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Hillary Keeney

Biographic Data

ID98372
NAMEHillary Keeney
GIVEN NAMESHillary
FAMILY NAMEKeeney
SIGNATUREKEENEY H
AFFILIATIONSInstitute for Creative Therapy
ORCID0000-0003-3003-2276
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS10
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2020
H-INDEX2
  • Tuning your body instrument

    Open Access•Hillary Keeney, Bradford Keeney•ARTICLE•Dance Movement & Spiritualities•2020

    In this article, we outline a movement practice we devised called ‘tonal alignment’. It invites you to regard your body as a musical instrument that produces both a mechanical vibration (movement) and an acoustic vibration (sound). The basic practice involves moving different parts of your body to various musical tones. These tones can be made with your own voice, an instrument, or you can play recorded music. Synchronizing body movement with aco…

  • Dancing in two worlds

    Open Access•Hillary Keeney, Bradford Keeney•ARTICLE•Dance Movement & Spiritualities•2020

    The Ju/’hoan Bushmen or San of southern Africa host one of the oldest surviving dance forms. Openly conducted in public for the whole community, the dance serves as the primary locus for healing, conflict resolution, wellbeing, rejuvenation, social reunion, spiritual expression and performance art. Central to the dance is awakening n/om , what the Bushmen regard as a vibrational force that resides in the body of the strongest dancers. Often descr…

  • The Rhythm Detox

    Open Access•Hillary Keeney, Bradford Keeney•ARTICLE•Dance Movement & Spiritualities•2020

    Rhythm not only connects the notes of a song into pleasing melody, it also organizes much of our everyday experience. Everything has an underlying rhythm including speech, thoughts and how bodies move through space. When people feel stuck, lifeless or in need of a creative inspirational reset, we propose paying more attention to the rhythms organizing their somatic expression rather than only attending to inner psychological states. This can be d…

  • Recursive Frame Analysis

    Open Access•Hillary Keeney, Bradford Keeney•ARTICLE•Qualitative Report•2016•Cited by: 1•References: 3

    The origin of recursive frame analysis (RFA) is revisited and discussed as a postmodern alternative to modernist therapeutic models and research methods that foster hegemony of a preferred therapeutic metaphor, narrative, or strategy. It encourages improvisational performance while enabling a means of scoring the change and movement of the contextual organization of communication. Here we revisit the origin of RFA, its subsequent development, and…

  • Recursive Frame Analysis

    Open Access•Hillary Keeney, Bradford Keeney et al.•ARTICLE•Qualitative Report•2015•Cited by: 2•References: 1

    Recursive frame analysis (RFA), both a practical therapeutic tool and an advanced qualitative research method that maps the structure of therapeutic conversation, is introduced with a clinical case vignette. We present and illustrate a means of mapping metaphorical themes that contextualize the performance taking place in the room, recursively enacted to produce a lineal progression from an opening act to a closing act. RFA is offered to therapis…

  • Reentry into First Creation

    Bradford Keeney, Hillary Keeney•ARTICLE•Journal of Anthropological Research•2013•Cited by: 7•References: 8

    The Ju/’hoan Bushman origin myth is depicted as providing a contextual frame that orchestrates and gives meaning to their puberty rites, storytelling, and healing dance. These performances are shown to be an enactment of a reentry from Second into First Creation, the latter an imagined time when the original people could change into animals, communicate with all living forms, and have eternal life without sickness. Here n/om, or the presumed vita…

  • Reentry into First Creation

    Bradford Keeney, Hillary Keeney•ARTICLE•Journal of Anthropological Research•2013•Cited by: 7•References: 8

    The Ju/’hoan Bushman origin myth is depicted as providing a contextual frame that orchestrates and gives meaning to their puberty rites, storytelling, and healing dance. These performances are shown to be an enactment of a reentry from Second into First Creation, the latter an imagined time when the original people could change into animals, communicate with all living forms, and have eternal life without sickness. Here n/om, or the presumed vita…

  • Recursive Frame Analysis

    Open Access•Hillary Keeney, Bradford Keeney et al.•ARTICLE•Qualitative Report•2015•Cited by: 2•References: 1

    Recursive frame analysis (RFA), both a practical therapeutic tool and an advanced qualitative research method that maps the structure of therapeutic conversation, is introduced with a clinical case vignette. We present and illustrate a means of mapping metaphorical themes that contextualize the performance taking place in the room, recursively enacted to produce a lineal progression from an opening act to a closing act. RFA is offered to therapis…

  • Recursive Frame Analysis

    Open Access•Hillary Keeney, Bradford Keeney•ARTICLE•Qualitative Report•2016•Cited by: 1•References: 3

    The origin of recursive frame analysis (RFA) is revisited and discussed as a postmodern alternative to modernist therapeutic models and research methods that foster hegemony of a preferred therapeutic metaphor, narrative, or strategy. It encourages improvisational performance while enabling a means of scoring the change and movement of the contextual organization of communication. Here we revisit the origin of RFA, its subsequent development, and…

  • Reentry into First Creation

    Bradford Keeney, Hillary Keeney•ARTICLE•Journal of Anthropological Research•2013•Cited by: 7•References: 8

    The Ju/’hoan Bushman origin myth is depicted as providing a contextual frame that orchestrates and gives meaning to their puberty rites, storytelling, and healing dance. These performances are shown to be an enactment of a reentry from Second into First Creation, the latter an imagined time when the original people could change into animals, communicate with all living forms, and have eternal life without sickness. Here n/om, or the presumed vita…

  • Recursive Frame Analysis

    Open Access•Hillary Keeney, Bradford Keeney et al.•ARTICLE•Qualitative Report•2015•Cited by: 2•References: 1

    Recursive frame analysis (RFA), both a practical therapeutic tool and an advanced qualitative research method that maps the structure of therapeutic conversation, is introduced with a clinical case vignette. We present and illustrate a means of mapping metaphorical themes that contextualize the performance taking place in the room, recursively enacted to produce a lineal progression from an opening act to a closing act. RFA is offered to therapis…

  • Recursive Frame Analysis

    Open Access•Hillary Keeney, Bradford Keeney•ARTICLE•Qualitative Report•2016•Cited by: 1•References: 3

    The origin of recursive frame analysis (RFA) is revisited and discussed as a postmodern alternative to modernist therapeutic models and research methods that foster hegemony of a preferred therapeutic metaphor, narrative, or strategy. It encourages improvisational performance while enabling a means of scoring the change and movement of the contextual organization of communication. Here we revisit the origin of RFA, its subsequent development, and…

  • Tuning your body instrument

    Open Access•Hillary Keeney, Bradford Keeney•ARTICLE•Dance Movement & Spiritualities•2020

    In this article, we outline a movement practice we devised called ‘tonal alignment’. It invites you to regard your body as a musical instrument that produces both a mechanical vibration (movement) and an acoustic vibration (sound). The basic practice involves moving different parts of your body to various musical tones. These tones can be made with your own voice, an instrument, or you can play recorded music. Synchronizing body movement with aco…

  • Dancing in two worlds

    Open Access•Hillary Keeney, Bradford Keeney•ARTICLE•Dance Movement & Spiritualities•2020

    The Ju/’hoan Bushmen or San of southern Africa host one of the oldest surviving dance forms. Openly conducted in public for the whole community, the dance serves as the primary locus for healing, conflict resolution, wellbeing, rejuvenation, social reunion, spiritual expression and performance art. Central to the dance is awakening n/om , what the Bushmen regard as a vibrational force that resides in the body of the strongest dancers. Often descr…

  • The Rhythm Detox

    Open Access•Hillary Keeney, Bradford Keeney•ARTICLE•Dance Movement & Spiritualities•2020

    Rhythm not only connects the notes of a song into pleasing melody, it also organizes much of our everyday experience. Everything has an underlying rhythm including speech, thoughts and how bodies move through space. When people feel stuck, lifeless or in need of a creative inspirational reset, we propose paying more attention to the rhythms organizing their somatic expression rather than only attending to inner psychological states. This can be d…

Art (4 works) · Psychology (4 works) · Sociology (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Visual arts (3 works) · Archaeology and Rock Art Studies (2 works) · Dance (2 works) · Epistemology (2 works) · Frame (networking (2 works)

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