William Drabkin
Biographic Data
| ID | 987355 |
|---|---|
| NAME | William Drabkin |
| GIVEN NAMES | William |
| FAMILY NAME | Drabkin |
| SIGNATURE | DRABKIN W |
| AFFILIATIONS | University of Southampton |
| VERIFIED | No |
| TOTAL WORKS | 60 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 59 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
Beethoven
Beethoven
Explaining Tonality
In spite of some trends in musicology away from the dry analysis of scores, music theorists are alive and well, and Schenker studies continue to thrive on many fronts: analysis, theory, epistemology, cultural history, source studies. We have not got out of analysis, and we are a long way from being beyond Schenkerism. What has happened in just the past few years has already made David Carson Berry's magisterial A Topical Guide to Schenkerian Lite…
Mostly Mozart
S chenker's ‘D ecline’
Über den Niedergang der Kompositionskunst
Towards the end of 1905, while putting the finishing touches to his Harmonielehre, Schenker conceived an essay that would show how the course of music after Beethoven moved essentially in two directions: the first in which the 'aristocratic' genius of the classical masters (Schubert, Chopin, Schumann and - in the realm of cyclic composition - Mendelssohn and Brahms) continued to develop according to autonomous musical principles, and a second whe…
The Decline of the Art of Composition
Concerted Effort
Four Viennese String Quintets
Journal Article Four Viennese String Quintets Get access William Drabkin, William Drabkin Search for other works by this author on: Oxford Academic Google Scholar Cliff Eisen Cliff Eisen Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 83, Issue 1, February 2002, Pages 175–177, https://doi.org/10.1093/ml/83.1.175 Published: 01 February 2002
Bellermann, Konstantin
Bellermann family
Chromatic
Tritone
Inversion
Sixth
Consecutive fifths, consecutive octaves
Bellermann, Johann Friedrich
Pantonality
Cadence
Cadenza
Bellermann, Johann Joachim
Beethoven, Ludwig van
Bellermann, (Johann Gottfried) Heinrich
Quasi Una Fantasia
Going Solo
Towards a Methodology for Schenkerian Analysis
The Concept of Musical Grammar
Music analysis and, in particular music criticism, two fundamental tools of historical research and musicology in the broadest sense have become extremely difficult and problematical disciplines in the last few decades. The actual practice of analysis and criticism has by no means come to a halt, but the amount of 'truth' which was once thought obtainable from them or, at least, which was believed to have been won in the actual moment of undertak…
Mostly Mozart
Über den Niedergang der Kompositionskunst
Towards the end of 1905, while putting the finishing touches to his Harmonielehre, Schenker conceived an essay that would show how the course of music after Beethoven moved essentially in two directions: the first in which the 'aristocratic' genius of the classical masters (Schubert, Chopin, Schumann and - in the realm of cyclic composition - Mendelssohn and Brahms) continued to develop according to autonomous musical principles, and a second whe…
The Decline of the Art of Composition
Beethoven and the Open String
A Lesson in Analysis from Heinrich Schenker
Early Beethoven
Haydn Collections
Kuhlau Catalogue
Revised Beethoven
Harmony
Beethoven Mass
Quartet in C Sharp Minor Op.131
Beethoven Sketches
Harmony, Style
The Music Forum, Volume V
Characters, Key Relations and Tonal Structure in 'Il trovatore
Towards an Explanation of the Dramatic Structure of 'Il trovatore
In no other of Verdi's operas does one find even the slightest inclination toward humor. And now the old master writes a work that gives his whole past the lie, so to speak, an opera buffa raised to the nth power, the sublime example of its kind. Falstaff throws a light back over all of Verdi's previous work. It changes the aspect of this work; there must be more to it than we believed; the master who could create such an opera did not write Trov…
Untersuchungen zu Heinrich Schenkers Stimmfuhrungsanalyse
Classics
Mozart Reexamined
The Concept of Musical Grammar
Music analysis and, in particular music criticism, two fundamental tools of historical research and musicology in the broadest sense have become extremely difficult and problematical disciplines in the last few decades. The actual practice of analysis and criticism has by no means come to a halt, but the amount of 'truth' which was once thought obtainable from them or, at least, which was believed to have been won in the actual moment of undertak…
As Time Goes by
Classical Piano
Beethoven, 1
Beethoven and the Open String
A Lesson in Analysis from Heinrich Schenker
Around Beethoven
Beethoven Scholarship
But Also Forte
Towards a Methodology for Schenkerian Analysis
Art (48 works) · Musicology and Musical Analysis (26 works) · Computer Science (12 works) · Psychology (11 works) · Literature (10 works) · Art history (8 works) · Diverse Musicological Studies (7 works) · Music Technology and Sound Studies (7 works) · Philosophy (7 works) · History (6 works)