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David H Darst

Biographic Data

ID986012
NAMEDavid H Darst
GIVEN NAMESDavid H
FAMILY NAMEDarst
SIGNATUREDARST D H
AFFILIATIONSFlorida State University
VERIFIEDNo
TOTAL WORKS41
TOTAL CITATIONS1
AUTHOR COUNT41
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2006
H-INDEX1
  • Studies in Honor of James O. Crosby

    David H Darst, Lía Schwartz•ARTICLE•Hispania•2006

  • Reading for the Stage: Calderón and His Contemporaries

    David H Darst, Isaac Benabu•ARTICLE•Hispania•2005

  • Rewriting the Italian Novella in Counter-Reformation Spain

    David H Darst, Carmen R Rabell•ARTICLE•Hispania•2005

    As they reshaped the Italian novella under the inquisitorial atmosphere of the Counter-Reformation, Spanish narrators labelled their texts as exemplary. However, critics have usually agreed that there is a contradiction between the morals preached in the narrative frames, prologues and sententiae of Spanish novellas and the content of the plots. Rabell sees this ambiguity as a result of the use of the rhetoric of the fictitious case: Spanish nove…

  • The Plays of Juan Ruiz De Alarcón

    David H Darst, Jules Whicker•ARTICLE•Hispania•2005

    The plays of Ruiz de Alarcon, a significant dramatist in the Spanish Golden Age, show in many of their plots a preoccupation with deception, which Whicker believes reflects Alarcon's fundamental concern about truth-telling in literature. His study of Alarcon's comedias stresses the seriousness and moral orthodoxy of the playwright and his concern with how simulation and dissimulation can be viewed both positively and negatively in theatre as well…

  • Francisco de Quevedo, Poesia moral (Polimnia)

    David H Darst, Alfonso Rey•ARTICLE•Hispanic Review•2002

  • Converting Fiction: Counter Reformational Closure in the Secular Literature of Golden Age Spain

    E Friedman, Edward H Friedman et al.•ARTICLE•Hispania•2000

    This study examines how seventeenth-century Spanish authors manipulated the expected outcomes of secular literature to create religiously motivated outcomes prompted by some kind of conversion. The specific kinds of conversion at closure examined are the appropriation of earlier genres; conversion of non-Christian literary types; personal conversion of the native Spaniard through the Catholic ritual of confession, penitence, and absolution; conve…

  • Mockery in Spanish Golden Age Literature: Analysis of Burlesque Representation

    David H Darst, Kimberly E Contag et al.•ARTICLE•Hispanic Review•1998

  • The Play in the Mirror: Lacanian Perspectives on Spanish Baroque Theater

    David H Darst, Matthew Stroud et al.•ARTICLE•Hispania•1997

  • Una comedia, dos argumentos, tres historias: La estructura recíproca de El remedio en la desdicha

    David H Darst•ARTICLE•Hispania•1994

    Florida State [Jniversity Abstract: La estructura dramutica de El remedio en la desdicha, derivada del cuento ?El Abencerraje y la hermosa Jarifa,? se parte en dos argumentos separados e independientes que se alternan simtricamente a travs de la obr . Uno es la historia de AbindarrAez y Jarifa, y el otro es la historia de Arniez y Al ra. En l p i era os p otagonistas avanzan desde u a pasi6n fer z h sta un matrimonio f l z, mie tras en la segu d …

  • Muslims under Latin Rule, 1100-1300

    David H Darst, James M Powell•ARTICLE•Hispania•1992

  • Wizards and Magicians in the King James Old Testament

    David H Darst, STEVEN L JEFFERS•ARTICLE•The Seventeenth Century•1991

  • Spanish-Language Newspapers in the Classroom

    David H Darst•ARTICLE•Hispania•1991

    Finding the most appropriate Spanish text for the advanced intermediate level (fourth-year high school or fourth-semester college) has always been difficult. The students have had enough grammar and they know how to read with a dictionary, but they still lack oral proficiency and are not ready for unedited literary readings. Moreover, many at this level are in the last of a sequence of courses, and may never take a formal Spanish class again. It …

  • Spanish Video Materials in the Classroom

    David H Darst•ARTICLE•Hispania•1991

    David H. Darst, Florida State University In July of 1990 Leon County Schools sponsored During the session dedicated to Mexican fulla two-week summer institute at florida Stat length movies (specifically with the musica s University on the use of video mate als in he Pabloy Carolina, Ca e la nube, and Me can classroom. The w lve pan c pants were all lane rogarle) th te chers formula d nu ber of guage teachers certifi d in Spa i h f om the recommen…

  • Comedia: Art and History

    David H Darst, William R Blue•ARTICLE•Hispanic Review•1991

  • Hacia una poetica del relato didactico: "Ocho estudios sobre "El Conde Lucanor

    David H Darst, Aníbal A Biglieri•ARTICLE•Hispania•1990

    Through close readings of eight tales from the Conde Lucanor, Anibal A. Biglieri offers the foundation for a Poetics of short didactic narratives. Biglieri's point of entry into this canonical work is his analysis of the text's unique relation with reality. This book also offers insights about the significance of the frame story, the ethics of social position, and the relationship between the author and his text. Hacia una poetica del relato didi…

  • Diego Hurtado de Mendoza

    Christine D Martinez, Christine Martinez et al.•ARTICLE•Hispania•1989

  • Love and Remembrance: The Poetry of Jorge Manrique

    David H Darst, Frank A Domínguez•ARTICLE•Hispania•1989

  • Diego Hurtado de Mendoza

    Irving P Rothberg, David H Darst•ARTICLE•Hispanic Review•1989

  • Tirso's Tanto es lo de mas como lo de menos and Its Sources

    David H Darst•ARTICLE•Hispanic Review•1989•References: 1

    df IRSO de Molina's only tragicomedia parab6lica dramatizes the two well-known biblical parables traditionally titled Prodigal Son and I I Rich Man and Lazarus. The first chronicles the life of the imprudent younger brother who takes his fortune and squanders it, but then repents Ov and returns to receive his father's forgiveness. The second contrasts the damnation to hell that awaits the avaricious rich man who refuses to help others and the sal…

  • Imitatio

    Eric W Naylor, David H Darst•ARTICLE•South Atlantic Review•1987

  • Imitatio (Polemicas sobre la imitacion en el Siglo de Oro)

    Jean S Chittenden, David H Darst•ARTICLE•Hispania•1987

  • Imitatio (Polemicas sobre la imitacion en el Siglo de Oro)

    Sanford Shepard, David H Darst•ARTICLE•Hispanic Review•1987

  • Lo grotesco en la literatura española del siglo de oro

    David H Darst, Henryk Ziomek•ARTICLE•South Atlantic Review•1984

  • Renaissance Symmetry Baroque Symmetry and the Sciences

    Open Access•David H Darst•ARTICLE•Diogenes•1983

    Renaissance and Baroque, two terms unknown in the ages they describe, are now an integral part of the general public's cultural vocabulary. The first encompasses European civilization from the mid-fifteenth century to around 1550, and the second refers to developments in the seventeenth century, with the intervening fifty years forming a period of transition termed Mannerism. Beginning with the appearance of Heinrich Wölfflin's Kunst geschichtlic…

  • The Spanish Pastoral Novel

    David H Darst, Amadeu Sole-Leris•ARTICLE•Hispania•1981

Next
  • Renaissance Platonism and the Spanish Pastoral Novel

    David H Darst•ARTICLE•Hispania•1969•Cited by: 1

    T IS WELL KNOWN that the humanistic and idealistic philosophy of man as expressed in Renaissance Platonism exerted a strong influence on the content and form of sixteenth century Spanish literature. Americo Castro, in his classic study El pensamiento de Cervantes, states that las doctrinas que los neoplat6nicos del siglo XV difunden por Europa son el sost6n del edificio ideol6gico del Renacimiento.' More recently Juan Bautista Avalle-Arce has sho…

  • The Persistence of the Exemplum in Golden Age Thought

    David H Darst•ARTICLE•Renaissance and Reformation•1969

    Few modern scholars believe that past events can be known other than inferentially. National pride, personal bias, and a reverential respect for one's ancestors have been typical reasons for historians of all ages to distort the framework of the past. Historical feats are invariably greatly exaggerated, and the calamities, if mentioned at all, are understated or attributed to the wrath of God. Nevertheless, in earlier times men have maintained th…

  • Two differing views on immorality in christian sexual ethics

    Open Access•Jedidiah N Snyder, David H Darst et al.•ARTICLE•Pastoral Psychology•1969

  • Renaissance Platonism and the Spanish Pastoral Novel

    David H Darst•ARTICLE•Hispania•1969•Cited by: 1

    T IS WELL KNOWN that the humanistic and idealistic philosophy of man as expressed in Renaissance Platonism exerted a strong influence on the content and form of sixteenth century Spanish literature. Americo Castro, in his classic study El pensamiento de Cervantes, states that las doctrinas que los neoplat6nicos del siglo XV difunden por Europa son el sost6n del edificio ideol6gico del Renacimiento.' More recently Juan Bautista Avalle-Arce has sho…

  • Introduccion a la literatura espanola: Historia y antologia, siglos XI-XVII

    David H Darst, Marcelino C Penuelas et al.•ARTICLE•Hispania•1972

  • Temas de Arciniegas: Invitacion a conversar, leer y escribir

    David H Darst, Osvaldo N Soto et al.•ARTICLE•Hispania•1972

  • Three Pastoral Novels

    David H Darst, Rachel Bromberg•ARTICLE•Hispania•1972

  • Temas y dialogos

    Terry J Peavler, David H Darst et al.•ARTICLE•Hispania•1973

  • Latinoamerica: Sus culturas y sociedades

    David H Darst, H Ernest Lewald•ARTICLE•Hispania•1974

  • The Two Worlds of La ninfa del cielo

    David H Darst•ARTICLE•Hispanic Review•1974

    THE argumento, or plot, of Tirso de Molina's La ninfa del cielol is, as demonstrated in a recent study by Melveena McKendrick on the bandolera in the Golden Age drama,2 a representative play about a typical female outlaw. Ninfa, the Countess of Valdeflor, is seduced and abandoned by Carlos, the Duke of Calabria. In revenge, she becomes a public bandit, destroying every man she should encounter. After a brief renewal of the affair with Carlos, the…

  • La comedia y sus intérpretes

    Open Access•David H Darst•ARTICLE•Renaissance Quarterly•1975

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • El arte de la novela pastoril

    David H Darst, Jose Siles Artes•ARTICLE•Hispania•1975

  • El condenado por desconfiado

    David H Darst, Tirso de Molina et al.•ARTICLE•Hispania•1977

  • "Andrenio's Perception of Reality and the Structure of "El Criticon

    David H Darst•ARTICLE•Hispania•1977

    from the way it should be (these terms appear no less than one hundred and seventythree times in the novel). He reiterates that the depraved human condition is the cause for it, and he urges the individual to be alert and wary in order to penetrate society's guileful meanness. Graciin likewise teaches that one must consciously strive for an aurea mediocritas by seeking the middle path between vice and excessive virtue; for only then will one beco…

  • Hablemos: Temas contemporaneos para conversar o escribir

    David H Darst, Catherine A Maley et al.•ARTICLE•Hispania•1977

  • Tirso de Molina's Self-Plagiarism, Constructed Forms, and Compositional Procedures in the Renaissance

    Open Access•David H Darst•ARTICLE•Bulletin of the Comediantes•1980•References: 5

    TIRSO DE MOLINA'S SELF-PLAGIARISM, CONSTRUCTED FORMS, AND COMPOSITIONAL PROCEDURES IN THE RENAISSANCE DAVID H. DARST Florida State University One of the notable peculiarities of Tirso de Molina's dramatic creativity is that he repeatedly portrayed the same visual scenes of action, apparently heedless to the theme or content of the particular drama in which the moment transpired. These identical scenes and episodes that so abound in Tirso's works …

  • Juan Boscan

    Andreina Bianchini, David H Darst•ARTICLE•Hispanic Review•1980

  • The Spanish Pastoral Novel

    David H Darst, Amadeu Sole-Leris•ARTICLE•Hispania•1981

  • Renaissance Symmetry Baroque Symmetry and the Sciences

    Open Access•David H Darst•ARTICLE•Diogenes•1983

    Renaissance and Baroque, two terms unknown in the ages they describe, are now an integral part of the general public's cultural vocabulary. The first encompasses European civilization from the mid-fifteenth century to around 1550, and the second refers to developments in the seventeenth century, with the intervening fifty years forming a period of transition termed Mannerism. Beginning with the appearance of Heinrich Wölfflin's Kunst geschichtlic…

  • Lo grotesco en la literatura española del siglo de oro

    David H Darst, Henryk Ziomek•ARTICLE•South Atlantic Review•1984

  • Imitatio

    Eric W Naylor, David H Darst•ARTICLE•South Atlantic Review•1987

  • Imitatio (Polemicas sobre la imitacion en el Siglo de Oro)

    Jean S Chittenden, David H Darst•ARTICLE•Hispania•1987

  • Imitatio (Polemicas sobre la imitacion en el Siglo de Oro)

    Sanford Shepard, David H Darst•ARTICLE•Hispanic Review•1987

  • Diego Hurtado de Mendoza

    Christine D Martinez, Christine Martinez et al.•ARTICLE•Hispania•1989

  • Love and Remembrance: The Poetry of Jorge Manrique

    David H Darst, Frank A Domínguez•ARTICLE•Hispania•1989

  • Diego Hurtado de Mendoza

    Irving P Rothberg, David H Darst•ARTICLE•Hispanic Review•1989

Art (35 works) · Early Modern Spanish Literature (19 works) · Philosophy (15 works) · History (14 works) · Humanities (14 works) · Literature (10 works) · Linguistics (8 works) · History (5 works) · Comparative Literary Analysis and Criticism (4 works) · Historical and Literary Analyses (4 works)

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