actuel …
The Pioneers of Iranian New Painting
In an interview, the Iranian painter Ahmad Esfandiari (1922–2012) related that he witnessed a particularly difficult time at the beginning of his career, when he did not know what direction his work might take. Slowly he overcame this fear of the unknown and discovered ‘the pleasure of uncharted paths’. But the critics did not see any social value in his work (Mojabi 1998: 155). In his testimony, Ahmad Esfandiari described the tumultuous 1940s, d…
Être élève en Iran au tournant des années 1900
S’intéresser aux acteurs de l’école, à leur vécu et aux modalités d’enseignement au sein des systèmes scolaires locaux au Moyen-Orient permet de renouveler l’histoire de l’éducation portant sur la région. Le choix a été fait ici de se concentrer, en Iran dans les années 1898-1908, sur un système scolaire local mais étranger, celui de l’Alliance israélite universelle (AIU), et d’étudier à la fois le profil, le quotidien des élèves, le mode d’ensei…
Xix e - xxi e siècle. Nouveaux enjeux
Art (6 works) · Art history (4 works) · Historical and Architectural Studies (4 works) · Islamic Studies and History (4 works) · Painting (4 works) · History (3 works) · Humanities (3 works) · Political science (3 works) · Visual arts (3 works) · Ancient history (2 works)