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Richard Van Oort

Biographic Data

ID987842
NAMERichard Van Oort
GIVEN NAMESRichard
FAMILY NAMEVan Oort
SIGNATUREVAN OORT R
ORCID0000-0003-2555-9401
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS7
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2018
H-INDEX2
  • Shakespeare's Big Men: Tragedy and the Problem of Resentment

    Richard Van Oort•BOOK•Shakespeare's Big Men•2018

  • Mimetic Theory and Its Rivals: A Reply to Pablo Bandera

    Richard Van Oort•ARTICLE•Contagion Journal of Violence…•2010

    Research Article| May 01 2010 Mimetic Theory and Its Rivals: A Reply to Pablo Bandera Richard van Oort Richard van Oort Search for other works by this author on: This Site Google Contagion: Journal of Violence Mimesis and Culture (2010) 17: 189–203. https://doi.org/10.2307/41925323 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Richard van Oort; Mimetic Theory and Its Rivals: A Reply to Pablo Ban…

  • Shakespeare and the Idea of the Modern

    Richard Van Oort•ARTICLE•New Literary History•2006•References: 7

    Since the late eighteenth century, Shakespeare's plays-and above all Hamlet-have been regarded as indispensable proof texts for testing ideas of the emergence of the modern. In the postwar era, however, there has been a waning of this ambition. Most recently, for example, the new historicism has emphasized Shakespeare's ties to the past and in particular to the ritual culture of the medieval period. This turn to religion suggests a renewed intere…

  • The Critic as Ethnographer

    Richard Van Oort•ARTICLE•New Literary History•2004•Cited by: 3•References: 9

    In literary studies, the idea of culture is everywhere invoked but rarely explained. Why? Because universal explanations of culture remain universally maligned. The tacit assumption behind this "culture of repudiation" is that culture is above all a historical exercise in ethical differentiation. Because universal explanations of culture seem to uphold historical sameness rather than historical difference, they are felt to run counter to the ethi…

  • Cognitive Science and the Problem of Representation

    Richard Van Oort•ARTICLE•Poetics Today•2003•Cited by: 3•References: 25

    In this article, I argue that the problem of representation stands at the center of the debate concerning the legitimacy of cognitivism as a research strategy for the humanities. Yet, curiously, very few commentators in this debate see representation to be a problem at all. Questions about the anthropological origin and function of representation tend to be regarded as at best supplemental, and at worst simply irrelevant, to the synchronic questi…

  • Three Models of Fiction: The Logical, the Phenomenological, and the Anthropological (Searle, Ingarden, Gans)

    Richard Van Oort•ARTICLE•New Literary History•1998•Cited by: 1

    New Literary History - Volume 29, Number 3, Summer 1998

  • The Critic as Ethnographer

    Richard Van Oort•ARTICLE•New Literary History•2004•Cited by: 3•References: 9

    In literary studies, the idea of culture is everywhere invoked but rarely explained. Why? Because universal explanations of culture remain universally maligned. The tacit assumption behind this "culture of repudiation" is that culture is above all a historical exercise in ethical differentiation. Because universal explanations of culture seem to uphold historical sameness rather than historical difference, they are felt to run counter to the ethi…

  • Cognitive Science and the Problem of Representation

    Richard Van Oort•ARTICLE•Poetics Today•2003•Cited by: 3•References: 25

    In this article, I argue that the problem of representation stands at the center of the debate concerning the legitimacy of cognitivism as a research strategy for the humanities. Yet, curiously, very few commentators in this debate see representation to be a problem at all. Questions about the anthropological origin and function of representation tend to be regarded as at best supplemental, and at worst simply irrelevant, to the synchronic questi…

  • Three Models of Fiction: The Logical, the Phenomenological, and the Anthropological (Searle, Ingarden, Gans)

    Richard Van Oort•ARTICLE•New Literary History•1998•Cited by: 1

    New Literary History - Volume 29, Number 3, Summer 1998

  • Three Models of Fiction: The Logical, the Phenomenological, and the Anthropological (Searle, Ingarden, Gans)

    Richard Van Oort•ARTICLE•New Literary History•1998•Cited by: 1

    New Literary History - Volume 29, Number 3, Summer 1998

  • Cognitive Science and the Problem of Representation

    Richard Van Oort•ARTICLE•Poetics Today•2003•Cited by: 3•References: 25

    In this article, I argue that the problem of representation stands at the center of the debate concerning the legitimacy of cognitivism as a research strategy for the humanities. Yet, curiously, very few commentators in this debate see representation to be a problem at all. Questions about the anthropological origin and function of representation tend to be regarded as at best supplemental, and at worst simply irrelevant, to the synchronic questi…

  • The Critic as Ethnographer

    Richard Van Oort•ARTICLE•New Literary History•2004•Cited by: 3•References: 9

    In literary studies, the idea of culture is everywhere invoked but rarely explained. Why? Because universal explanations of culture remain universally maligned. The tacit assumption behind this "culture of repudiation" is that culture is above all a historical exercise in ethical differentiation. Because universal explanations of culture seem to uphold historical sameness rather than historical difference, they are felt to run counter to the ethi…

  • Shakespeare and the Idea of the Modern

    Richard Van Oort•ARTICLE•New Literary History•2006•References: 7

    Since the late eighteenth century, Shakespeare's plays-and above all Hamlet-have been regarded as indispensable proof texts for testing ideas of the emergence of the modern. In the postwar era, however, there has been a waning of this ambition. Most recently, for example, the new historicism has emphasized Shakespeare's ties to the past and in particular to the ritual culture of the medieval period. This turn to religion suggests a renewed intere…

  • Mimetic Theory and Its Rivals: A Reply to Pablo Bandera

    Richard Van Oort•ARTICLE•Contagion Journal of Violence…•2010

    Research Article| May 01 2010 Mimetic Theory and Its Rivals: A Reply to Pablo Bandera Richard van Oort Richard van Oort Search for other works by this author on: This Site Google Contagion: Journal of Violence Mimesis and Culture (2010) 17: 189–203. https://doi.org/10.2307/41925323 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Richard van Oort; Mimetic Theory and Its Rivals: A Reply to Pablo Ban…

  • Shakespeare's Big Men: Tragedy and the Problem of Resentment

    Richard Van Oort•BOOK•Shakespeare's Big Men•2018

Philosophy (4 works) · Art (3 works) · Epistemology (3 works) · History (3 works) · Literature (3 works) · Psychology (3 works) · Aesthetics (2 works) · Anthropological Studies and Insights (2 works) · Computer Science (2 works) · Context (archaeology (2 works)

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