Janet Clare
Biographic Data
| ID | 986689 |
|---|---|
| NAME | Janet Clare |
| GIVEN NAMES | Janet |
| FAMILY NAME | Clare |
| SIGNATURE | CLARE J |
| AFFILIATIONS | University of Hull |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Cosmography, Knowledge in Transit: A Conspectus
From a modern perspective, it could be argued that cosmography was a protoscience, or ancestral to geography. To systemize it according to its modern legacy, however, dilutes its early modern diversity. Cosmography has a place in both the history of science and in historical geography, without being confined to either discipline. The article explores how cosmography circulated across disciplines, national borders, and social classes. It materiali…
The Masters of the Revels and Elizabeth 1's Court Theatre by W. R. Streitberger
Reviewed by: The Masters of the Revels and Elizabeth 1's Court Theatre by W. R. Streitberger Janet Clare The Masters of the Revels and Elizabeth 1'S Court Theatre. By W. R. Streitberger. Oxford: Oxford University Press, 2016; pp. 336. W. R. Streitberger's seminal 1978 article on the biography of Edmond Tilney, the late Elizabethan and early Jacobean Master of the Revels, pioneered a revived interest in the organization and development of the Reve…
The Duchess of Suffolk
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre
Clare, Janet. Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 39, Number 1, Winter 2016, pp. 5-212), on Érudit
Shakespeare: Revising and Re-visioning
This article engages with one of the current critical and bibliographical concerns of Shakespeare studies: the collaborative nature of Shakespeare’s work. Bibliographers have identified other hands in the fabric of Shakespeare’s plays. Here the focus is Shakespeare’s collaboration in the plays of others. Three such instances will be examined; The Book of Sir Thomas More, The Spanish Tragedy and The Chronicle History of King Lear. Substantially di…
Censorship
This article discusses the control and regulation of playhouses during Shakespeare's career; The Book of Sir Thomas More; and Jacobean censorship. Elizabethan censorship in the decades preceding and coinciding with Shakespeare's early career evolved in response to the rapid growth of theatre production. The state sought to regulate the operation of playhouses and acting companies, and to check the contents of plays before granting a licence for t…
Women’s Writing in English: Early Modern England
Patricia Demers. Women’s Writing in English: Early Modern England. Women’s Writing in English. Toronto: University of Toronto Press, 2005. x + 364 pp. index. append. illus. chron. bibl. 32.95 (pbk). ISBN: 0-8020-8710-8 (cl), 0-8020-8664-0 (pbk). - Volume 59 Issue 2
The Censorship of the Deposition Scene in Richard Ii
THE CENSORSHIP OF THE DEPOSITION SCENE IN RICHARD II JANET CLARE JANET CLARE Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, Volume XLI, Issue 161, February 1990, Pages 89–94, https://doi.org/10.1093/res/XLI.161.89 Published: 01 February 1990
The Censorship of the Deposition Scene in Richard Ii
THE CENSORSHIP OF THE DEPOSITION SCENE IN RICHARD II JANET CLARE JANET CLARE Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, Volume XLI, Issue 161, February 1990, Pages 89–94, https://doi.org/10.1093/res/XLI.161.89 Published: 01 February 1990
The Censorship of the Deposition Scene in Richard Ii
THE CENSORSHIP OF THE DEPOSITION SCENE IN RICHARD II JANET CLARE JANET CLARE Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, Volume XLI, Issue 161, February 1990, Pages 89–94, https://doi.org/10.1093/res/XLI.161.89 Published: 01 February 1990
Women’s Writing in English: Early Modern England
Patricia Demers. Women’s Writing in English: Early Modern England. Women’s Writing in English. Toronto: University of Toronto Press, 2005. x + 364 pp. index. append. illus. chron. bibl. 32.95 (pbk). ISBN: 0-8020-8710-8 (cl), 0-8020-8664-0 (pbk). - Volume 59 Issue 2
Censorship
This article discusses the control and regulation of playhouses during Shakespeare's career; The Book of Sir Thomas More; and Jacobean censorship. Elizabethan censorship in the decades preceding and coinciding with Shakespeare's early career evolved in response to the rapid growth of theatre production. The state sought to regulate the operation of playhouses and acting companies, and to check the contents of plays before granting a licence for t…
Shakespeare: Revising and Re-visioning
This article engages with one of the current critical and bibliographical concerns of Shakespeare studies: the collaborative nature of Shakespeare’s work. Bibliographers have identified other hands in the fabric of Shakespeare’s plays. Here the focus is Shakespeare’s collaboration in the plays of others. Three such instances will be examined; The Book of Sir Thomas More, The Spanish Tragedy and The Chronicle History of King Lear. Substantially di…
Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre
Clare, Janet. Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 39, Number 1, Winter 2016, pp. 5-212), on Érudit
The Duchess of Suffolk
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Masters of the Revels and Elizabeth 1's Court Theatre by W. R. Streitberger
Reviewed by: The Masters of the Revels and Elizabeth 1's Court Theatre by W. R. Streitberger Janet Clare The Masters of the Revels and Elizabeth 1'S Court Theatre. By W. R. Streitberger. Oxford: Oxford University Press, 2016; pp. 336. W. R. Streitberger's seminal 1978 article on the biography of Edmond Tilney, the late Elizabethan and early Jacobean Master of the Revels, pioneered a revived interest in the organization and development of the Reve…
Cosmography, Knowledge in Transit: A Conspectus
From a modern perspective, it could be argued that cosmography was a protoscience, or ancestral to geography. To systemize it according to its modern legacy, however, dilutes its early modern diversity. Cosmography has a place in both the history of science and in historical geography, without being confined to either discipline. The article explores how cosmography circulated across disciplines, national borders, and social classes. It materiali…
Art (6 works) · History (6 works) · History (6 works) · Sociology (5 works) · Art history (4 works) · Literature (4 works) · Computer Science (3 works) · Law (3 works) · Political science (3 works) · Shakespeare, Adaptation, and Literary Criticism (3 works)